The boys deliver a Special Edition of Saturday Night Movie Sleepovers this week as they go way down the alley and explore the Marvel character Daredevil‘s live-action roots (as well as The Kingpin‘s for that matter), leading them to the 1989 Bill Bixby classic, The Trial of the Incredible Hulk.
Dion Baia and J. Blake go into an in-depth analysis of the 2nd in the post-Incredible Hulk series TV movies, which was originally supposed to serve as backdoor pilot for a potential Daredevil TV series, which also starred Lou Ferrigno, Rex Smith and lastly John Rhys-Davies as Wilson Fisk himself. And because they are tackling Daredevil’s small-screen origins, the boys include the 1994 Spiderman Animated Series two-parter from Season Three, which debued the Man Without Fear to cartoon viewers everywhere. They also discuss the resurgence in popularity that has occurred in the past fifteen or so years for the superhero film (and television show), as well as strive to showcase the genius thespian and director that was Bill Bixby, or as they affectionately call him, “the Bix“. Come on down and enjoy a sporadic, exciting and highly informative installment of Saturday Night Movie Sleepovers!
(Check out this great Incredible Hulk TV Series Documentary)
(Here’s Stan Lee discussing the origins of the Incredible Hulk Television series.)
(Have a look at a great flashback of Mister Rogers visiting the Incredible Hulk set! And here’s Part 2!)
(Bill Bixby on the Arsenio Hall Show in April of 1989 to promote the Trial of the Incredible Hulk, speaking in great detail about The Courtship of Eddie’s Father)
(And please check out the final interview with Bill Bixby)
This time around for an all new installment of Saturday Night Movie Sleepovers, Dion Baia and J. Blake are going back to the basics. They’re covering a film which is a forgotten cult-classic and true Saturday Night Sleepover material if their ever was one because for their age group, they were the targeted demographic upon the movie’s release. This week the boys tackle Fred Dekker‘s 1987 film The Monster Squad.
Why did this movie very quietly (and very quickly) fall through the cracks and be all but forgotten? Has it finally received the immortal status it rightly deserves? Would today’s children and (for that matter) today’s adults, enjoy the film as it was intended in 1987 or is it too –politically incorrect? Is this Fred Dekker, debut screenwriter Shane Black, and Stan Winston‘s love letter to the Universal Monsters, Abbott & Costello‘s hilarious monster-teamup series and to the 1950’s monster-era on a whole? Will Fred Dekker ever get the due he undoubtably deserves? Well grab your junk food, your sugary beverages, take-out food and curl up on the sofa for another brilliant, hilarious, and informative edition of Saturday Night Movie Sleepovers!
(Check out the Monster Squad Reunion at the 2007 Comic Con!)
(Have a look at the The Monster Squad Panel Discussion at the Monsterpalooza Horror Convention in Burbank on April 14th 2013)
(Here’s a great little Monsterama interview with SFX legend Stan Winston)
This time around Dion and Blake are talking about potentially their most controversial film for Saturday Night Movie Sleepovers to date, Don Siegel‘s classic, the original Dirty Harry, from 1971, starring Clint Eastwood.
This groundbreaking film literally paved the way for the onslaught of police genre stories on the big and small screen in the 1970’s, and refined and set the standard for the Vigilante/Anti-Hero genre that blossomed for the next 20 years, and also spawned 4 sequels. So why the heck was this film so contentious for 1971? How did the raw violence and its graphic depiction sit with audiences at the time? How does it hold up today? Is this actually a Western in disguise? Is the film’s composer Lalo Schrifrin as underrated as it seems? Did this film quite possibly give us the action film genre as we knew it with Arnold, Sly, and Willis in the 1980’s- Wha-? Hmm… Well come on down and give us a spin on another brand-new edition of Saturday Night Movie Sleepovers!
*Dion erroneously referred to Frank Sinatra‘s 1967 film Tony Rome, when he actually met his 1968 film The Detective.
(Check out the 1971 San Francisco premiere of Dirty Harry!)
(Have a look at this CANCELLED 2007 Dirty Harry game for X360/Ps3, that would have taken place between the first and second film, and looked sweet as all hell! And –Here’s the story behind it!)
(Here’s a ultra-rare promotional ad done for the film while Frank Sinatra was still being talked about for the role.)
(Check out the back cover of the novelization at the really cool early concept for Scorpio‘s ransom note!)
(Watch the trailer to see how they promoted the film)
The lads have their hands full in this brand-spanking new installment of Saturday Night Movie Sleepover, and desperately try to fit it all into the confines of a humble podcast. This week, Dion Baia and J. Blake take on the 1982 horror classic, John Carpenter’s The Thing.
The boy’s knowledge and expertise are put to task, disseminating all the elements that were brought together in remaking an already established cult classic. How the heck did this movie flop upon its intital release and be completely panned by critics and the film community alike? How do the SFX hold up to the CGI we are so familiar with today? How did the 2011 prequel/remake and 2002 PS2 video game hold up verse Carpenter’s 1982 vision? Have the boys actually solved the ending? And… what the heck were the guys thinking trying to do their own 3D experience in these cold winter months with their latest screening?
Well strap yourselves onto your couch (quite literally) for this thrilling and exciting installment of Saturday Night Movie Sleepovers!
(Go have a gander at this neat wikia page so you can completely go in-depth and geek out on John Carpenter’s The Thing!)
(Have a look at this great topical claymation mash-up that was done, mixing The Thing and Disney’s Frozen.)
(Here are some deleted scenes from the film, and click here for stills for some of the lost scenes.)
(Take a peek at this vintage behind-the-scenes featurette.)
(Last but certainly far from least, as a great, EXCLUSIVE treat for our fans, check out some original concept art drawn by comic artist Mike Ploog of the kennel scene, from J. Blake‘s personal collection: here, here, here and here.)
In this brand-spanking new edition of Saturday Night Movie Sleepovers, Dion Baia and J. Blake take on the monumental opus, something that not only influenced these two boys in their formative years, but also was a huge influence on cinema, sci-fi, action (and maybe even horror) as well as technology- we are of course talking about James Camerson’s breakout masterpiece, The Terminator, from 1984.
The boys lay out the history behind the film and the lead up to its inception, and tackle a lot of the nuisanced subplots. Who were the other actors that were being pegged to play the lead role? What character did Arnold originally read for? Does this film still hold up and more importantly, did director James Cameron as the auteur really change the face of cinema with his 1984 (proper) feature film debut? Well come on down and listen to another informative, exciting and fun-for-all installment of Saturday Night Movie Sleepovers!
(Here’s a great vintage, rare behind the scenes making-of featurette done for the film.)
(Check out the rare, deleted scenes from the film and see if you agree with their omission from the finished movie.)
Straight out of Hasbro, toy’s with attitude, Dion Baia and J.Blake are back for a spontaneous Part 2 of their momentous Podcast to ring in the 2015 New Year, deciding to take on the supremely unrated G.I.Joe the Movie, from 1987.
Following up Part 1 where they went head to head with the super-iconic 1986 favorite Transformers the Movie, J. Blake and Dion flip the record over and check out side B of that Marvel/Hasbro late-80’s film mash-up, screening yet another childhood classic. They dissect and analyze, while peppering historical context and lightly salt with some personal reflections regarding the film and the era it was released. Had Joe been released prior to Transformers, would Optimus Prime still have died? What would that have said then about Duke’s fate? While bringing up a third and largely unknown venture that was released and hence sealed the fate for the now defunct Sunbow Animation Studios, Dion learns for the first time on tape exactly what “Bronies” are and how the heck they relate to Autobots or Cobra. And how did this new film along with Transformers the Movie ultimately nix a theatrical release for G.I.Joe a year later? Well grab your notebooks, VCRs, and your hats because the boys are chatting up another fun one for this new edition of Saturday Night Movie Sleepovers!
Here’s an ultra rare VHS promo for G.I.Joe the Movie!
Check out a chance to win your very own Sgt. Slaughter figure! (Full disclosure, offer expires January 31st, 1987)
And do you remember all your friends having the ‘The Refrigator’ Perry toy except you?!
Finally, here is the complete, super-rare vintage 1980’s G.I.Joe commercials for the Marvel Comic books, complete with original animation done for selling the books!
The boys really searched through the proverbial video store racks for this week’s pick, the little known and probably even less-seldom seen sci-fi treat, Mindwrap from 1992, starring Bruce Campbell and Phantasm‘s Angus Scrimm.
This underrated, low-budget post-apocalyptic/technological/CHUD-style tale explores themes probed 7 years later in the highly popular 1999 film The Matrix (though the viewpoints of the filmmakers couldn’t be more carbon opposite), and Mindwrap seems to be an amalgam of some of the best sci-fi films out there, e.g. The Time Machine, Total Recall, Blade Runner and THX 1138. So please have a listen and enjoy us waxing over a true forgotten sci-fi and Bruce Campbell classic!
(There in fact is an out of print, region free remastered Blu Ray edition put out by Twilight Time Studios, which can be found on Amazon.)
(Dion misspoke in the cast when he referred to Philip K. Dick‘s iconic short story We Can Remember it For You Wholesale being linked to Blade Runner, when he actually meant Total Recall. He does tend to get a tad over-zealous at times.)
With the recent premiere in the fall of 2014 of yet another beloved DC Comics property The Flash, the boys had the idea of instead going back in time and giving another shot to the original series, 1990‘s The Flash pilot, starring the great John Wesley Shipp.
So… are they crazy? Or are they onto something? How big of an influence did Tim Burton‘s 1989 epic Batman film and Warren Beatty‘s 1990 hit Dick Tracy have on this franchise? And more importantly, what influences if any, was this show on the forthcoming iconic Batman the Animated Series from 1992? Well it’s an action packed, fast-paced, special edition of Saturday Night Movie Sleepovers. Come on down and have a listen today!
In the 2nd episode of the smash hit Saturday Night Movie Sleepovers, J. Blake and Dion Baia tackle a film near and dear to their hearts from a filmmaker they absolutely adore, John Carpenter and his 1986 feature, Big Trouble in Little China.
The boys discuss the cult status the iconic film has achieved and the history behind getting it onto the silver screen. Is Big Trouble still just as good as we all remember? Is this just a dressed-up, 1940’s Cary Grant/romantic-comedy meets Edgar Rice Burroughs/serial B-movie pulp in disguise? And is the ‘Russ really channeling who we think he is? Well, come on down and listen to this exciting, informative, action-packed edition of Saturday Night Movie Sleepovers!
(Check out John Carpenter’s band, The Coup De Villes‘ Music Video for Big Trouble!)
In the inaugural edition of J. Blake and Dion Baia‘s new podcast Saturday Night Movie Sleepovers, the boys fittingly pick the forgotten, some may even call lost and dark Marvel Comics classic, Mark Goldblatt’s The Punisher from 1989, starring Dolph Lundrgen and Lou Gossett Jr.
They go in depth about the film, discuss the era and climate it came out in, and perhaps why it was so quickly pushed to the wayside (for the right or wrong reasons) and if it truly deserved its inescapable fate. Was it as bad as we all remember? Did it do the character Frank Castle the justice he deserved? Is it actually a good film that has shades of newer movies that we now deem ‘classics’? Will we ever see such a politically incorrect film quite like this ever be produced from Marvel again? Well… come on down and have a listen and find out! (And check out some great scenes that didn’t get passed the cutting room floor.)