Happy New Year and Welcome to 2018‘s edition of Saturday Night Movie Sleepovers! For the first episode of the year, J. Blake and Dion Baia decided to tackle a film that spawned an entire franchise across all forms of media, despite flopping at the box office. The boys are heading to Scotland this week as they cover the immortal classic, Highlander, from 1986.
Dion and Blake get into the backstory of this immense series that spans films, television, animation, books, comic books and audiobooks. They analyze the elements that, like catching lightning in a bottle, came together to make this epic a classic. They unpack the differences in the original screenplay and novelization, that expand the backstories of the characters in Highlander particularly that of the Kurgan. Blake and Dion discuss the fascinating idea of reading into and applying your own themes and subplots after repeated viewings, that may not be overtly apparent in the film. They also chat about the lore of this series, and the heavy themes that are layered within the story. So who was originally cast as Connor MacLeod? What elements of the movie’s mythology make this film a timeless and classic story that transcends into a entire Highlander universe? And is Dion actually a Laird? Well come on down and take a listen as There Can Be Only One, podcast for 2018, and that is the one you have before you, Saturday Night Movie Sleepovers!
Check out stills from this deleted scene between the Kurgan and Yung Dol Kim, that was forever lost in a fire!
Here’s Clancy Brown on the red carpet talking about the film at the 30th anniversary screening!
Take a look at Christopher Lambert, Clancy Brown and Celia Imrie at a Q&A following a 30th anniversary screening of Highlander!
Have a look at screenwriter Gregory Widen discuss the Kurgen and his backstory!
Welcome! In the midst of holiday madness, Dion Baia & J. Blake have decided to open a gift just a tad early – a special bonus, intergalactic episode of Saturday Night Movie Sleepovers! With 2017 coming to a close, the boys take a deep-dive into a 40-year-old film that forever changed popular culture, the motion picture industry, the lives of millions of people and the world – 1977’s Star Wars!
Written and directed by George Lucas and starring Mark Hamill, Carrie Fisher and Harrison Ford, Star Wars-mania swept the world in the late-1970s and early-1980s and became the quintessential blockbuster and landmark film for an entire generation of movie-goers. With time working against Blake and Dion for a topic so immense, the boys get right to business, discussing how the socially and politically turbulent decades of the 1960s and 70s, as well as what was going on in Hollywood at the time, led to Star Wars becoming the ultimate cinematic phenomenon. Among the many other topics at hand, they chat about its young filmmaker, speculate as to why the film appeals universally to so many people and of course, get into the radio drama that hit the airwaves in 1981. So, what was it about the 1970s that made Star Wars so special? How did George become Hollywood’s “great and powerful” Lucas? Why didn’t anybody working on the film, besides George Lucas, take it seriously? What the heck is a “parsec” and why is Han Solo’s use of the term actually not incorrect in the film? Why can’t Darth Vader get any respect? The boys attempt to answer all of these questions and more on this particularly dense…yet only scratched the surface…edition of Saturday Night Movie Sleepovers!
Here’s the original theatrical trailer!
Take a listen to The Star Wars Radio Drama…as discussed in this episode.
Check out the documentary “From Star Wars to Jedi: The Making of a Sage,” as discussed in this episode.
Take a gander at some deleted scenes from Star Wars.
And here is a funny video that Dion brings up – the Throne Room scene “Minus Williams.”
Welcome back to week 3 of Saturday Night Movie Sleepovers’ October Halloween Horror Movie Extravaganza! This episode finds Dion Baia and J. Blake going way down the alley, visiting the “Creature Feature” sub-genre, and tackling a film that in their opinion, exemplifies that niche of Sci-Fi/Horror films from the 1950s. And with this very week marking the 55th anniversary of the Cuban Missile Crisis, the boys discuss Hollywood‘s fear of the unknown in a Nuclear age with the classic film, Them!, from 1954.
The boys setup the conversation about 1950’s Sci-Fi by chatting about Dion‘s particular affinity and personal connection with these type of Science Fiction and Horror Films of the era. They chat about the Cold War politics of the decades that proceeded WWII, like McCarthyism or JFK vs. Khrushchev and the Cuban Missile Crisis, to try and put into some kind of perspective and context, the mindset of a postwar society who thought nuclear war was probably inevitable. Blake and Dion track the evolution of these type of “Creature Features“, by analyzing Hollywood’s output at the time, which it could even be argued leads the viewer down a path all the way to the iconic 1968 film Night of the Living Dead, which changed everything. The fellas then dissect this classic, Them!, which starts almost like a Crime Noir- a widely popular subgenre at the time. They go over the suspense that is set up within the movie and discuss the filmmaker’s very modern and realistic approach to telling this story. They also observe how superb the entire cast is within this film- all amazing feats when one realizes how this basically is a tale about radioactive insects. So, how do the Special Effects hold up some 60+ years later? Was this film originally planned to have a very popular gimmick (at the time) employed that was scrapped at the very last minute? How many Wilhelm screams are in this movie? And what is actor Edmund Gwenn‘s connection to Friday the 13th? Well you better hide your sugar, make sure your city and state maps are up to date, because the guys are taking you on an adventure to find some gigantic monsters in this all new installment of their October Halloween Horror Extravaganza on Saturday Night Movie Sleepovers!
Here is the more widely known Theatrical Poster for Them!, which kind of tips the film’s hand to what the plot’s ‘twist’ actually is.
Have a look at this rare, behind the scenes footage from Them!
Check out these awesome original Lobby Cards for Them!
As brought up in the cast, check out this article elaborating on the Urban Legend that John Wayne and the film crew from the 1956 film The Conqueror died of cancer because of A-Bomb testing, and also the ‘Downwinders‘ who actually had to deal with the then-unknown effects of radioactive fallout.
Hello and welcome to another episode of Saturday Night Movie Sleepovers! The boys are back and taking on one of the most iconic Sci-Fi movies of all time, one that is still lauded and debated 35 years after it was first released. J. Blake and Dion Baia are chatting about the Future Noir classic, Ridley Scott‘s Blade Runner, from 1982.
The fellas are probably tackling their biggest topic to date, meaning with arguably 5-8 versions of the film, entire books written about the movie, and even a 3 and a half-hour documentary on the subject- there seemed to be a lot to unpack and get into. Applying the SNMS method, Dion and Blake decided to watch the original 1982 International Cut of the film (which was the version subsequently released on home video and laserdisc), as well as read the original source novel, Do Android Dream of Electric Sheep? by Science Fiction legend Philip K. Dick. Also for reference, they screened the little seen 1982 Workprint version which was released in the massive 2007 boxset. The boys compare the film(s) to the book and discuss the differences that were dropped or added, and lay out a sizable portion of novel’s subplots like the Empathy Boxes and the religion Mercerism that were eliminated to condense the story to fit into a two-hour feature film. They get into a very in-depth, semi-intellectual conversation about the moral questions posed within the book and film, as well as how the movie’s title came to be. Delving probably into their most ‘meta’ discussion on the podcast to date, they highlight the ethical and fundamental issues raised within the story, as well as their own personal feelings regarding these huge topics. So, how different is the original 1968 book to the 1982 version that was released in theaters? What about the various versions that have come out in the years since and the subtle differences in each? And what about the notorious and highly polarizing “voiceover” track by Harrison Ford that was dropped in the later cuts of the film, and the reasons why it was included and then excluded in subsequent releases? And the biggest question for Blade Runner and Do Android Dream of Electric Sheeps? fans: is Rick Deckard an ‘Andy‘ or Replicant? Well, you better grab all your Poopsheets, your Voigt-Kampff Empathy Test kits and dial your mood organs to the correct settings, because the lads are taking you for a ride in their Spinners, in this all new edition of Saturday Night Movie Sleepovers!
Check out the original 1982 trailer for the film!
Have a look at all the deleted, alternate and extended scenes from Blade Runner!
Discussed in the podcast, here is the 2015 BBC Radio adaptation of Do Androids of Electric Sheep?!
Here is all things Blade Runner, on the fansite BRmovie.com!
Hello again and welcome back to an all new episode of Saturday Night Movie Sleepovers! This is a very special time for J. Blake and Dion Baia, because this signifies the 20th anniversary of their friendship. So they decided to tackle a movie that not only turns 30 this year, but also was something that they mutually loved when they entered film school and bonded over when they shared a dorm room. So this go around the boys are talking the Arnold Schwarzenegger/John McTiernan classic, Predator, from 1987!
After briefly reminiscing about their serendipitous pairing freshman year in college, Dion and Blake immediately realize that this is the first movie where the entire cast and most of the prominent crew have already appeared on SNMS, and should all be inducted in the SNMS Hall of Fame. The boys then get into the nuts and bolts of the film, while not in anyway hiding their love for this property. They first have an in depth discussion about the original alien suit and the Jean-Claude Van Damme controversy, and what led to bringing in Stan Winston for a complete redesign of that suit, to what we all love and know today. They compare elements of the novelization and some of the significant differences between it and the story we see in the finished film. And Dion also proposes a new theory for the creatures’ initial motivation to engage Arnold‘s elite team. So, in the novelization, why is the Predator hunting humans in the first place? What famous story concerning the folklore of this film does Blake take slight umbrage with? Does Van Damme actually get a raw deal here through the prism of history? And how many quotes and imitations can the boys fit into one humble podcast? Well grab your gear, face-paint and M134 miniguns, and make sure you watch your six, cause the boys are taking ‘Old Painless into the jungle and down memory lane on this all new and very special installment of Saturday Night Movie Sleepovers! #sleepovermischief
*Dion misspoke during the podcast- he meant the term “Over The Transom“.
Here is some footage and behind the scenes of the original Predator costume with Jean-Claude Van Damme, and the story behind it.
Check out a deleted scene talked about in the podcast, of Dutch attempting to escape the Predator.
For more information about all the unique and custom weaponry in this film, check out it’s Internet Movie Firearms Database webpage!
Have a look at a great ‘making-of’ documentary from 1987, for Predator.
Take a glance at the original theatrical trailer for the film.
Lastly, here is Dion with Jesse ‘the Body’ Ventura, circa 2006 or 2007.
Welcome back to another edition of Saturday Night Movie Sleepovers! The boys are taking on another fan-favorite, a movie that has become an absolute cult classic for a generation of filmgoers. This week J. Blake and Dion Baia discuss the future of law enforcement and OCP’s Crime Prevention Unit 001, aka Robocop, from 1987.
The fellas rebound quickly after some technical difficulties but quickly get down to business, attempting to unpack this legendary film that just turned 30 this very week. Dion and Blake reflect on their connections with this classic and their first exposure to this iconic film. They go through the history behind the project and lay out how all the stars aligned to make a movie that almost didn’t get made. The lads cover the amazing SFX within the movie, be it Practical, Visual and Stop-Motion. They compare the two cuts of the film, and discuss the subtle differences that had the censors going crazy. They contrast the difference between visual and visceral filmmakers and how that translates to a young child watching something like Robocop who might not understand the social satire, as opposed to an adult who may see this story in a completely different light. So, since modern audiences are of course familiar with the iconic title ‘Robocop’ because it has transcended into the Urban lexicon, but out of context, did it actually sound like a B-movie script to some in the mid-1980s? What were the legendary problems with the robo-suit that actually shut down production so all the flaws could be ironed out? How many times was Robocop screened before it was able to receive an R rating and remove the scarlet letter X? And did the forced cuts that were made to appease the MPAA to get that R rating actually take the gratuitous violence (which was meant to satirize) out, and instead turn it into something completely different and all that more disturbing and graphic for audiences? Well grab your Cobra Assault Cannons, your tickets to see Bixby Snyder and the keys to your new 6000 SUX’ (all of course installed with Blaupunkts), because we’re headed to Old Detroit in this all new episode of Saturday Night Movie Sleepovers!
Check out the original Robocop trailer, complete with the original 1984 Terminator score used in the background, since the former’s score wasn’t yet completed!
Watch Peter Weller get suited up in the Robo suit on Entertainment Tonight circa 1986!
Take a look at this great 1987 featurette on all the Special Effects for Robocop!
Have a look at Peter Weller in 2013 talking about how portrayed the character of “Robocop“.
Watch this great 2013 Robocop Q & A panel, set up by Nancy Allen, for a charity to benefit the weSpark Cancer Support Center.
Here is the first, brand new 2017 trailer for the epic documentary, RoboDoc: The Creation of Robocop, coming later this year.
Last and far from least, check out all the specs on the various modified weapons in Robocop on the Internet Movie Firearm Database or IMFDB.com!
Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.
After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!
Here’s China Pop Diva Jane Chang doing the impossible, singing live the Diva Dance.
Take a look at Milla Jovovich’s screen test for The Fifth Element.
Have a gander at Milla Jovovich’s costume tests for Leeloo.
Check out Milla Jovovich talking about being 19 and being cast in The Fifth Element.
Take a look at Chris Tucker talking about playing Ruby Rhod.
Here’s some great behind the scenes footage of The Fifth Element.