October 27

Hocus Pocus, 1993

Welcome back to week 4 of Saturday Night Movie SleepoversOctober Halloween Horror Movie Extravaganza! To bring to a close SNMSmonth of horror, J. Blake and Dion Baia decided to take on a fan favorite, particularly a cult classic for the ladies. The fellas are getting on their brooms and heading to Salem, Massachusetts, as they cover Walt Disney‘s Hocus Pocus, from 1993.

Hocus PocusThe boys get right into it by setting up the backstory of the film, and how it was originally pitched as a Disney television movie, then languished in developmental hell for ten years until it was brought in front of Bette Midler. They debate the theory of how some seasonal-themed films become cult classics, holiday staples because of repeated viewings on television and cable. They analyze the elements within the film that showcase another example of Disney tip-toeing into somewhat dark, erotic material- cleverly disguised inside a light-hearted fairytale. Dion and Blake unpack the historical context of this story, briefly summarizing about how Wiccan and Pagan religious ideologies were deemed to be akin to being in league with the devil, and the horrible witch-hunts that swept through Salem, Massachusetts, at the end of the 15th Century. They also compare the tone of Hocus Pocus to other properties at the time, like Eerie, Indiana and Are You Afraid of the Dark?. So, what is the fan speculation behind this story: going to the How and the Why of the Sanderson Sisters becoming witches? Was Leonardo DiCarprio once considered to star in this movie? Playing their own What if Game, could this film have been envisioned as a Tim Burton/Danny Elfman vehicle at the time? And are the fans finally going to see a sequel to this film, and why would Disney actually not be interested in making a sequel/reboot to this beloved property? Well, you better make sure no virgins are trespassing and lighting any candles, hide your children, and actually listen to that black cat trying to talk to you… because the boys are back with the Halloween-specific episode of SNMSOctober Halloween Horror Movie Extravaganza!

EXTRAS!

Check out this original trailer for Hocus Pocus, that contains shots from scenes that weren’t included in the final cut of the film!

Here’s a fantastic episode of the 1990’s Discovery Channel Show Movie Magic, devoted to the impressive EFX wire-work that is showcased in Hocus Pocus, courtesy of YouTube!

Take a listen to the John Debney score to the film!

This is the Bette Midler, Disney MGM Studio Commercial short entitled The Lottery, that was talked about in the podcast from the early 1990s, courtesy of some guy on YouTube, so enjoy!

Here is the 1973 book mentioned in the podcast that digs excessively into among other things, the history of Wiccan, Pagan and Witchcraft religions, entitled The Devil and all his Works, by Dennis Wheatley.

Also referenced in the podcast, for more information on Ed Gein, click here; for H. H. Holmes‘ and his house of horrors click here; and for information on the 1913 Villisca Axe Murders, click here.

And lastly but far from least, for more info on the 1977 John Carpenter‘s Halloween Michael Myers House that is now a museum, click here.

October 20

Them!, 1954

Welcome back to week 3 of Saturday Night Movie Sleepovers’ October Halloween Horror Movie Extravaganza! This episode finds Dion Baia and J. Blake going way down the alley, visiting the “Creature Feature” sub-genre, and tackling a film that in their opinion, exemplifies that niche of Sci-Fi/Horror films from the 1950s. And with this very week marking the 55th anniversary of the Cuban Missile Crisis, the boys discuss Hollywood‘s fear of the unknown in a Nuclear age with the classic film, Them!, from 1954.

Them!

The boys setup the conversation about 1950’s Sci-Fi by chatting about Dion‘s particular affinity and personal connection with these type of Science Fiction and Horror Films of the era. They chat about the Cold War politics of the decades that proceeded WWII, like McCarthyism or JFK vs. Khrushchev and the Cuban Missile Crisis, to try and put into some kind of perspective and context, the mindset of a postwar society who thought nuclear war was probably inevitable. Blake and Dion track the evolution of these type of “Creature Features“, by analyzing Hollywood’s output at the time, which it could even be argued leads the viewer down a path all the way to the iconic 1968 film Night of the Living Dead, which changed everything. The fellas then dissect this classic, Them!, which starts almost like a Crime Noir- a widely popular subgenre at the time. They go over the suspense that is set up within the movie and discuss the filmmaker’s very modern and realistic approach to telling this story. They also observe how superb the entire cast is within this film- all amazing feats when one realizes how this basically is a tale about radioactive insects. So, how do the Special Effects hold up some 60+ years later? Was this film originally planned to have a very popular gimmick (at the time) employed that was scrapped at the very last minute? How many Wilhelm screams are in this movie? And what is actor Edmund Gwenn‘s connection to Friday the 13th? Well you better hide your sugar, make sure your city and state maps are up to date, because the guys are taking you on an adventure to find some gigantic monsters in this all new installment of their October Halloween Horror Extravaganza on Saturday Night Movie Sleepovers!

Extras!

Here is the more widely known Theatrical Poster for Them!, which kind of tips the film’s hand to what the plot’s ‘twist’ actually is.

Have a look at this rare, behind the scenes footage from Them!

Check out these awesome original Lobby Cards for Them!

As brought up in the cast, check out this article elaborating on the Urban Legend that John Wayne and the film crew from the 1956 film The Conqueror died of cancer because of A-Bomb testing, and also the ‘Downwinders‘ who actually had to deal with the then-unknown effects of radioactive fallout.

September 29

Blade Runner, 1982

Hello and welcome to another episode of Saturday Night Movie Sleepovers! The boys are back and taking on one of the most iconic Sci-Fi movies of all time, one that is still lauded and debated 35 years after it was first released. J. Blake and Dion Baia are chatting about the Future Noir classic, Ridley Scott‘s Blade Runner, from 1982.

Blade Runner

The fellas are probably tackling their biggest topic to date, meaning with arguably 5-8 versions of the film, entire books written about the movie, and even a 3 and a half-hour documentary on the subject- there seemed to be a lot to unpack and get into. Applying the SNMS method, Dion and Blake decided to watch the original 1982 International Cut of the film (which was the version subsequently released on home video and laserdisc), as well as read the original source novel, Do Android Dream of Electric Sheep? by Science Fiction legend Philip K. Dick. Also for reference, they screened the little seen 1982 Workprint version which was released in the massive 2007 boxset. The boys compare the film(s) to the book and discuss the differences that were dropped or added, and lay out a sizable portion of novel’s subplots like the Empathy Boxes and the religion Mercerism that were eliminated to condense the story to fit into a two-hour feature film. They get into a very in-depth, semi-intellectual conversation about the moral questions posed within the book and film, as well as how the movie’s title came to be. Delving probably into their most ‘meta’ discussion on the podcast to date, they highlight the ethical and fundamental issues raised within the story, as well as their own personal feelings regarding these huge topics. So, how different is the original 1968 book to the 1982 version that was released in theaters? What about the various versions that have come out in the years since and the subtle differences in each? And what about the notorious and highly polarizing “voiceover” track by Harrison Ford that was dropped in the later cuts of the film, and the reasons why it was included and then excluded in subsequent releases? And the biggest question for Blade Runner and Do Android Dream of Electric Sheeps? fans: is Rick Deckard an ‘Andy‘ or Replicant? Well, you better grab all your Poopsheets, your Voigt-Kampff Empathy Test kits and dial your mood organs to the correct settings, because the lads are taking you for a ride in their Spinners, in this all new edition of Saturday Night Movie Sleepovers!

Extras!

Check out the original 1982 trailer for the film!

Have a look at all the deleted, alternate and extended scenes from Blade Runner!

Discussed in the podcast, here is the 2015 BBC Radio adaptation of Do Androids of Electric Sheep?!

Here is all things Blade Runner, on the fansite BRmovie.com!

September 15

Raiders of the Lost Ark, 1981

Welcome back to another installment of Saturday Night Movie Sleepovers! This week marks the third anniversary of the podcast. So to keep with the theme of other past anniversaries, Dion Baia and J. Blake are going back and celebrating the pulps– the subgenre of the serials that so many of our modern iconic characters we know and love today were born out of. And what better character epitomizes that history than the figure created to celebrate that very style in cinema, everyone’s favorite archeologist and adventurer, Indiana Jones, and the film that started it all, Raiders of the Lost Ark, from 1981!

Raiders of the Lost Ark

After a brief Joe Piscopo interlude, the boys start a very deep-dive into the origins of Dr. Jones and one of the most successful franchises of all time. Taking on their first Steven Spielberg-directed movie, Blake and Dion discuss the essential genius of Spielberg as well as analyze the brilliance of George Lucas and his connection with this film, while challenging a lot of the guff by critics concerning Lucas in his years post-1977‘s Star Wars– and even encountering Spielberg detractors while in film school. The boys utilize the little known transcription of the legendary story conference between Spielberg, Lucas and screenwriter Lawrence Kasdan from January of 1978 (a fabulous read for any fan or writer), which lays out Indy as a protagonist, the other supporting characters, and even the story arc for Raiders. They also discuss the 1954 Charlton Heston film Secret to the Incas, and it’s supposed connection to Indiana Jones. They get into this love-letter to those serials of the 1930’s, 40’s and 50’s, and focus on the elements that transcend genre and the other various forms of media, as they attempt to pin down what makes this property so unique and utterly timeless. The boys get into the artwork of legendary artist Jim Steranko and his input into the look of this iconic character. They also get into Indy‘s superhero costume, even laying out the actual brand-name items that the adventurer prefers to wear. So, how much was exactly cut out of the original story and shelved only to be used in Indiana Jones and the Temple of Doom? How much of Chuck Heston and Secret of the Incas really influenced the Indy property? What does famed artist Carl Barks and his iconic character, Scrooge McDuck, have to do with Indiana Jones? And what the heck does The Big Lebowski have to do with any of this? Well, come have a listen to our longest running podcast yet, as we “Tickle the Brim” a little and celebrate our 3rd anniversary in this all new mega-edition of Saturday Night Movie Sleepovers! *(The 1951 film that first introduced the Wilhelm scream was actually called Distant Drum, not The Distant Dream as mentioned. )

#GoingFullIndy #TickletheBrim #WettheForceps

Extras!

Here is the much-referenced and highly recommended full text of the 1978 Raiders of the Lost Ark Story Conference Transcript between George Lucas, Steven Spielberg and Larry Kasdan.

Often referenced as an inspiration of Indy and Raiders, please check out the 1954 Charlton Heston film, Secret of the Incas, courtesy of YouTube!

Take a look at the original concept art legendary comic book artist Jim Steranko did for Spielberg for Raiders of the Lost Ark, and specifically the look of Indiana Jones.

So you wanna be Indiana Jones? Well don’t look any farther than to TheRaider.net‘s list of the official items worn by Ford, and how you can acquire those specific brand-names.

And for everything else Indiana Jones, look no farther than the aforementioned TheRaider.net!

Have a look at the often forgotten Harrison Ford as Indiana Jones appearance (circa 1950), in Chapter 20 of The Young Indiana Jones Chronicles, entitled Mystery of the Blues, from 1993.

Lastly, if you missed it, check out Harrison Ford‘s hilarious 2013 appearance on Jimmy Kimmel Live! while promoting the biopic 42, where he is questioned about the upcoming installment of Star Wars.

August 18

Predator, 1987

Hello again and welcome back to an all new episode of Saturday Night Movie Sleepovers! This is a very special time for J. Blake and Dion Baia, because this signifies the 20th anniversary of their friendship. So they decided to tackle a movie that not only turns 30 this year, but also was something that they mutually loved when they entered film school and bonded over when they shared a dorm room. So this go around the boys are talking the Arnold Schwarzenegger/John McTiernan classic, Predator, from 1987!

Predator, 1987

After briefly reminiscing about their serendipitous pairing freshman year in college, Dion and Blake immediately realize that this is the first movie where the entire cast and most of the prominent crew have already appeared on SNMS, and should all be inducted in the SNMS Hall of Fame. The boys then get into the nuts and bolts of the film, while not in anyway hiding their love for this property. They first have an in depth discussion about the original alien suit and the Jean-Claude Van Damme controversy, and what led to bringing in Stan Winston for a complete redesign of that suit, to what we all love and know today. They compare elements of the novelization and some of the significant differences between it and the story we see in the finished film. And Dion also proposes a new theory for the creatures’ initial motivation to engage Arnold‘s elite team. So, in the novelization, why is the Predator hunting humans in the first place? What famous story concerning the folklore of this film does Blake take slight umbrage with? Does Van Damme actually get a raw deal here through the prism of history? And how many quotes and imitations can the boys fit into one humble podcast? Well grab your gear, face-paint and M134 miniguns, and make sure you watch your six, cause the boys are taking ‘Old Painless into the jungle and down memory lane on this all new and very special installment of Saturday Night Movie Sleepovers! #sleepovermischief

*Dion misspoke during the podcast- he meant the term “Over The Transom.

Extras:

Here is some footage and behind the scenes of the original Predator costume with Jean-Claude Van Damme, and the story behind it.

Check out a deleted scene talked about in the podcast, of Dutch attempting to escape the Predator.

For more information about all the unique and custom weaponry in this film, check out it’s Internet Movie Firearms Database webpage!

Have a look at a great ‘making-of’ documentary from 1987, for Predator.

Take a glance at the original theatrical trailer for the film.

Lastly, here is Dion with Jesse ‘the Body’ Ventura, circa 2006 or 2007.

August 4

The Lost Boys, 1987

Hello again and welcome back to another all new episode of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are talking another absolute cult classic film that turns 30 this week. A movie about beach boardwalks, teen angst, and of course vampires, Joel Schumacher‘s The Lost Boys from 1987.

The Lost Boys Poster

The boys fondly reminisce about the era The Lost Boys came out within, and how the concept of teenage vampires was a relatively new idea for audiences. Blake and Dion discuss the vampire lore and the ‘classical’ representation these characters had in cinema, and how this film kind of turned that traditional idea on end. They talk about the obvious connections to novelist J.M. Barrie‘s story Peter Pan, as well as the other cultural influences peppered in the story, such as the reoccurring presence of rock icon Jim Morrison and the symbolism invoked, which goes to the greater themes layered within. They discuss the family dynamics in the story, be it the Emerson family’s or the Lost Boys gang themselves. The lads go into the Corey connection, and the relationship between Haim and Feldman that all started with this movie. They compare this film to the novelization, and interject some of the subplots and scenes that were discarded in the final cut of the 1987 movie. And they also chat about the sexual tension between the main characters in the story, and ponder the question: who is really attracted to who here? So, how monumental was The Lost Boys’ soundtrack when it came out? Did director Joel Schumacher maybe put himself a little bit into young Corey Haim‘s character? What’s Blake‘s Billy Wirth story? How about Dion‘s Jason Patric encounter? Well it’s about time that you sharpen those wooden stakes, gather as much Holy Water as you can find, and above all, don’t invite any strangers into your house because an all new edition of Saturday Night Movie Sleepovers is coming your way!

(* The two stories referred to in the podcast that predate Bram Stoker‘s 1897 Dracula, were the 1819 short story entitled The Vampyre by John William Polidori, and the 1872 lesbian vampire novella Carmilla, by Joseph Sheridan Le Fanu– both in public domain and available online free to read.

Extras:

Check out the original trailer for The Lost Boys!

Watch the deleted scenes, here!

And check out more deleted scenes from the film, here!

Take a look at Corey Haim and Feldman talking about The Lost Boys!

Have a look at the 2004 The Lost Boys 17 year old Retrospective!

July 21

Robocop, 1987

Welcome back to another edition of Saturday Night Movie Sleepovers! The boys are taking on another fan-favorite, a movie that has become an absolute cult classic for a generation of filmgoers. This week J. Blake and Dion Baia discuss the future of law enforcement and OCP’s Crime Prevention Unit 001, aka Robocop, from 1987.

RoboCop

The fellas rebound quickly after some technical difficulties but quickly get down to business, attempting to unpack this legendary film that just turned 30 this very week. Dion and Blake reflect on their connections with this classic and their first exposure to this iconic film. They go through the history behind the project and lay out how all the stars aligned to make a movie that almost didn’t get made. The lads cover the amazing SFX within the movie, be it Practical, Visual and Stop-Motion. They compare the two cuts of the film, and discuss the subtle differences that had the censors going crazy. They contrast the difference between visual and visceral filmmakers and how that translates to a young child watching something like Robocop who might not understand the social satire, as opposed to an adult who may see this story in a completely different light. So, since modern audiences are of course familiar with the iconic title Robocop’ because it has transcended into the Urban lexicon, but out of context, did it actually sound like a B-movie script to some in the mid-1980s? What were the legendary problems with the robo-suit that actually shut down production so all the flaws could be ironed out? How many times was Robocop screened before it was able to receive an R rating and remove the scarlet letter X? And did the forced cuts that were made to appease the MPAA to get that R rating actually take the gratuitous violence (which was meant to satirize) out, and instead turn it into something completely different and all that more disturbing and graphic for audiences? Well grab your Cobra Assault Cannons, your tickets to see Bixby Snyder and the keys to your new 6000 SUX’ (all of course installed with Blaupunkts), because we’re headed to Old Detroit in this all new episode of Saturday Night Movie Sleepovers!

EXTRAS:

Check out the original Robocop trailer, complete with the original 1984 Terminator score used in the background, since the former’s score wasn’t yet completed!

Watch Peter Weller get suited up in the Robo suit on Entertainment Tonight circa 1986!

Take a look at this great 1987 featurette on all the Special Effects for Robocop!

Have a look at Peter Weller in 2013 talking about how portrayed the character of “Robocop“.

Watch this great 2013 Robocop Q & A panel, set up by Nancy Allen, for a charity to benefit the weSpark Cancer Support Center.

Here is the first, brand new 2017 trailer for the epic documentary, RoboDoc: The Creation of Robocop, coming later this year. 

Last and far from least, check out all the specs on the various modified weapons in Robocop on the Internet Movie Firearm Database or IMFDB.com!

June 30

The Beguiled, 1971

Welcome to a special installment of Saturday Night Movie Sleepovers! The boys decided to pull an audible and slip a special edition into the regular scheduled episodes and discuss a film that both Dion Baia and J. Blake have a mutual affinity for. This week they chat about the controversial Civil War Southern-Gothic thriller, The Beguiled, starring Clint Eastwood, from 1971.

The Beguiled

Just as a reimagining of this film directed by Sophia Coppola hits theaters this week (both based off the 1966 novel entitled A Painted Devil ), Blake and Dion thought this would be a great excuse to discuss this very interesting movie from director Don Siegel and starring the aforementioned Clint Eastwood, a project that in certain respects is unlike anything out of either man’s entire catalog. Hugely controversial and a dud at the box office (largely due to the complete mis-marketing by Universal Studios) the film had fans and critics alike scratching their heads, for all the wrong reasons. Now considered a cult classic by many and a quite gutsy move at that point in each of the careers of both director Siegel and star Eastwood, this movie is unapologetic with how it deals with the male and female dynamic, and taboo topics like lust, sexuality, and even incest (to name just a view). The boys analyze all the psychological aspects layered within. They attempt to dissect the underlying adult themes and the sorted relationships these characters have in the story and the roller coaster-ride this plot takes, and it’s utterly-shocking finale, which almost turns into something one could see on an episode of Tales From the Crypt or even The Twilight Zone. Though Blake and Dion freely admit they haven’t yet seen the new Sophia Coppola reboot and in no way speculate on that film’s merit or quality, they do discuss the recent uproar Coppola has gotten from some circles due to the conscious omission in her version of an African-American slave character, and especially how the fellas think the 1971 version deals with that exact subplot. They also try to give a context to stories like these and the effects (and horrors) war has on everyone involved, both soldiers and civilians alike. So why was this such a risky endeavor for both Clint Eastwood and Don Siegel? Can this movie be considered a psychological or gothic horror film? Is this film misogynistic, as some suggest? And frankly, how messed up is this film really?! Well the boys hope to answer all these questions and find answers to many more in this special, and unique episode of Saturday Night Movie Sleepovers!

Extras:

Check out the original trailer to The Beguiled, and see the completely misshandling of the promotion of this movie by Universal.

Here is another poster for the film, which looks completely misleading to what the movie is actually about.

Discussed in the podcast, please have a gander at this article about the stunning and shocking Alexander Gardner and Mathew Brady photographs of the Civil War, which appear in the credit sequence. 

Take a look at actress Melody Thomas Scott who was one of the students at the Seminary in the film, talking about playing a now embarrassing childhood prank on Clint Eastwood during filming.

As brought up in the podcast, check out the 1962 French short film adaptation of Ambrose Bierce‘s Occurrence at Owl Creek Bridge as it aired on the Twilight Zone.

And since the boys are HUGE proponents of Old Time Radio (or OTR), check out this radio adaptation of the Bierce classic, on the legendary show Suspense, which aired 7/19/59, starring Vincent Price.

June 23

Who Framed Roger Rabbit, 1988

Welcome back to another exciting edition of Saturday Night Movie Sleepovers. This week J. Blake and Dion Baia are going “way down the alley“, to discuss a monumental film that marked a seminal event in cinema history, something that to this day has never been replicated. What is it you might ask? Well have a listen as the boys talk the film noir/live-action/animated mash-up, Who Framed Roger Rabbit, from 1988!

Who Framed Roger Rabbit

Dion and Blake jump right into things, reminiscing about the late 80s, discussing the time period this film was released within. Another movie highlighting the glory of the pre-CGI era, the fellas analyze the various practical methods used to bring this amazing story to the silver screen, from the hand-drawn cell animation, to the practical SFX, to the sheen ILM applied to help make the finished product look that much more ‘real’. The boys go through the 1981 Gary Wolf book the film is based on Who Censored Roger Rabbit? and the similarities and major differences in plot and tone. Blake and Dion attempt to add perspective and really underscore how amazing this project was to be able to bring together various characters from Warner Bros., Disney and Tex Avery‘s troupe at MGM– a colossal feat that still 29 years on, hasn’t again been achieved. They also discuss meeting pioneering animation Ink and Painter Martha Sigall, who personally knew icons like Chuck Jones and Mel Blanc, as well as meeting Hanna Barbara legend Bob Singer. So how dark is this film really, even though it was billed as a children’s picture? And is the book actually much darker? What is the real-life plot point in Roger Rabbit that audiences forget actually happened, and how is it somehow related to Robert Towne‘s Chinatown series? And what is Dion‘s Bob Hoskins story- did he actually carry him around on his back, Yoda-style for a day? Well get ready and make sure you take your heart medicine, because the lads are taking you on a trip into Toontown in this all new episode of Saturday Night Movie Sleepovers!

*Dean Cundey actually directed Honey We Shrunk Ourselves, not the original Honey I Shrunk the Kids.

EXTRAS:

PLEASE check out our EXCLUSIVE interview with the late legendary Ink and Painter Martha Sigall about her career in the animation business, in a time when the industry was still in it’s infancy.

PLEASE check out our EXCLUSIVE interview with Hanna Barbara legend Bob Singer, as he reminisces about his work at the animation studios, and discusses the iconic characters he helped create.

Here is Dion with the amazing Bob Hoskins in 2005, when the former carried the latter on his back for a day while undergoing his Jedi training.

Have a look at this great 1988 behind-the-scenes TV special, Roger Rabbit and the Secrets of Toontown, hosted by Joanna Cassidy.

Take a look at this rare deleted scene, entitled the “Pighead Sequence.

Check out the three rare Roger Rabbit post-film shorts: Tummy Trouble, from 1989; Roller Coaster Rabbit from 1990; and from 1993,Trail Mix-Up!

May 12

The Fifth Element, 1997

Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.

The Fifth Element

After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!

Extras!

Here’s China Pop Diva Jane Chang doing the impossible, singing live the Diva Dance.

Take a look at Milla Jovovich’s screen test for The Fifth Element.

Have a gander at Milla Jovovich’s costume tests for Leeloo.

Check out Milla Jovovich talking about being 19 and being cast in The Fifth Element.

Take a look at Chris Tucker talking about playing Ruby Rhod.

Here’s some great behind the scenes footage of The Fifth Element.

Have a look at the official 1997 Cannes Press Conference with the cast and crew.

Now take a look at the MTV hosted Cannes Afterparty for The Fifth Element.

March 24

Dario Argento’s The Three Mothers – SNMS Presents: The Side-Cast

Buongiorno! Today we welcome James Hancock, host of the WRONG REEL podcast, for part 2 of a very special 2-part podcast crossover extravaganza (***Don’t worry, it is totally okay if you listen to this part first)! In part 1, SNMS’ very own Blake traveled to the Wrong Reel studio in lower Manhattan to sit in on a fun and informative chat regarding Italian horror maestro Dario Argento‘s first three films; affectionally known as The Animal Trilogy. Now, for your listening enjoyment, James has packed his PJs and sleeping bag and ventured into Blake’s Mom’s basement for a late night sleepover and a passionate discussion about Argento’s stylish, strange, provocative, controversial and (mostly) beloved trilogy exploring the mythos of the dreaded Three MothersSUSPIRIA (1977), INFERNO (1980) & MOTHER OF TEARS (2007).

They express their personal passions for the films and Argento and dive deep into the trilogy’s history, inspirations, productions, music, casts and wildly imaginative lore and visual aesthetics.

So is this horror’s strongest trilogy? Which film is Blake’s favorite of the series and why does he love it so? Why do the women act so immature in SUSPIRIA? Who the hell is that hot chick with the cat in INFERNO and what legendary classical composer was Keith Emerson ordered to adapt for a cue in the film? What common threads run throughout the series? Does James understand what the heck is going on in any of these films? Which Argento actress once attended one of Blake’s concerts and which other Argento actress was he once email pen-pals with? All of these questions and so many more are answered in this exciting conclusion to the Giant-Sized Wrong Reel/SNMS crossover 2-parter, here on the latest edition SATURDAY NIGHT MOVIE SLEEPOVERS PRESENTS: THE SIDE-CAST!

To hear Wrong Reel’s half of this 2-parter, CLICK HERE!

Follow Wrong Reel on Twitter, @WrongReel!

To hear Dion & Blake’s SNMS episode about Dario Argento’s DEEP RED, CLICK HERE!

To watch the documentary DARIO ARGENTO: AN EYE FOR HORROR, CLICK HERE!

To watch a vintage TV performance of GOBLIN performing the theme to SUSPIRIA, CLICK HERE!

To watch the late Keith Emerson perform Mater Tenebrarum from INFERNOCLICK HERE!

Follow Blake’s book SCORED TO DEATH on Twitter @ScoredtoDeath!

March 10

Cody Carpenter – SNMS Presents: Movie Lovers

We are back with the 2nd installment of our new feature called MOVIE LOVERS and this week Blake sits down with the son of sleepover movie royalty, (John Carpenter and Adrienne Barbeau‘s son) Cody Carpenter! The two discuss Cody’s new album ALTERNATE UNIVERSE, recording & touring with his dad and his love of movies. They reminisce about a few sleepover classics that have been featured on the regular SNMS podcast, as well as the work of animator/director Ralph Bakshi. They chat about the music of composer Vince Dicola and the Italian progressive rock band Goblin and Cody patiently sits through & answers a barrage of questions about his father…questions that did uncover some (arguably) revealing details about the patron-saint of sleepover movies, John Carpenter.

Which mid-eighties kids movie is “more than a movie” to Cody Carpenter? Who was Cody paying homage to when he composed the score to his father’s Masters of Horror episode Cigarette Burns? What moment did Blake & Cody (then strangers) share in Washington D.C.? What is Cody’s favorite ‘Carpenter film?’ Did Adrienne Barbeau like to ‘tape’ things off of TV? Did John Carpenter take his son to see the Teenage Mutant Ninja Turtles: Coming Out of Their Shells tour? Which guilty pleasure movie gets screened in the Carpenter household every time it is on TV? You will find the answers to these questions, and so many more, on this all new and exciting installment of SNMS PRESENTS: MOVIE LOVERS!

Follow Cody Carpenter on Twitter @ludium.

You can download Cody’s new album, Alternate Universe on iTunes, Amazon and at ludrium.bandcamp.com.

Check out an awesome video of Cody playing a track from the film Christine, with his dad John Carpenter, live in concert by CLICKING HERE.

Check out the official music video for the track “Distant Dream” from the album Lost Themes II, by CLICKING HERE.

Check out the official music video for the 2016 re-recording of theme to Escape from New York, by CLICKING HERE.

Check out the classic Coupe De Ville’s music video for the Big Trouble in Little China theme song, by CLICKING HERE.

Check out the trailer for Ralph Bakshi’s Wizards, by CLICKING HERE.

Follow Blake & his book Scored to Death on Twitter @ScoredtoDeath.

February 17

A Nightmare on Elm Street Part 3: Dream Warriors, 1987

Welcome back to another edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are dipping into a horror classic, one of the most iconic and famous characters within the genre and what better place to start than right in the middle of the series… that’s right, the boys are talking Freddy Krueger and specifically the 30th anniversary of A Nightmare on Elm Street Part 3: Dream Warriors, from 1987.

A Nightmare on Elm St Part 3: Dream Warriors

That’s right, Blake and Dion start smack in the middle of the franchise, and after touching on the mysterious world that exists for children inside department store circular-coat racks, they jump right into the Elm Street lore; utilizing a largely forgotten Tobe Hooper directed episode of the 1988 series Freddy’s Nightmares, A Nightmare on Elm Street: The Series which delves deep into Freddy’s backstory, something that was still really unexplored up until that time. They jump into Dream Warriors, discussing the Wes Craven‘s involvement and the original script he submitted, then deemed too dark and subsequently changed due to the subject matter. Dion and Blake get into the controversial topics that are presented in the film, which were still very taboo to cover in the 1980s, topics like depression, self-harm and teen suicide. So, how was this installment as a sequel; did it accomplish what it needed and set out to do? As an effects-heavy film, how do these practical FX hold up nowadays? How does this stack up in relation to the other A Nightmare on Elm Street movies? And what’s Dion‘s funny story about meeting actor Robert Englund back in 2009 and the autograph he asked for? Well all these intriguing and mind-blowing questions get answered, so grab some coffee or a Red Bull, because whatever you do, you don’t want to fall asleep during this week’s all new episode of Saturday Night Movie Sleepovers!

Extras!

As discussed in the podcast, check out this rare episode of Freddy’s Nightmares, A Nightmare on Elm Street: The Series, that explores the child murder Freddy Krueger’s nefarious history in coming the demonic villain we know him as today.

Here are both the original Wes Craven script deemed too dark by the studio, and the one that was ultimately filmed.

Check the Dokken music video for their song Dream Warriors, for the 3rd Elm Street film.

Have a look at the original trailer for A Nightmare on Elm Street Part 3: Dream Warriors.

Take a look HERE and HERE at the photos of the unused SFXs of Freddy’s head on the nurse’s body.

As discussed in the podcast, check out J. Blake‘s appearance on the WrongReel Podcast, talking about the great Buster Keaton.

Here is the photo of Dion meeting Robert Englund in 2009.

Also brought up in the cast, here is the fascinating book The Tipping Point: How Little Things Can Make a Big Difference, by Malcolm Gladwell.

Lastly, also talked about, check out the amazing PBS American Experience documentary entitled The Lobotomist, about neurologist Walter J. Freeman and his once exulted way of dealing with our mentally ill in this country, by way of transorbital lobotomies.

 

February 3

Masters of the Universe, 1987

Good Journey to you, and welcome back to another exciting and enthralling episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are revisiting a cult classic film that is tied to a legendary property that was one of the biggest franchises of the 1980s. So what do you get when you take a toy maker named Mattel® and have them shack up with the 80s action B-movie giant Cannon Films? You get the topic of this week’s podcast, Masters of the Universe, from 1987.

Masters of the Universe, 1987

The boys set up the movie on hand by reminiscing about their memories of where and when they first watched this epic. They then attempt to navigate through the steeped history of the He-Man character, explaining his basic origins and his initial backstory that was set up by Mattel when they first launched the toyline, before DC Comics it picked up and developed the vast story. Dion and Blake also try and sum up the status of Cannon in the 80s and that company’s influence in cinema, and even to moviegoers of that decade and how these two unlikely bedfellows wanted to make the “Star Wars of the 1980s” (to quote the Cannon hype). And they also spell out how and why, Masters ended up being one of the building blocks that caused everything to come crashing down- ultimately junking a toyline as well as being part of completely tanking a film company. So how vast was the He-Man franchise in it’s heyday? What problems ended up plaguing the film production from day one? What other comic book and cartoon character’s film was actually in preproduction but ultimately ended up getting halted because of the financial problems of the imploding Cannon? And what was the planned sequel to Masters of the Universe that was actually in preproduction and also had to be scrapped, AND what did that script get retooled and eventually released as? Well get your battle swords, cosmic keys, and gather your fellow Eterians, because here comes another mind-blowing installment of Saturday Night Movie Sleepovers!

(*CORRECTION- Within the podcast the 1989 film The Punisher is commonly referred as being a Cannon film, when it was in fact a New World production. Our apologies. Thanks)

EXTRAS:

Have a look at this 2012 panel discussion of 1987 MOTU live action film!

Here’s a great behind-the-scenes circa 1987 documentary on the film!

Check out this awesome, retro poster of the many characters, vehicles and playsets of the He-Man universe.

To completely immerse yourself in anything and everything He-Man, check out the Grayskull: The He-Man and She-Ra Wiki site devoted to the franchise.

As discussed in the podcast, here’s Dion with legendary comic book artist Mark Texeira in 2014 at 4th Annual Comic Book Marketplace Comic Convention (photo taken by Blake).

January 6

John Carpenter’s Escape From New York, 1981

Happy New Year and welcome to the 2017 season opener of Saturday Night Movie Sleepovers! J. Blake and Dion Baia decided to start the year off with a bang, tackling a cult classic that mash’s genres and became a forerunner for a decade or more for Future Noir / Sci-Fi films alike; forecasting a bleak future for the 1980s and beyond with its commentary on society. The boys are taking a trip to the Manhattan Island Maximum-Security Prison in futuristic 1997, in John Carpenter‘s classic, Escape From New York, from 1981.

Escape From NY

Having already designated director John Carpenter the ‘patron saint’ of SNMS, Dion and Blake mince no words when singing the filmmaker’s praises for his body of work in this era. After briefly lamenting about the format change MTV went through years ago, seguing from music video to reality show, the boys get right into the nuts and bolts of the film–laying out the historical context for when the script was first written and then the climate later, circa 1980, when it was eventually put to screen. Another resource the boys like to utilize while discussing a film is the movie tie-in novelization, to fill in the blanks to any exposition left out. Here they discuss, in detail, the immense backstory that is spelled out in the Mike McQuay book adaptation, giving us sizable background on the iconic character Snake Plissken (played brilliantly by Kurt Russell) and Police Commander Bob Hauk (played by the legendary Lee Van Cleef), as well as the third World War waged and the events that led up to the actual decision as to why that society ultimately turned the island of Manhattan into a Super Max Prison. They go through the various stories of how the amazing cast of supporting actors was assembled to fill out the other roles within the film, to help ground this fantastic tale with a firm foot in reality. They also explain the creative process John Carpenter goes through as a composer, using this film as example and his first-time collaboration with composer Alan Howarth. So what troubles lay ahead because of the shoestring budget? What corners (if any) had to be cut in order to get this movie finished? What city was this film actually shot in? What other established actors were considered for the lead role? And what up-and-coming director worked on the Special Effects Unit of this film; who would later go on to create some groundbreaking Sci-Fi films in his own right? Well grab your MAC-10 machine guns and molotov cocktails, your injections of micro-explosives that will, in 22 hours, rupture your carotid arteries and buckle yourself in, because we’re flying the Gullfire over Leningrad in this all new 2017 edition of Saturday Night Movie Sleepovers!

Extras!

Take a look at the alternate opening of the film, a bank robbery scene that Carpenter ended up cutting and then was thought to have been lost forever.

Check out this great interview with director John Carpenter about Escape From New York.

Have a look at the official 2016 John Carpenter music video for Escape From New York.

Here is demo footage of the never-released Namco Video Game, Escape From New York.

Lastly, have a listen to Episode One of Broken Sea Audio Productionsaudio drama of Escape From New York.