March 31

Slap Shot , 1977

The boys are back and this week J. Blake and Dion Baia are celebrating the 40th anniversary of a film that is lauded as one of the best, if not THE best sports movie of all time- Full stop. That’s a very high standard. But the guys are going the distance in this installment as they take on the Paul Newman/George Roy Hill classic Slap Shot, from 1977.

Slap Shot

The fellas dive right into the deep-end this go around, with the resident hockey expert at SNMS, J. Blake. They start with Blake‘s background with the sport, having played growing up, also being on the High School team, and taught kids ‘hockey skills‘ classes afterward while in school and college. Now the paradox within is that the boys aren’t really into sports anymore- now they may attend a sporting event or two and enjoy a good thrilling game, but really don’t actively seek it out now in their adult lives. But they love themselves a good sports film, and Dion and Blake are head over heels for this all-American classic! First they discuss the true events that were the inspiration for the script. They chat about the world this film creates and the real-life people this story spoke to. Set in the Northeast, the boys get into the ‘regional’ sporting events and circuits of the era and the enjoyment this form of entertainment gave to the local town and city audiences who, by day worked in the factories, the mines, or the mills that kept these local bergs afloat in the 1970s. So how was the original concept of Slap Shot conceived and in what other format was the original idea considered, other than comedy? How many real actors were actually in this movie? Through all the controversial foul and surly language, what truths does this film actually present in a brilliant and completely realistic manner? And what’s Blake‘s connection to director George Roy Hill and how does the story involve cult Horror director Jeff Lieberman?! Well you better lace up those skates (and make sure those laces are tight!) because we’re going on the ice in this all new, exciting episode of Saturday Night Movie Sleepovers!

Extras!

Check out Part 1 & Part 2 of this very informative 25th Anniversary special about Slap Shot!

Slap Shot presented Ogie Ogilthorpe as a fictional character, but he was real. Bill “Goldie” Goldthorpe was known as one the most outrageous goons of all time and here is a neat little documentary on his exploits, called I Am Ogie.

Take a look at some behind the scenes footage shot while Slap Shot was being filmed.

Here’s the Hanson Brothers on Hockey Night In Canada: February 25th, 2017, talking about the game today versus the old days, courtesy of YouTube!

March 24

SNMS Presents: The Side-Cast – Dario Argento’s The Three Mothers featuring James Hancock

Buongiorno! Today we welcome James Hancock, host of the WRONG REEL podcast, for part 2 of a very special 2-part podcast crossover extravaganza (***Don’t worry, it is totally okay if you listen to this part first)! In part 1, SNMS’ very own Blake traveled to the Wrong Reel studio in lower Manhattan to sit in on a fun and informative chat regarding Italian horror maestro Dario Argento‘s first three films; affectionally known as The Animal Trilogy. Now, for your listening enjoyment, James has packed his PJs and sleeping bag and ventured into Blake’s Mom’s basement for a late night sleepover and a passionate discussion about Argento’s stylish, strange, provocative, controversial and (mostly) beloved trilogy exploring the mythos of the dreaded Three MothersSUSPIRIA (1977), INFERNO (1980) & MOTHER OF TEARS (2007).

They express their personal passions for the films and Argento and dive deep into the trilogy’s history, inspirations, productions, music, casts and wildly imaginative lore and visual aesthetics.

So is this horror’s strongest trilogy? Which film is Blake’s favorite of the series and why does he love it so? Why do the women act so immature in SUSPIRIA? Who the hell is that hot chick with the cat in INFERNO and what legendary classical composer was Keith Emerson ordered to adapt for a cue in the film? What common threads run throughout the series? Does James understand what the heck is going on in any of these films? Which Argento actress once attended one of Blake’s concerts and which other Argento actress was he once email pen-pals with? All of these questions and so many more are answered in this exciting conclusion to the Giant-Sized Wrong Reel/SNMS crossover 2-parter, here on the latest edition SATURDAY NIGHT MOVIE SLEEPOVERS PRESENTS: THE SIDE-CAST!

To hear Wrong Reel’s half of this 2-parter, CLICK HERE!

Follow Wrong Reel on Twitter, @WrongReel!

To hear Dion & Blake’s SNMS episode about Dario Argento’s DEEP RED, CLICK HERE!

To watch the documentary DARIO ARGENTO: AN EYE FOR HORROR, CLICK HERE!

To watch a vintage TV performance of GOBLIN performing the theme to SUSPIRIA, CLICK HERE!

To watch the late Keith Emerson perform Mater Tenebrarum from INFERNOCLICK HERE!

Follow Blake’s book SCORED TO DEATH on Twitter @ScoredtoDeath!

March 17

Beauty and the Beast , 1991

It’s that time again… time for another exciting, thrilling and enthralling episode of Saturday Night Movie Sleepovers! Dion Baia and J. Blake have a whammy of an installment this week: a lighthearted, musical affair from a company that at the time of this film’s release, was going through a proper-resurgence themselves. And this movie marked its crowning achievement to-date for that company’s Animation Department, which broke new ground in its pioneering uses of CGI in this project… Yes, “it is a tale as old as time” as the boys explore the enchanted world of Walt Disney’s Beauty and the Beast, from 1991.

Beauty and the Beast

The fellas jump right in and go back to the beginning, discussing everything Disney in this epic podcast: They ‘set the table’ by giving a concise timeline on Walt‘s meteoric rise to fame, from his beginnings with the Oswald the Lucky Rabbit animated shorts and the work with his good friend and genius Ub Iwerks (among others), to bringing in Carl Stalling for help creating animated musical shorts, pioneering color cartoons and his finally creating a feature-length animated film in 1937 with the ground-breaking Snow White and the Seven DwarfsBlake and Dion follow Disney‘s journey through the war years and his upswing in the 1950s, and Walt then getting side-tracked with live-action films, a new medium called television, and theme park construction. These side ventures unconsciously begin to take its toll on the animation department and with Walt‘s death in 1966 it almost becomes rudderless, culminating with the near closing of the entire animation branch in the mid 1980s. The boys then go through the renaissance in the late 80’s that brought the famed animation unit back and to the biggest cartoon film to-date, Beauty and the Beast. They go through the history of the popular fairytale with the 1946 live-action Jean Cocteau movie, even hitting on the late 80’s TV series. Dion and Blake then discuss the work it took to get Beauty and the Beast on screen, with the brand new CAPS technology that changed the face of animation, and the work by composer Alan Menken and lyricist Howard Ashman that gave us all those classic songs we know today. So what 1949 Disney animated film do the lads draw similarities between? What are the controversial subtexts that some academics have read into the work and what are their perceptions of the themes within Beauty? How did Walt Disney‘s brilliance in knowing his own limitations actually help in making the company such a huge success? What important character from the 1946 Cocteau film did this Disney story borrow? What character was the song Be Our Guest originally supposed to be sung to? And what famous book-turned-to-film thriller (that is a staple in every serial killer library) do the boys find similarities with this animated classic? Well grab some popcorn and your favorite sipping drink, because the boys are taking you on a musical adventure this week with this mega, Disney-filled new installment of Saturday Night Movie Sleepovers!

*Dion misspoke during the cast, the 2012 film Snow White and the Huntsman was in fact a Universal, not Disney film.

EXTRAS!

As the boys described in the podcast, here our exclusive photos taken by them at the Disney Burbank Lot of the Ub Iwerk-designed 14′ high Multi-plane camera, HERE and HERE for the game challenger, Snow White, and check out Walt and the boys HERE and HERE, using it back in the day.

Check out the boys getting a tour from Walt and Mickey themselves, HERE and HERE!

Have a look at some of the original character design sculptures that animators used as references, that were on display at the Reagan Library Disney Exhibit.

Take a look at photos HEREHERE and HERE  the boys took of the original Animation Building that’s located on the Burbank lot (personally designed by Walt), that animators drew the films from Dumbo up to The Black Cauldron within. Check out the plaque inside the building.

And HERE and HERE are the pictures the fellas took of the corner window of the Animation Building that was Walt’s office.

Here’s the original trailer to the 1946 Jean Cocteau Beauty and the Beast film, narrated by Cocteau himself.

Have a gander at this chart of the different elements of animals used to make the Beast.

As talked about in the podcast, here is the Billy Joel rendition of When You Wish Upon a Star, from the 1991 Disney album Simply Mad About the Mouse.

Check out Tom Waits‘ version of Heigh Ho (The Dwarfs Marching Song) from the 1988 Disney album Stay Awake:Various Interpretations of Music from Vintage Disney Films.

March 10

SNMS Presents: Movie Lovers featuring Cody Carpenter

We are back with the 2nd installment of our new feature called MOVIE LOVERS and this week Blake sits down with the son of sleepover movie royalty, (John Carpenter and Adrienne Barbeau‘s son) Cody Carpenter! The two discuss Cody’s new album ALTERNATE UNIVERSE, recording & touring with his dad and his love of movies. They reminisce about a few sleepover classics that have been featured on the regular SNMS podcast, as well as the work of animator/director Ralph Bakshi. They chat about the music of composer Vince Dicola and the Italian progressive rock band Goblin and Cody patiently sits through & answers a barrage of questions about his father…questions that did uncover some (arguably) revealing details about the patron-saint of sleepover movies, John Carpenter.

Which mid-eighties kids movie is “more than a movie” to Cody Carpenter? Who was Cody paying homage to when he composed the score to his father’s Masters of Horror episode Cigarette Burns? What moment did Blake & Cody (then strangers) share in Washington D.C.? What is Cody’s favorite ‘Carpenter film?’ Did Adrienne Barbeau like to ‘tape’ things off of TV? Did John Carpenter take his son to see the Teenage Mutant Ninja Turtles: Coming Out of Their Shells tour? Which guilty pleasure movie gets screened in the Carpenter household every time it is on TV? You will find the answers to these questions, and so many more, on this all new and exciting installment of SNMS PRESENTS: MOVIE LOVERS!

Follow Cody Carpenter on Twitter @ludium.

You can download Cody’s new album, Alternate Universe on iTunes, Amazon and at ludrium.bandcamp.com.

Check out an awesome video of Cody playing a track from the film Christine, with his dad John Carpenter, live in concert by CLICKING HERE.

Check out the official music video for the track “Distant Dream” from the album Lost Themes II, by CLICKING HERE.

Check out the official music video for the 2016 re-recording of theme to Escape from New York, by CLICKING HERE.

Check out the classic Coupe De Ville’s music video for the Big Trouble in Little China theme song, by CLICKING HERE.

Check out the trailer for Ralph Bakshi’s Wizards, by CLICKING HERE.

Follow Blake & his book Scored to Death on Twitter @ScoredtoDeath.

March 4

Cmon out to Monster Mania 2017!!!

March 11th & 12th, 2017

Hey New Jersey/Philly people, just a quick reminder that Dion Baia & J. Blake will be at Monster Mania in Cherry Hill NJ, at the Crowne Plaza Hotel next week, March 11th &12th!

(*Blake will also be there on the 10th!*).

They will be selling copies of J. Blake‘s book Scored to Death & soundtracks, etc.

If you’re going, make sure you stop at their table and say hi!

Monstermania 2017

http://monstermania.net/

March 3

Wayne’s World, 1992

Party-hearty! Welcome to another episode of Saturday Night Movie Sleepovers! Your most excellent hosts, J. Blake and Dion Baia are heading back to their early teenage years and celebrating a film that turned 25 on Valentine’s Day, and became a vehicle that propelled two character’s from a skit on Saturday Night Live into the urban lexicon, becoming a world-wide phenomenon. It was so influential that it introduced several sayings and phrases that have been imprinted in our collective brains for decades now. That’s right, it’s time to party-on because this week the boys are talking Wayne’s World, from 1992.

Wayne's World

That’s right, it’s (Saturday) Night, it’s 10:30, and it’s time to party. Dion and Blake start off my reminiscing about their shared history of making home-movies growing up, specifically genre installments for Blake and sketch comedy influenced by Saturday Night Live, for Dion. They discuss SNL as it was for them growing up, and Dion laments about the huge impact the show had on him, specifically as an adolescent, watching it religiously from 1989 up until the early 2000’s. They discuss the memories they had from the show and the several now-famous moments they remember with the cast members of the era. The boys debate the popularity of SNL back in the late 80’s and early 90’s, and get into a gentleman’s disagreement about what demographic this feature film, Wayne’s World, was actually trying to target. The fellas go into the history of the Wayne’s World skit, and it’s origins that predate Saturday Night Live entirely. They also explain the seemingly forgotten Rob Lowe sex tape controversy from the 1989. They may even break news and connect Chris Farley‘s cameo in this film and his win at the inaugural Borgnine Night in New York City, both of which occurred 25 years ago, in February of 1992. They also chart the rise of this film and examine it’s release and serendipitous timing, coming out exactly at the most perfect time it could have, becoming engrained in our collective consciousness. So how was the energy onset; were the rumors true of the difficulty working with comedian Mike Myers? What music group’s career did this movie help completely reinvent? What music group did the studio actually want, which Myers threated to leave the film if his wish’s weren’t followed? And does Myers actually hate this film? Well buckle yourselves in, because we’re heading back to 1992 and reliving a visual time capsule of that era, in this most-excellent edition of Saturday Night Movie Sleepovers! Party on!!!

EXTRAS!

Check out the origins of Wayne’s World, specifically the original skit(s) that evolved into what we know them as today, from 1987 on It’s Only Rock and Roll, called Wayne’s Power Minute!

Have a look at the first Wayne’s World skit on Saturday Night Live, from 1989!

Take a look at this rare teaser trailer for the original Wayne’s World.

Discussed in the podcast, here’s a look at the tie-in book called Wayne’s World: Extreme Close-up.