Day of the Dead, 1985
The boys are celebrating the Halloween season by revisiting a film they first watched together 25 years ago! Dion & J. Blake sit down to chat about George A. Romero and his 1985 cult classic, Day of the Dead. In classic SNMS fashion, they take a walk down memory lane before launching into an in-depth discussion about Romero, his zombie films, the special effects work of Tom Savini, the film’s original script, its ensemble cast, its musical score, and much more!
For more information about Blake’s documentary and to support SCORED TO DEATH: THE DARK ART OF SCARY MOVIE MUSIC, you can visit its Kickstarter page at:
The campaign runs through November 1st, 2022. Or visit scoredtodeath.com.
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The lads start off by reminiscing about their first childhood sleepovers in which they had friends attending; watching certain movies at a young age that they only learn the names of much years later in life; and the old idea from when we were all kids, that if you dig a hole deep enough, you’d make it to China– (remember that old myth?!) Blake and Dion then get down to business, discussing this horror classic. They chat about how the script got off the ground, shooting up in Canada, and how very early on it was decided to make this a horror movie specifically geared toward kids. They get into the occultism phenomenon that swept the country and world in the 1970s and 80s, giving us subgenres of horror films (like this one), music, and even things aimed at children, like Ouija Board‘s that are still mass-produced by companies like Hasbro. The fellas also talk about the excellent Special Effects in the film, particularly the amazing use of Forced Perspective, which really helped sell the Minions’ interaction with the human cast. So, what film did SFX man Randall William Cook screen for the filmmakers to sell them on this ideas for the SFX in The Gate ? How do those Effects hold up today? In what direction does the sequel go? And what’s the story with the film’s costar, Louis Tripp, and his journey from moving to Austrialia and changing his name from “Twelve Twenty“, to now Baph Tripp and releasing music under the name x.a.o.s? Well, make sure you don’t accidently read any dubious LP cover art or crudely dispose of any recently deceased family pets in any bottomless pits in the backyard, cause the guys are back with an all new, Halloween edition of Saturday Night Movie Sleepovers!
George A. Romero
We are so grateful and love the pic! Thank you so much, and please everyone 
Welcome to a very special Exclusive Edition of Saturday Night Movie Sleepovers Presents, The Side-Cast! This week SNMS catches up with two legendary actors in their own right: the well-renowned Wilford Brimley, and film and television icon Martin Kove! Last month Dion Baia and J. Blake attended the 2017 Monster Mania Convention in Cherry Hill, New Jersey, and Dion was able to sit down and chat with these two amazing thespians.
Mr. Kove, known most notably as Sensei John Kreese of the Cobra Kai Dojo, also starred in such classics on the big screen as The Last House on the Left, The White Buffalo, Rambo: First Blood Part II, Steel Justice and Wyatt Earp, talks at length about his start in the film business, some embarrassing moments (he at least thinks) in his appearances in ’70s episodic television and why he feels The Karate Kid has become the cult classic it is today. Mr. Kove also goes into why he feels the 1980’s television show Cagney and Lacey, that he costarred on, was so ground-breaking and ahead of it’s time, and touches on other character’s he portrayed throughout his profound career.
