Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are back to discuss one of the most acclaimed films of all time, by one of the most iconic filmmakers of all time, Alfred Hitchcock and his 1954 masterpiece, Rear Window.
The boys attempt to dissect this epic topic, unpacking Hitchcock‘s career and style, and the factors that played into creating one of the most well-regarded movies of his catalog. They analyze Hitch‘s genius in crafting a seminal thriller that basically takes place in one room. So grab your popcorn, your mega jolt cola and your binoculars, because Blake and Dion are inviting you to spy on their neighbors on an all new edition of Saturday Night Movie Sleepovers!
Welcome back to another enthralling edition of Saturday Night Movie Sleepovers! J. Blake and Dion Baia stay up late this week to chat about an iconic character and movie from their youth, Pee-Wee Herman and his cult classic 1985 film helmed by Tim Burton, Pee-Wee’s Big Adventure.
The boys talk about bike riding, theater-movie going, and the arcade game playing of their youth, as they reminisce about being kids in another era. They unpack the history of Paul Reubens‘ Pee-Wee Herman character andinception, the 1981 HBO Special, and what led to a Warner Brothers movie deal. They go over Tim Burton‘s early work at Disney and how he and composer Danny Elfman were serendipitously paired with Reubens to collaborate on the 1985 movie. Dion and Blakealso delve into Pee-Wee‘s late 80’s career–the groundbreaking and Emmy Award winning CBS Saturday Morning showPee-Wee’s Playhouse, and what led up to his notorious arrest and fall out; and his ultimate transition beyond and back to Pee-Wee Herman. It’s a very fun, sentimental and exciting, all new episode of Saturday Night Movie Sleepover!
Welcome to another Holiday Edition of Saturday Night Movie Sleepovers! To close out 2018 J. Blake and Dion Baia are showcasing a cult Christmas classic that is getting some much-deserved love in recent years. They’re tackling the Jim Henson holiday classic, Emmet Otter’s Jug~Band Christmas, from 1977!
The boys lovingly unpack this once lost holiday gem that is celebrating its 40th anniversary in ‘the states’ this year. Dion and Blake utilize the original 1971 source book by Russell and Lillian Hoban for reference, and can’t hold back their utter amazement at the technical prose of the Jim Henson team and the unbridled magic they are able to create. Mixed with the genius that is Paul Williams and his music, they layout a Christmas Special that may have more film cuts than Blade Runner. So come pull up a chair and a have a listen as the boys grab their Mom’s washtub and head down to Waterville and Frogtown Hollow, on an all new holiday installment of Saturday Night Movie Sleepovers!
Recorded soon after the horrific Florida school shooting, Victoria comes by with her companion and little doggie Allie and they talk about the crazy world we live in and her self-imposed homelessness and journey to rediscover happiness. They speak about being able to find joy in our own daily lives, the many issues everyone nowadays seems to encounter in life regardless of social status, race or creed, and what it was like to be the daughter of such a trend-setting and iconic Hollywood couple. An absolute must listen for both cinephiles, fans of horror or renaissance man Vincent Price, or anyone who is looking to find some true meaning in this crazy world of ours. They also take a brief left-turn and talk about the legendary and groundbreaking but sadly little known industrial designer, Henry Dreyfuss– someone whose innovations have literally touched everyone’s lives.
So please come have a listen as this SNMS exclusive, a fascinating and thought provoking conversation with Victoria Price in this all new and inspirational edition of Saturday Night Movie Sleepovers!
Well it’s that time of year again, when Dion Baia and J. Blake sit down and up their output to one-episode-a-week for the Halloween season. And for the 2017 Horror-extravaganza the boys are kicking the month off with an often-requested film by SNMS listeners, the absolute cult classic, The Gate, from 1987.
The lads start off by reminiscing about their first childhood sleepovers in which they had friends attending; watching certain movies at a young age that they only learn the names of much years later in life; and the old idea from when we were all kids, that if you dig a hole deep enough, you’d make it to China– (remember that old myth?!) Blake and Dion then get down to business, discussing this horror classic. They chat about how the script got off the ground, shooting up in Canada, and how very early on it was decided to make this a horror movie specifically geared toward kids. They get into the occultism phenomenon that swept the country and world in the 1970s and 80s, giving us subgenres of horror films (like this one), music, and even things aimed at children, like Ouija Board‘s that are still mass-produced by companies like Hasbro. The fellas also talk about the excellent Special Effects in the film, particularly the amazing use of Forced Perspective, which really helped sell the Minions’ interaction with the human cast. So, what film did SFX man Randall William Cook screen for the filmmakers to sell them on this ideas for the SFX in The Gate ? How do those Effects hold up today? In what direction does the sequel go? And what’s the story with the film’s costar, Louis Tripp, and his journey from moving to Austrialia and changing his name from “Twelve Twenty“, to now Baph Tripp and releasing music under the name x.a.o.s? Well, make sure you don’t accidently read any dubious LP cover art or crudely dispose of any recently deceased family pets in any bottomless pits in the backyard, cause the guys are back with an all new, Halloween edition of Saturday Night Movie Sleepovers!
On Sunday July 16th, 2017 it was announced that filmmaker George A. Romero passed away. His debut film, NIGHT OF THE LIVING DEAD (1968), is arguably one of the most influential films of all time and his work, on the whole, means a great deal to us here at SATURDAY NIGHT MOVIE SLEEPOVERS. So out of respect to a master that gave us so much, today on this special impromptu SIDE-CAST, Dion & Blake pay tribute to an artist and filmmaker who had set out to make a cheap horror film and in the process changed the world forever…as well as the lives of two movie-loving podcasters, with a penchant for sleepovers.
CLICK HERE to listen the episode of the WRONG REEL podcast, on which Blake discusses the work of George A. Romero.
CLICK HERE to watch the George A. Romero section of Showtime‘s fantastic Bruce Campbell-hosted documentary titled MASTERS OF HORROR from 2002.
CLICK HERE to watch the George A. Romero/Tom Savini episode of the 1989 British television documentary series SON OF THE INCREDIBLY STRANGE FILM SHOW.
CLICK HEREto watch the original cut of the legendary behind-the-scenes documentary, DOCUMENT OF THE DEAD.
Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.
After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!
Welcome to a very special ExclusiveEdition of Saturday Night Movie Sleepovers Presents,The Side-Cast! This week SNMS catches up with two legendary actors in their own right: the well-renowned Wilford Brimley, and film and television icon Martin Kove! Last month Dion Baia and J. Blake attended the 2017 Monster Mania Convention in Cherry Hill, New Jersey, and Dion was able to sit down and chat with these two amazing thespians.
Mr. Brimley whose credits include The Thing, Cocoon, The Firm, Hard Target and The Natural just to name a few, briefly talks about his reasoning for getting into the film business, his favorite role, as well as setting the record straight on some of the stories online about his early life. Not one to mince words, Mr. Brimley is direct and to the point.
Mr. Kove, known most notably as Sensei John Kreese of the Cobra Kai Dojo, also starred in such classics on the big screen as TheLast House on the Left,The White Buffalo,Rambo: First Blood Part II,Steel Justice and Wyatt Earp, talks at length about his start in the film business, some embarrassing moments (he at least thinks) in his appearances in ’70s episodic television and why he feels The Karate Kidhas become the cult classic it is today. Mr. Kove also goes into why he feels the 1980’s television show Cagney and Lacey, that he costarred on, was so ground-breaking and ahead of it’s time, and touches on other character’s he portrayed throughout his profound career.
Kove also laments about the one iconic actor he regrets not working with when he had the chance, and also laughs about the one legendary actor he caught up with years later, with who admitted to being a huge Cagney and Lacey fan. And he opines about the one American film genre that he has an immense passion for, and feels needs to be resurrected.
So come on down and take a listen to these exclusives, on another exciting installment of Saturday Night Movie Sleepovers!
With Christmas just days away, J. Blake and Dion Baia decided to seek out a film that actually was the first to attempt to lay out the backstory of old St. Nick; a movie that sadly came and went, and like any good holiday film, it’s a perfect time capsule for the era it was made within. We’ve got Santa pitted against the evil and greed of the 1980s, in Jeannot Szwarc‘s Santa Claus: The Movie, from 1985.
This forgotten gem starring the great Dudley Moore, David Huddleston and John Lithgow immediately have the boys thinking back to the Christmas’ of their childhood, and the memories that come along with those experiences, like the Sears and J.C. Penney catalogs and their toy sections, or shopping with Mom and watching her use coupons for everything and then get rainchecks for what was on sale but had been 86-ed. And because of the product placement and connected marketing campaign, it has Dion and Blake longing for a McDonald‘s meal circa 1985, and all it’s unhealthy heavenly glory. They discuss the superhero-esque origin story, and relish in the glorious pre-CGI practical effects, and the beauty that has been lost in those antiquated Special Effects. So playing the SNMS-patented“What-if ?” game, who were some of the other directors considered to helm this film? Was a legendary horror director actually topping the list to, at one point, oversee this project? Was this entire movie, including the parts in New York City, shot on a soundstage in another country entirely? And is it really unheard of to have that many wild reindeer pull a sleigh? Well, this week the boys hook up with the Vendequm and watch them fulfill their centuries-old prophecy, in an all new Holiday Edition of Saturday Night Movie Sleepovers!
To add to this festive Christmas season, Dion Baia ended up tracking down and recording a special Side-Cast edition Saturday Night Movie Sleepovers, enlisting his old friends Brian Zino and J. Marcus, the cohosts of his former podcast The Podwits. Now to get them together for a recording, Dion knew there was one topic that would coincide with this season and something the boys could go on and on about: TOYS!
So for this SNMS special, Dion brought back his old cohorts to have a trip down memory lane and reminisce about the toys they grew up with and a time that children nowadays sadly may never know about: how awesome it was growing up in the 1970s, 80s, and 90s- a time when kids had a gun aisle in their local toy store, and could go buy candy cigarettes they could then ‘smoke’, just like their parents. The trio begin with chatting about the cartoons they grew up on, and some of the toys that came out of those francheses. They talk about the Mego toy empire of the 70s that had a monopoly on everything, and the segue that occured in the 1980s with the unstoppable titans Mattel, Hasbro and Kenner and their strong hold over the market, before others like Playmates and Galoob moved into the field. Along with toy figures, they also chat about building sets like Legos, Construx and Girder and Panel, and even touch on model-making and specifically superhero and movie character models, and the exciting products that were put out by companies like Aurora in the 70s and later on by Horizon in the mid 1990s. They also challenge each other by posing the ‘white whale‘ question: was there a toy they always wanted and never received? And how about the toy(s) that in theory were great but practically, either because of design or toy-playing, was frustating and annoying to say the least. Yes, they’re all over the spectrum in this special, Christmas time edition of Saturday Night Movie Sleepover‘s Side-Cast. Come have a listen today!
The boys are crawling back with their eyes clouded-over for week three of their October Halloween-Horror Binge, here at Saturday Night Movie Sleepovers! J. Blake and Dion Baia have delved deep into the video store racks and dusted off one from way down on the bottom shelf. They’ve selected an 80’s horror classic, and an absolutely undeniable classic for hardcore zombie fans! So what do you get when you take the urban legend of the escaped lunatic, add in 1950’s alien invaders, sprinkle in some elements of classic Film Noir, and then mix in the living dead for good measure? Well we’re here to ‘thrill you‘ this week with Fred Dekker‘s near perfect Night of the Creeps, from 1986!
Dion and Blake mince no words about their love for this film, and their appreciation for Mr. Dekker. They ease on into the ‘cast by reminiscing about attending community-organized Halloween parties as young kids back in the early 80’s, and jokingly psychoanalyze each other over what they’re nostalgic for by laughing about what they were exposed to as children. They then get into the meat and bones of Night of the Creeps. They gush over all the many clichéd tropes that are purposely brought together and used perfectly, to add to a sometimes hilarious, serious, and quite frighteningly effective and amazing 80’s horror movie. The boys reaffirm and solidify their undying (no pun intended) love for the man, the myth, the legend, Mr. Tom Atkins. They also analyze the mashup of various 1950’s sci-fi and horror elements, and how they all play into a nostalgic and loving homage to that era’s segment of genre films. And they discuss the notorious original, alternate ending. So to address the huge elephant in the room, why did this film flop? Why did it play into effectively destroying it’s director’s, Fred Dekker‘s Hollywood career? Was it perhaps too smart and tooforward thinking for it’s own good, making it fall short to the expectations of the general 1980’s audience? And does this film, in fact, deserve the credit and reverence that A-list genre films of the time garner? Well, you better grab your shotguns and flame-throwers, duct-tape your mouth’s shut, and keep your High School dates close, because here comes an all new edition and third installment of the October-Halloween binge of Saturday Night Movie Sleepovers!
Welcome back to week two of Saturday Night Movie Sleepover‘s October-Halloween month of Horror, where for the four weeks of the Autumn month, J. Blake and Dion Baia are giving you four podcasts to help fill you nightmares with nostalgic terror! This installment the boys are showcasing a classic, and also the first Hammer Studios production to be discussed on the podcast. This week they chat about the iconic 1959 movie The Mummy, starring the legendary Peter Cushing and Christopher Lee.
Dion and Blake chat again about their love for the classics and set the table and explain (within the cycle of the horror films) how the Hammer Studios helped revitalize the waning genre, and breathe new life into the catalog of monsters that Universal Pictures established some twenty years before. They go through the backstory of how a small British company like Hammer was able to successfully ‘borrow’ the classic monsters like Frankenstein’s Monster, Dracula, and this film’s central character, The Mummy and helped catapult them into the iconic status that we know them as today. The fellas also compare the template that we see these type of franchises cycle through, to the same template in films we see today like with the current trend of superhero movies, highlighting the similarities- e.g. first, the single-character ‘tent pole’ movies, then morphing into the multi-character team up installments. They also gush over their love for legendary actors Peter Cushing and Christopher Lee, and how without these men who went on to endear themselves to over 8 decades of cinema lovers, there might never have been the monster revival that Hammer brought forth, and the lasting impact these amazing horror characters had on us, film fans, having been firmly cemented into our pop culture. But how was Hammer even able to swing using these monster icons and get around Universal’s copyrighting in the first place? How was this film revolutionary, not only within the monster sub-genre but in the overall horror genre in general? How does this film and story hold up today? And is this version of the Mummy actually the precursor to characters we see in decades to come like Jason Voorhees or Michael Myers? And what impact have these movies left upon cinema? Well come one down and listen to week two of the horror extravaganza in another all new edition of Saturday Night Movie Sleepovers!
Welcome back to another exciting edition of Saturday Night Movie Sleepovers! Dion Baia and J. Blake are kicking off week one of their 2016 October-Halloween binge, where they ‘up’ their ‘output’ and deliver one horror-themed podcast a week for the Autumn month. And the boys are kicking off October with a real favorite here at SNMS, a film that spawned a life long love affair with John Carpenter, horror, and quite possibly became the catalyst for one of the guys to even attend film school. That movie is the aforementioned director John Carpenter‘s masterpiece, In the Mouth of Madness, from 1995.
Do you read Sutter Cane? The fellas start out the podcast discussing the maestro himself, John Carpenter and Blake‘s two interviews he did with the director that are part of Blake‘s new bookScored to Death: Conversations with some of Horror’s Greatest Composers.Dion jokes about the rumor among their friends that maybe it was in fact Blake who put the seed into Mr. Carpenter’s head to release a new music album, and then to tour. They talk about their mutual background of making home movies with their friends growing up, but specifically the huge inspiration In the Mouth had for Blake when he first saw it while in High School and it turning a ‘light’ on deep inside of him, perhaps even giving him the inspiration to go to film school as well as steer him toward his passion for horror films and their music, which then led to an entire book on the subject. The guys then segue and talk about the background of this film In the Mouth, beginning with the influence the huge pillar, H. P. Lovecraft, had on the horror genre on a whole, and then what elements were distilled into this work. They attempt to analyze and dissect what is and is not reality within the story and the blurred lines that are presented… which lead to some burning questions: Are we already seeing these complicated and convoluted themes within our own culture, vis-à-vis the television reality show industry, which now seems to have set a standard for our entertainment or even how we live and what we consider now our reality? How about in book form, as in the film’s plot- can a book series like Harry Potter or Game of Thrones be real life examples of works of fiction that have taken off and become their own entities, much like Sutter Cane’s work? Even though this story is not based on an actual HP Lovecraft work, can this be categorized as a continuation in the lore and tradition he started almost 100 years before? Well all these questions will be attempted to be answered in this exciting ‘first Halloween 2016 installment‘ of Saturday Night Movie Sleepovers!