Welcome back to Saturday Night Movie Sleepovers! J. Blake and Dion Baia this week head way down the alley, back to 1986 and highlight the forgotten gem, Short Circuit ! They unpack the novelization and the subtle differences that add a large amount of character depth, which also may explain the need for a now controversial stereotype in the comic relief. They also chat about the practical technology used to make Johnny Five, and the themes expressed in this warm, light-hearted story. It’s all going down in this dog-days-of-summer 2020 edition of Saturday Night Movie Sleepovers!
Welcome back to another epic edition of Saturday Night Movie Sleepovers’ 2019 Summer of Sequels! And this week Blake and Dion are covering a true epic, the 1984 Steven Spielberg / Harrison Ford classic, Indiana Jones and the Temple of Doom !
The boys jump right into unpacking the multiple layers of this groundbreaking installment in the Indiana Jones series. They layout the backstory infused within the novelization. Dion and Blake also discuss the surrounding events and controversy (before and after) that this film generated, and connect and analyze the similarities Temple of Doom shares with the 1939 classic, Gunga Din. Plus, they sneak in their hilarious Harrison Ford story. So grab your popcorn and Indy voodoo dolls because Anything Goes as the fellas head all the way to Asia in an all new, massive and comprehensive installment of Saturday Night Movie Sleepovers!
Teased at the very end of the podcast, check out this recently unearthed onset practical joke that Spielberg pulled on Harrison Ford that involved cameos from Barbara Streisand, Carrie Fisher and legendary director Irvin Kershner!
Welcome to an all new 2019 edition of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are kicking off the season with a fantasy classic, a movie which has collected a huge cult following over the years. The boys are chatting the George Lucas and Ron Howard epic, Willow, from 1988!
Dion and J. Blake reminiscence about this movie gem, discussing their history with it and the other fantasy films of the era that populated the genre. They talk about George Lucas and his influence in creating the story and working hand and hand with Ron Howard, to see this project to fruition, and the giant leap in CGI Effects, courtesy of ILM and SFX legend Dennis Muren; revolutionizing the “morphing” effects which played significant roles in many blockbusters of the late 1980’s and 1990’s. So come on and take a seat, as the fellas kick off a fun, informative and hilarious brand new installment of Saturday Night Movie Sleepovers!
Welcome back to another brand new episode of Saturday Night Movie Sleepovers! Dion Baia and J. Blake are taking a trip down memory lane, covering an epic story from a monumental television series from our collective youth. The boys are revisiting the animated classic G.I. Joe, and the 5-parter storyline that premiered Season 2 and reset the series, called “Arise, Serpentor, Arise! “, from 1986.
Blake and Dion analyze the origins and history of G.I. Joe as a toyline from Hasbro, and how with its reinvention in 1982 (with the help of Marvel Comics), became one of the biggest and most popular toy lines in history. In typical SNMS fashion, they discuss the Serpentor storyline and utilize as a cross reference, the differences in the comic book‘s story arc, to unpack how ahead of its time this and other core stories were in G.I. Joe, and how the Season 2 reset launched an entire new line of toys for us to buy. So come on and have a listen as the boys revisit a classic, on an all new edition of Saturday Night Movie Sleepovers!
*The 1945 Robert Mitchum/Burgess Meredith film is titled The Story of G.I. Joe, not just G.I. Joe.
*Dion misspoke and said Lifeline when he meant Lift-Ticket, who piloted the Tomahawk helicopter.
As discussed in the podcast, Blake & Dion attended Hascon in September of 2017. Here are some photos they took of the G.I. Joe display (We apologize for the reflections in some of the pictures- we just couldn’t eliminate those pesky things; and for the framing of other pics- we were moving as quickly as we could to see all the displays! ):
- Check out some original 12inch Joes from the 1960s-70s Here, here, here and here;
- Some amazing original character sketches and designs from Series One, Here here, here, here, here, here, here, and here;
- Here is some beautiful original paintings and artwork done for G.I. Joe in the 1980s by legendary artist Hector Garrido here, here, here, here, here, here, here, here, here, here, and here!
- The original designs and prototypes from characters that appear in 1987‘s G.I. Joe: The Movie : here, here, here, and here!
- Post 1987 movie designs and prototypes for characters, here (note the size of prototypes), here, here, here, here, and here!
For more extras, click more!
Welcome! In the midst of holiday madness, Dion Baia & J. Blake have decided to open a gift just a tad early – a special bonus, intergalactic episode of Saturday Night Movie Sleepovers! With 2017 coming to a close, the boys take a deep-dive into a 40-year-old film that forever changed popular culture, the motion picture industry, the lives of millions of people and the world – 1977’s Star Wars!
Written and directed by George Lucas and starring Mark Hamill, Carrie Fisher and Harrison Ford, Star Wars-mania swept the world in the late-1970s and early-1980s and became the quintessential blockbuster and landmark film for an entire generation of movie-goers. With time working against Blake and Dion for a topic so immense, the boys get right to business, discussing how the socially and politically turbulent decades of the 1960s and 70s, as well as what was going on in Hollywood at the time, led to Star Wars becoming the ultimate cinematic phenomenon. Among the many other topics at hand, they chat about its young filmmaker, speculate as to why the film appeals universally to so many people and of course, get into the radio drama that hit the airwaves in 1981. So, what was it about the 1970s that made Star Wars so special? How did George become Hollywood’s “great and powerful” Lucas? Why didn’t anybody working on the film, besides George Lucas, take it seriously? What the heck is a “parsec” and why is Han Solo’s use of the term actually not incorrect in the film? Why can’t Darth Vader get any respect? The boys attempt to answer all of these questions and more on this particularly dense…yet only scratched the surface…edition of Saturday Night Movie Sleepovers!
Greetings and welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are celebrating a film that turned 40 this year (and is currently enjoying a theatrical re-release this very month) -a movie that flopped and was universally panned when it was originally released. But after years of obscurity it has had a resurgence and a re-evaluation, and is now considered a lost classic (even being Stephen King‘s favorite movie!) -with some even saying it could be it’s director’s best work (luckily Blake and Dion never had this problem of having to ‘re-discover’ this to know it was a masterpiece). So this week the boy’s are taking a very close look at the notorious William Friedkin epic, Sorcerer, from 1977.
A movie that has haunted Dion since childhood, the guys jump right into unpacking this momentous feat of cinema. Blake and Dion dissect the various elements and history that came together to make this classic. They first return to the source material, reading the original 1952 novel Wages of Fear by French author Georges Arnaud. They analyze the 1953 film Wages of Fear by the French auteur Henri-Georges Clouzot, and use both of those versions to compare and contrast William Friedkin‘s retelling, of what has been called by some, the most suspenseful story of all time. They utilize the first hand accounts from their friend, ex-NYPD Homicide Detective turned actor, producer, consultant and friend to director William Friedkin, Randy Jurgensen, who also costarred in Sorcerer, to piece together the story behind getting this epic out of the jungle and onto the big screen. They trace the path that visionaries like Friedkin and others ascended to in the 1970s-1980s, only to come crashing down by closing out an era with commercially-termed ‘flops’ (though Dion and Blake do not consider Sorcerer in that category) largely due to ballooning budgets and lofty artistic visions, or because of sheer recklessness- like the death of 3 actors on a John Landis film-set in 1982. And they analyze what kind of impact a little-known German Electronic band named Tangerine Dream, who penned the film’s synth score, had on the next decade of movie soundtracks. So, what Hollywood legend was Sorcerer first written for; who would have starred, had it not been for Friedkin‘s lack of flexibility? What’s the inside joke that Randy Jurgensen told SNMS he has with director William Friedkin (Hint: it comes a line from this movie)? What were the contributing factors that led to the ultimate commercial failure of Sorcerer at the box office? And maybe most importantly, what is the story behind the film’s title?! Well, make sure you strap yourselves in, pack your Valium and Dramamine, because the boys are taking a nail-biting journey into the jungle and a descent into madness, on an all new and very informative edition of Saturday Night Movie Sleepovers!
Please go have a listen to the excessive interviews that SNMS as done with ex-NYPD Homicide Detective turned actor, producer, consultant and friend to director William Friedkin, Randy Jurgensen, about his legendary career as a police officer and then seamless transition to a legendary stint in Hollywood, and some of the biggest movies of the 1970s, 80s and 90s.
Take a look at this extremely rare William Friedkin Q&A from 2013 about Sorcerer that the boys were able to attend, that they transcribed into a posting, which eventually made news and is subsequently cited extensively by Wikipedia in their entry for Sorcerer.
Welcome back to another installment of Saturday Night Movie Sleepovers! This week marks the third anniversary of the podcast. So to keep with the theme of other past anniversaries, Dion Baia and J. Blake are going back and celebrating the pulps– the subgenre of the serials that so many of our modern iconic characters we know and love today were born out of. And what better character epitomizes that history than the figure created to celebrate that very style in cinema, everyone’s favorite archeologist and adventurer, Indiana Jones, and the film that started it all, Raiders of the Lost Ark, from 1981!
After a brief Joe Piscopo interlude, the boys start a very deep-dive into the origins of Dr. Jones and one of the most successful franchises of all time. Taking on their first Steven Spielberg-directed movie, Blake and Dion discuss the essential genius of Spielberg as well as analyze the brilliance of George Lucas and his connection with this film, while challenging a lot of the guff by critics concerning Lucas in his years post-1977‘s Star Wars– and even encountering Spielberg detractors while in film school. The boys utilize the little known transcription of the legendary story conference between Spielberg, Lucas and screenwriter Lawrence Kasdan from January of 1978 (a fabulous read for any fan or writer), which lays out Indy as a protagonist, the other supporting characters, and even the story arc for Raiders. They also discuss the 1954 Charlton Heston film Secret to the Incas, and it’s supposed connection to Indiana Jones. They get into this love-letter to those serials of the 1930’s, 40’s and 50’s, and focus on the elements that transcend genre and the other various forms of media, as they attempt to pin down what makes this property so unique and utterly timeless. The boys get into the artwork of legendary artist Jim Steranko and his input into the look of this iconic character. They also get into Indy‘s superhero costume, even laying out the actual brand-name items that the adventurer prefers to wear. So, how much was exactly cut out of the original story and shelved only to be used in Indiana Jones and the Temple of Doom? How much of Chuck Heston and Secret of the Incas really influenced the Indy property? What does famed artist Carl Barks and his iconic character, Scrooge McDuck, have to do with Indiana Jones? And what the heck does The Big Lebowski have to do with any of this? Well, come have a listen to our longest running podcast yet, as we “Tickle the Brim” a little and celebrate our 3rd anniversary in this all new mega-edition of Saturday Night Movie Sleepovers! *(The 1951 film that first introduced the Wilhelm scream was actually called Distant Drum, not The Distant Dream as mentioned. )
#GoingFullIndy #TickletheBrim #WettheForceps
Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.
After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!
To add to this festive Christmas season, Dion Baia ended up tracking down and recording a special Side-Cast edition Saturday Night Movie Sleepovers, enlisting his old friends Brian Zino and J. Marcus, the cohosts of his former podcast The Podwits. Now to get them together for a recording, Dion knew there was one topic that would coincide with this season and something the boys could go on and on about: TOYS!
So for this SNMS special, Dion brought back his old cohorts to have a trip down memory lane and reminisce about the toys they grew up with and a time that children nowadays sadly may never know about: how awesome it was growing up in the 1970s, 80s, and 90s- a time when kids had a gun aisle in their local toy store, and could go buy candy cigarettes they could then ‘smoke’, just like their parents. The trio begin with chatting about the cartoons they grew up on, and some of the toys that came out of those francheses. They talk about the Mego toy empire of the 70s that had a monopoly on everything, and the segue that occured in the 1980s with the unstoppable titans Mattel, Hasbro and Kenner and their strong hold over the market, before others like Playmates and Galoob moved into the field. Along with toy figures, they also chat about building sets like Legos, Construx and Girder and Panel, and even touch on model-making and specifically superhero and movie character models, and the exciting products that were put out by companies like Aurora in the 70s and later on by Horizon in the mid 1990s. They also challenge each other by posing the ‘white whale‘ question: was there a toy they always wanted and never received? And how about the toy(s) that in theory were great but practically, either because of design or toy-playing, was frustating and annoying to say the least. Yes, they’re all over the spectrum in this special, Christmas time edition of Saturday Night Movie Sleepover‘s Side-Cast. Come have a listen today!
As discussed in the podcast HERE, and HERE are the Star Trek, Laser Tag-esque game called Star Trek Phaser Battle.
Hello everyone, welcome back to another exciting and enthralling edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are celebrating an epic milestone with an epic podcast! It’s SNMS’ two year anniversary and the boys have picked a film near and dear to their hearts, one that has gained a sizable cult following over the 25 years since it’s original release. This week they take on the classic action/adventure, The Rocketeer, from 1991.
Dion and Blake kick off the podcast with a pseudo-State of the Union, reflecting on the past year. They chat about the movies they’ve covered, the growing community of listeners and those who also frequent their Facebook page, and how humbling it has been for them. Then they seque into this epic anniversary cast, and setup the backstory of the Rocketeer. They discuss the creator Dave Stevens‘ journey getting character from comic to screen, and Disney‘s eventual involvement and the sparring that occurred between him and the company (aka the then Chairman and CEO Michael Eisner) over keeping the property as pure as possible with the transition to screen. The boys again explain the era of the 1980’s and how hard it really was to get a comic book movie done, let alone a character from an independent publisher. They also chat about the era the movie is set within, the pre-war 1930’s and the beautiful art movement that permeated almost every medium, Art Deco. Blake and Dion also discuss the genius of creator Dave Stevens, and all the ‘historical fiction’ he injected into his original content. The guys go through the various details of the historical and famous figures involved in the material, leading them to another topic they have been waiting almost two years to talk about, and one of the things that they love about this film, the homage to the great B-movie actor Rondo Hatton. They explain his history, the illness that affected his physical appearance and how by the help of Rick Baker, Rondo was able to make a posthumous appearance in one more Hollywood film, albeit 49 years later (if you don’t count Scooby-Doo!). Well there’s a lot to unpack on this week’s episode and it’s admittedly a long one, but the boys have a lot to celebrate about: a fabulous film that the fans love, and lament about a growing audience that really blows the boy’s minds. So please come on down and have a listen to another hilarious, informative and engaging episode of Saturday Night Movie Sleepovers!
*Dion accidently named the Chicago-era gangster Hymie Weiss, when intending to instead reference Murder Inc. co-founder Meyer Lansky.
Quickly mentioned in the podcast but completely forgotten to be brought up again before the conclusion and ripped from the headlines, check out this news story about a modern ‘Rocket man‘, that shows fiction becoming reality!
Check out the this now ended Rick Baker auction on PropStoreAuction.com for what they were selling from The Rocketeer concerning the Lothar makeup appliances, AND other items from the film, including one of the original Rocketeer helmets!
It’s that time once again… Welcome back to another, exciting edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are covering a true epic, a film that was meant to return a property back to its original source material, and also reinvigorate a franchise that had been around (at the time) close to seventy-plus years. This go around the boys are taking on Greystoke: The Legend of Tarzan, Lord of the Apes, from 1984.
Blake and Dion have a lot on their plates to get through: first laying out the backstory that legendary writer Edgar Rice Burroughs set up in his original 1912 novel Tarzan of the Apes when creating the title character, and the bigger role Burroughs played as one of the original pillars in the Pulp Tradition. They give an overview of that groundbreaking genre, and explain the vast influence it still has on the entertainment we seek out today. They also discuss sci-fi writer Harlan Ellison‘s scathing review of this film Greystoke, and use that critical essay as a template in comparing this 1984 version to Burroughs’ original work, and if it is indeed appropriate to label this work “the definitive version“- is it a fair criticism? The lads also go into depth about Rick Baker‘s groundbreaking contribution to this project, and how his help specifically was the key in getting this production off the ground. But what was the reasons for having the screenwriter, Robert Towne who penned this script, sacked as director of this adaptation? What other problems did a production like this run into while trying to get this project off the ground? What exactly is the Wold Newton Family, and how is it connected here? And is Dion really a Lord ? Well come on and have a listen as the fellas match an epic movie with an epic cast as they attempt to answer all the questions in this all new episode of Saturday Night Movie Sleepovers!
Welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week the boys are kicking the Summer Season off with a ‘bang’, taking on an epic action extravaganza, one that has become an out-and-out classic in cinema history and for some, the complete embodiment of the 1980s action genre on a whole. Dion Baia and J. Blake are going all in with absolutely no regards as they cover the Arnold Schwarzenegger exemplum, Commando, from 1985.
The fellas are unabashed about their love for this film, and as some attribute this movie a classic only because of it’s supposedly ‘camp’ valve or consider it a ‘guilty pleasure’, Blake and Dion instead firmly put their feet down and gush about their love for this Schwarzenegger classic. There’s so much to talk about here that they carefully break the film down, scene by scene, so not to miss any fan cherished moments, performances, or legendary dialogue. They explain the background behind the making of the film, realizing very quickly that this vehicle could be called the original version of the Liam Neeson fan-favorite, Taken. They methodically and painstakingly analyze the pacing, structure, and winding journey, leading to it’s eventual climax. So… how does this film hold up after 30+ years? Is it really ‘the gold standard‘ for action films of the time, and can it actually represent that genre perfectly on a whole? And is it the apex of that trend of 80s action-hero movies? Aside from Arnold, how are the other performances? And what the heck does the legendary silent film comedic star Harold Lloyd have to do with all of this? Well, grab your favorite Kalashnikov, RPG, combat vest and some burnt cork, because the boys are taking no prisoners in this brand edition of Saturday Night Movie Sleepovers!
Welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are celebrating their 50th podcast (well, sort of) and what better way than to tackle a movie that has become an absolute classic in the annals of 80’s fantasy films. In the crosshairs this week is the sleepover classic, The NeverEnding Story, from 1984.
Dion and Blake jump head-on into this very nuanced, multi-layered adventure, trying to psycho-analyze this “children’s movie”, which has themes and metaphors textured within that one wouldn’t really think would be included in what was again purported to be a “children’s film” ; but heck, this was the 80s! Regardless the boys delve right in, discussing the original novel and the differences from page to screen, that eventually made author Michael Ende take his name off the feature film. They also speak about German Cinema in general, and as this was the product of West Germany, NeverEnding Story became the biggest film outside of the United States and the U.S.S.R. upon release. The fellas also chat about the blossoming technology of ‘green-screening’, and the major differences between practical effects (which were utilized in this production), versus the upcoming CGI revolution which was literally around the corner. So to the big question: how does the film hold up today? AND, is it as messed up as we all remember? What was the German’s plan to make sure this was a hit with International audiences? What role did Steven Spielberg have in the film’s production? And what surprising element was NOT in the original German cut, which actually became one of the most enduring aspects of the English-speaking version? Well grab your popcorn and soda, sit back and put your feet up and come celebrate with Blake and Dion as they answer all your questions, and unveil the 50 edition of Saturday Night Movie Sleepovers!
Hey all you gear-jammers, welcome back to another exciting and hilarious episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are taking a trip down South and covering a film that endeared a generation to Trans Ams, CB Radios, Trucking, and Coors Beers. We’re of course talking about the comedic essential, the 2nd film behind Star Wars in 1977, the original Smokey and the Bandit, starring Burt Reynolds, Sally Field, Jerry Reed, Paul Williams and Jackie Gleason.
The fellas go in depth with this beloved classic, unpacking for the listener the era this movie was released within, and set up the context for this all-star cast coming together to appear in stuntman Hal Needham‘s directorial debut film. Dion an Blake clear the air and actually spell out the details about why Coors Beer at the time wasn’t sold East of the Mississippi, and the reasons why Coors had such a short shelf life (a HUGE piece of this plot). The boys get into the nuts and bolts of the 70’s CB craze, even breaking down the various vehicles used in the movie for all those motorheads out there. How was Burt Reynolds‘ involvement integral in turning this into an A-list movie? How much of Jackie Gleason‘s dialogue was adlibbed? And what seen was entirely his idea? Why did the studio not want Sally Field? How cool is it to have singer/song writers Jerry Reed and Paul Williams in the same film together? And how does the remastering of these older film’s soundtracks into 5.1, sometimes actually muck up the original film’s sound? Well sit back and stretch out those legs because the boys are gonna put that hammer to the floor and give ’em hell, in this all new edition of Saturday Night Movie Sleepovers!
Have a gander at this brand new interview with Burt Reynolds and director Jesse Moss, whose 2016 film The Bandit documents the friendship between Reynolds and stuntman and director Hal Needham, and their journey to make Smokey and the Bandit!
Here’s episode three of television’s American Trucker, entitled Bandit and the Snowman, where the hosts retrace the 1,330 mile bootleg run from Atlanta to Texarkana and back in a replica of the movie’s star truck.
And lastly, but certainly not least, here is a long-lost and just discovered ORIGINAL teaser trailer for Smokey and the Bandit 3, whose original concept and way it was shot (and then scrapped), was having Jackie Gleason in the roles of both Sheriff Buford T. Justice AND The Bandit. Yep… that’s what we said. AND he’s an ultra rare, long-lost on-set photo of Gleason, as The Bandit.
Welcome to another episode of Saturday Night Movie Sleepovers! Dion and J. Blake are taking on another holiday classic for their Christmas viewing this season, and have decided on an iconic genre mash-up. It’s a film that really goes to show you the 1980’s was a time when you could practically market anything you wanted to children, even a dressed up Horror film parading as a cute, Christmas/Comedy that subtlety pokes fun at American and Western culture in general. Of course we’re talking about Joe Dante‘s classic, Gremlins, from 1984.
The trifecta of Chris Columbus writing, Steven Spielberg executive producing, and Dante directing, gave us one of the most interesting and fun films of the 1980s. Blake and Dion try to flesh out the back story of this love letter to Frank Capra, B-Horror films of the 1950’s, and Warner Bros.’ Looney Tunes cartoons, among a slew of others, while trying to wrap their heads around some terrifying concepts layered within. How much darker was this film originally supposed to be? Does this movie really convey themes like anti-technology, as well as lament about the ignorance of Western society as a whole? Have some critics read into the film and actually injected elements of supposed racism which surprisingly, doesn’t even have to do with the culture that is presented within the story? How has the movie held up after 30+ years, as both a genre mash-up and holiday film? And is this a movie that could even be attempted in 2015 without severely changing the story itself and its primary antagonists? Well the boys are wearing their Santa hats and have their sleigh bells ringing in this all new, Christmas installment of Saturday Night Movie Sleepovers!
(We’d like to give a shout out to Jason Derenick for recommending Gremlins, and we’d like to apologize for not remembering his name during the podcast. Thank you!)
(When speaking about New Line Cinema, Blake mistakenly said Friday the 13th, when he was actually referring to Nightmare on Elm Street.)
Jason’s name isn’t the only thing we forgot this time around; we’d like to share straight out of the SNMS Archive, a clay Gremlin bust sculpted by Rick Baker‘s SFX team for Gremlins 2: The New Batch, something we completely forgot to bring up, and something we will touch on at the beginning of the next Podcast. Check out this bad-boy here, here, here, here, and here.
Go read the HUGELY RECOMMENDED book Outrageous Conduct, which examines the events surrounding the infamous filming of the John Landis short for Twilight Zone The Movie, where veteran actor Vic Morrow and two children were killed.