The Black Hole, 1979
The boys are back for week 3 in their epic October Halloween month of Horror! This time around J. Blake and Dion Baia tackle what some might call an unorthodox choice for a scary movie pick, but it certainly is Disney‘s darkest entry in film and also their most frightening (heck, [spoiler alert!] they go to Hell at the end)! Of course we’re talking Disney’s breath-taking and highly ambitious venture into cosmic Sci-Fi, The Black Hole, from 1979.
The boys get into all the minute details of a movie that was so shocking, it quite possibly might have scarred an entire generation of children while at the same time, begot a merchandising campaign so vast, it even gave us a Little Golden Book Edition for those too young to follow along with the terror onscreen. Dion and Blake attempt to dissect the film in the context of the space-mania in the late 1970’s, and Hollywood’s race to the stars on the big and small screen. They talk in detail about the pioneering and breathtaking visuals that sadly, at times were to the detriment of the movie’s story. Was this film actually in development years before Star Wars, as a disaster film no less? Were its groundbreaking Special Effects actually more involved than Star Wars and The Empire Strikes Back, combined? What’s really going on onboard the U.S.S. Cygnus between Hans Reinhardt and his evil companion, the hovering robot Maximilian? And learn about the roots of Dion’s fascination with Ernest Borgnine and the yearly event that he attends in the actor’s honor, all on another, terrifying and brand new episode of Saturday Night Movie Sleepovers!
Take look at some EXCLUSIVE PICTURES of some rarely seen items on display in the Frank G. Wells Building located on the Disney Studios Burbank Lot, from when Dion and Blake were given a tour by Uncle Walt and Mickey (okay, Walt and Mickey didn’t give the tour but the lads like to remember it that way!). Here is one of the Palomino models used in the film; along with one of the scale models of V.I.N.CENT; AND here‘s one of the laser pistols used in the film. ALSO, here is the plaque outside of Studio A, the recording Soundstage designed to record Disney’s live orchestra music since 1939, and where The Black Hole‘s score was the first to be digitally recorded.
For more on the Manhattan West Side Mexican Restaurant Tortilla Flats click here, and for more on Borgnine Night, click here for a CBS News Profile on the event (where SNMS’ own Dion Baia can be seen at the 2:25 mark!)