We are so grateful and love the pic! Thank you so much, and please everyone go check their page out cause it’s really, really cool. Thanks again guys!! You’re the best!
We are so grateful and love the pic! Thank you so much, and please everyone go check their page out cause it’s really, really cool. Thanks again guys!! You’re the best!
Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.
After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!
Welcome to a very special Exclusive Edition of Saturday Night Movie Sleepovers Presents, The Side-Cast! This week SNMS catches up with two legendary actors in their own right: the well-renowned Wilford Brimley, and film and television icon Martin Kove! Last month Dion Baia and J. Blake attended the 2017 Monster Mania Convention in Cherry Hill, New Jersey, and Dion was able to sit down and chat with these two amazing thespians.
Mr. Brimley whose credits include The Thing, Cocoon, The Firm, Hard Target and The Natural just to name a few, briefly talks about his reasoning for getting into the film business, his favorite role, as well as setting the record straight on some of the stories online about his early life. Not one to mince words, Mr. Brimley is direct and to the point.
Mr. Kove, known most notably as Sensei John Kreese of the Cobra Kai Dojo, also starred in such classics on the big screen as The Last House on the Left, The White Buffalo, Rambo: First Blood Part II, Steel Justice and Wyatt Earp, talks at length about his start in the film business, some embarrassing moments (he at least thinks) in his appearances in ’70s episodic television and why he feels The Karate Kid has become the cult classic it is today. Mr. Kove also goes into why he feels the 1980’s television show Cagney and Lacey, that he costarred on, was so ground-breaking and ahead of it’s time, and touches on other character’s he portrayed throughout his profound career.
Kove also laments about the one iconic actor he regrets not working with when he had the chance, and also laughs about the one legendary actor he caught up with years later, with who admitted to being a huge Cagney and Lacey fan. And he opines about the one American film genre that he has an immense passion for, and feels needs to be resurrected.
So come on down and take a listen to these exclusives, on another exciting installment of Saturday Night Movie Sleepovers!
Here’s Martin Kove signing Dion‘s Cagney & Lacey boxset; and here is Mr. Kove doing his badass Cobra Kai pose; then after realizing Dion was a huge C & L fan, here is a straight pose.
Hey New Jersey/Philly people, just a quick reminder that Dion Baia & J. Blake will be at Monster Mania in Cherry Hill NJ, at the Crowne Plaza Hotel next week, March 11th &12th!
(*Blake will also be there on the 10th!*).
They will be selling copies of J. Blake‘s book Scored to Death & soundtracks, etc.
If you’re going, make sure you stop at their table and say hi!
With Christmas just days away, J. Blake and Dion Baia decided to seek out a film that actually was the first to attempt to lay out the backstory of old St. Nick; a movie that sadly came and went, and like any good holiday film, it’s a perfect time capsule for the era it was made within. We’ve got Santa pitted against the evil and greed of the 1980s, in Jeannot Szwarc‘s Santa Claus: The Movie, from 1985.
This forgotten gem starring the great Dudley Moore, David Huddleston and John Lithgow immediately have the boys thinking back to the Christmas’ of their childhood, and the memories that come along with those experiences, like the Sears and J.C. Penney catalogs and their toy sections, or shopping with Mom and watching her use coupons for everything and then get rainchecks for what was on sale but had been 86-ed. And because of the product placement and connected marketing campaign, it has Dion and Blake longing for a McDonald‘s meal circa 1985, and all it’s unhealthy heavenly glory. They discuss the superhero-esque origin story, and relish in the glorious pre-CGI practical effects, and the beauty that has been lost in those antiquated Special Effects. So playing the SNMS-patented “What-if ?” game, who were some of the other directors considered to helm this film? Was a legendary horror director actually topping the list to, at one point, oversee this project? Was this entire movie, including the parts in New York City, shot on a soundstage in another country entirely? And is it really unheard of to have that many wild reindeer pull a sleigh? Well, this week the boys hook up with the Vendequm and watch them fulfill their centuries-old prophecy, in an all new Holiday Edition of Saturday Night Movie Sleepovers!
To add to this festive Christmas season, Dion Baia ended up tracking down and recording a special Side-Cast edition Saturday Night Movie Sleepovers, enlisting his old friends Brian Zino and J. Marcus, the cohosts of his former podcast The Podwits. Now to get them together for a recording, Dion knew there was one topic that would coincide with this season and something the boys could go on and on about: TOYS!
So for this SNMS special, Dion brought back his old cohorts to have a trip down memory lane and reminisce about the toys they grew up with and a time that children nowadays sadly may never know about: how awesome it was growing up in the 1970s, 80s, and 90s- a time when kids had a gun aisle in their local toy store, and could go buy candy cigarettes they could then ‘smoke’, just like their parents. The trio begin with chatting about the cartoons they grew up on, and some of the toys that came out of those francheses. They talk about the Mego toy empire of the 70s that had a monopoly on everything, and the segue that occured in the 1980s with the unstoppable titans Mattel, Hasbro and Kenner and their strong hold over the market, before others like Playmates and Galoob moved into the field. Along with toy figures, they also chat about building sets like Legos, Construx and Girder and Panel, and even touch on model-making and specifically superhero and movie character models, and the exciting products that were put out by companies like Aurora in the 70s and later on by Horizon in the mid 1990s. They also challenge each other by posing the ‘white whale‘ question: was there a toy they always wanted and never received? And how about the toy(s) that in theory were great but practically, either because of design or toy-playing, was frustating and annoying to say the least. Yes, they’re all over the spectrum in this special, Christmas time edition of Saturday Night Movie Sleepover‘s Side-Cast. Come have a listen today!
As discussed in the podcast HERE, and HERE are the Star Trek, Laser Tag-esque game called Star Trek Phaser Battle.
The boys are crawling back with their eyes clouded-over for week three of their October Halloween-Horror Binge, here at Saturday Night Movie Sleepovers! J. Blake and Dion Baia have delved deep into the video store racks and dusted off one from way down on the bottom shelf. They’ve selected an 80’s horror classic, and an absolutely undeniable classic for hardcore zombie fans! So what do you get when you take the urban legend of the escaped lunatic, add in 1950’s alien invaders, sprinkle in some elements of classic Film Noir, and then mix in the living dead for good measure? Well we’re here to ‘thrill you‘ this week with Fred Dekker‘s near perfect Night of the Creeps, from 1986!
Dion and Blake mince no words about their love for this film, and their appreciation for Mr. Dekker. They ease on into the ‘cast by reminiscing about attending community-organized Halloween parties as young kids back in the early 80’s, and jokingly psychoanalyze each other over what they’re nostalgic for by laughing about what they were exposed to as children. They then get into the meat and bones of Night of the Creeps. They gush over all the many clichéd tropes that are purposely brought together and used perfectly, to add to a sometimes hilarious, serious, and quite frighteningly effective and amazing 80’s horror movie. The boys reaffirm and solidify their undying (no pun intended) love for the man, the myth, the legend, Mr. Tom Atkins. They also analyze the mashup of various 1950’s sci-fi and horror elements, and how they all play into a nostalgic and loving homage to that era’s segment of genre films. And they discuss the notorious original, alternate ending. So to address the huge elephant in the room, why did this film flop? Why did it play into effectively destroying it’s director’s, Fred Dekker‘s Hollywood career? Was it perhaps too smart and too forward thinking for it’s own good, making it fall short to the expectations of the general 1980’s audience? And does this film, in fact, deserve the credit and reverence that A-list genre films of the time garner? Well, you better grab your shotguns and flame-throwers, duct-tape your mouth’s shut, and keep your High School dates close, because here comes an all new edition and third installment of the October-Halloween binge of Saturday Night Movie Sleepovers!
Welcome back to week two of Saturday Night Movie Sleepover‘s October-Halloween month of Horror, where for the four weeks of the Autumn month, J. Blake and Dion Baia are giving you four podcasts to help fill you nightmares with nostalgic terror! This installment the boys are showcasing a classic, and also the first Hammer Studios production to be discussed on the podcast. This week they chat about the iconic 1959 movie The Mummy, starring the legendary Peter Cushing and Christopher Lee.
Dion and Blake chat again about their love for the classics and set the table and explain (within the cycle of the horror films) how the Hammer Studios helped revitalize the waning genre, and breathe new life into the catalog of monsters that Universal Pictures established some twenty years before. They go through the backstory of how a small British company like Hammer was able to successfully ‘borrow’ the classic monsters like Frankenstein’s Monster, Dracula, and this film’s central character, The Mummy and helped catapult them into the iconic status that we know them as today. The fellas also compare the template that we see these type of franchises cycle through, to the same template in films we see today like with the current trend of superhero movies, highlighting the similarities- e.g. first, the single-character ‘tent pole’ movies, then morphing into the multi-character team up installments. They also gush over their love for legendary actors Peter Cushing and Christopher Lee, and how without these men who went on to endear themselves to over 8 decades of cinema lovers, there might never have been the monster revival that Hammer brought forth, and the lasting impact these amazing horror characters had on us, film fans, having been firmly cemented into our pop culture. But how was Hammer even able to swing using these monster icons and get around Universal’s copyrighting in the first place? How was this film revolutionary, not only within the monster sub-genre but in the overall horror genre in general? How does this film and story hold up today? And is this version of the Mummy actually the precursor to characters we see in decades to come like Jason Voorhees or Michael Myers? And what impact have these movies left upon cinema? Well come one down and listen to week two of the horror extravaganza in another all new edition of Saturday Night Movie Sleepovers!
SNMS cannot recommend enough, for those interested to check out the classic radio shows (commonly referred to OTR, meaning Old Time Radio) on archive.org that are now public domain. On this .org site, enthusiasts compile the best surviving sources for each particular show and add new ones or discover better quality episodes everyday. Have a mozy and see if you can find a genre and/or show that you’d love today; and we guarantee that if you take the time, you will find a show you’d love. The rest is on you.
Welcome back to another exciting edition of Saturday Night Movie Sleepovers! Dion Baia and J. Blake are kicking off week one of their 2016 October-Halloween binge, where they ‘up’ their ‘output’ and deliver one horror-themed podcast a week for the Autumn month. And the boys are kicking off October with a real favorite here at SNMS, a film that spawned a life long love affair with John Carpenter, horror, and quite possibly became the catalyst for one of the guys to even attend film school. That movie is the aforementioned director John Carpenter‘s masterpiece, In the Mouth of Madness, from 1995.
Do you read Sutter Cane? The fellas start out the podcast discussing the maestro himself, John Carpenter and Blake‘s two interviews he did with the director that are part of Blake‘s new book Scored to Death: Conversations with some of Horror’s Greatest Composers. Dion jokes about the rumor among their friends that maybe it was in fact Blake who put the seed into Mr. Carpenter’s head to release a new music album, and then to tour. They talk about their mutual background of making home movies with their friends growing up, but specifically the huge inspiration In the Mouth had for Blake when he first saw it while in High School and it turning a ‘light’ on deep inside of him, perhaps even giving him the inspiration to go to film school as well as steer him toward his passion for horror films and their music, which then led to an entire book on the subject. The guys then segue and talk about the background of this film In the Mouth, beginning with the influence the huge pillar, H. P. Lovecraft, had on the horror genre on a whole, and then what elements were distilled into this work. They attempt to analyze and dissect what is and is not reality within the story and the blurred lines that are presented… which lead to some burning questions: Are we already seeing these complicated and convoluted themes within our own culture, vis-à-vis the television reality show industry, which now seems to have set a standard for our entertainment or even how we live and what we consider now our reality? How about in book form, as in the film’s plot- can a book series like Harry Potter or Game of Thrones be real life examples of works of fiction that have taken off and become their own entities, much like Sutter Cane’s work? Even though this story is not based on an actual HP Lovecraft work, can this be categorized as a continuation in the lore and tradition he started almost 100 years before? Well all these questions will be attempted to be answered in this exciting ‘first Halloween 2016 installment‘ of Saturday Night Movie Sleepovers!
Hello everyone, welcome back to another exciting and enthralling edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are celebrating an epic milestone with an epic podcast! It’s SNMS’ two year anniversary and the boys have picked a film near and dear to their hearts, one that has gained a sizable cult following over the 25 years since it’s original release. This week they take on the classic action/adventure, The Rocketeer, from 1991.
Dion and Blake kick off the podcast with a pseudo-State of the Union, reflecting on the past year. They chat about the movies they’ve covered, the growing community of listeners and those who also frequent their Facebook page, and how humbling it has been for them. Then they seque into this epic anniversary cast, and setup the backstory of the Rocketeer. They discuss the creator Dave Stevens‘ journey getting character from comic to screen, and Disney‘s eventual involvement and the sparring that occurred between him and the company (aka the then Chairman and CEO Michael Eisner) over keeping the property as pure as possible with the transition to screen. The boys again explain the era of the 1980’s and how hard it really was to get a comic book movie done, let alone a character from an independent publisher. They also chat about the era the movie is set within, the pre-war 1930’s and the beautiful art movement that permeated almost every medium, Art Deco. Blake and Dion also discuss the genius of creator Dave Stevens, and all the ‘historical fiction’ he injected into his original content. The guys go through the various details of the historical and famous figures involved in the material, leading them to another topic they have been waiting almost two years to talk about, and one of the things that they love about this film, the homage to the great B-movie actor Rondo Hatton. They explain his history, the illness that affected his physical appearance and how by the help of Rick Baker, Rondo was able to make a posthumous appearance in one more Hollywood film, albeit 49 years later (if you don’t count Scooby-Doo!). Well there’s a lot to unpack on this week’s episode and it’s admittedly a long one, but the boys have a lot to celebrate about: a fabulous film that the fans love, and lament about a growing audience that really blows the boy’s minds. So please come on down and have a listen to another hilarious, informative and engaging episode of Saturday Night Movie Sleepovers!
*Dion accidently named the Chicago-era gangster Hymie Weiss, when intending to instead reference Murder Inc. co-founder Meyer Lansky.
Quickly mentioned in the podcast but completely forgotten to be brought up again before the conclusion and ripped from the headlines, check out this news story about a modern ‘Rocket man‘, that shows fiction becoming reality!
Check out the this now ended Rick Baker auction on PropStoreAuction.com for what they were selling from The Rocketeer concerning the Lothar makeup appliances, AND other items from the film, including one of the original Rocketeer helmets!
As the summer comes to an end and the school year gets back into full swing for some, Dion Baia and J. Blake at Saturday Night Movie Sleepovers decided upon the perfect film (in their eyes) that encapsulates the angst of ending that summer love, entering maybe your senior year and wanting to impress all your friends, while dealing with the stress of the famed TV program National Bandstand coming to your high school to record a dance contest. So this week, the boys are warming up their vocal chords and their patented dance moves as they tackle the musical comedy classic Grease, from 1978.
After going off on a brief adventure to recap their recent excursion to the Star Trek Missions Convention in Manhattan that celebrated the 50th anniversay of the beloved original series and franchise and chat about the celebrities and special events they encountered there, Blake and Dion finally dive into this beloved 1978 musical essential. The fellas analyze the 1970’s fascination and nostalgia for the 1950’s (much like we see today for the 1980’s or 90’s), and draw parallels from their own lives of actually sharing that same mutual affinity for the post-war 50’s era because (much like other SNMS listeners of the same age) the boys grew up watching the reruns of that iconic decade, along with the 1970s entertainment also in rerun, that was sentimental for that era; with TV shows like Happy Days and Laverne and Shirley, and feature films like American Graffitti, The Last Picture Show, and this week’s pick, Grease. And as they always like to do, the lads discuss the context of the era this film was made within, circa 1977-78, to see what was happening in the world and to emphasize how incredible it was for a modestly-budgeted film to come out of nowhere and shoot to the top of the charts and have such staying-power that, not only is this film and it’s songs still commonplace in our modern psyche, but the movie still holds the record of being the top-grossing movie musical of all time. But if you actually stop and examine key elements of the plot as well as some of the song lyrics and even some of the dance moves within the film, is it really a tad ‘dirtier‘ and ‘raunchier‘ than at first glance? Was the first idea really to make an animated film with a suicide at the end?! Was an adult porn star actually cast in a major supporting role? Were the creators of the original stage play actually barred at one time from set? What’s going on with the blurring of all the Coca-Cola signs in the diner? And literally ripped from the headlines, what is the conspiracy theory that everyone is up in arms about–what may be really be going on with Sandy’s character?! Well, the guys attempt to cover all the basics while keeping their dance cards filled, on this all new exciting and entertaining edition of Saturday Night Movie Sleepovers!
Dion Baia and J. Blake are back for another must-listen to edition of Saturday Night Movie Sleepovers! The dog days of summer are wrapping up for the boys in the mean streets of the asphalt jungle, and they had the perfect film to cover at the end of August. This week they take on an urban classic, something near and dear to a generation of film goers, Joel Schumacher‘s Falling Down, starring Michael Douglas as William D-Fens Foster, from 1993.
Truly a poster child film for the frustrated 9-5 worker who is fed up with their job and maybe the system in general, Blake and Dion figured this would be a great movie to wrap up this hot and steamy summer season. They get right into it and chat about how the film almost became a TV movie because of Hollywood’s passing on the script due to the controversial content. They also frame the historical context of the era it was released within, hitting on the recent recession at the time, as well as the LA riots that occurred in the Spring of 1992 (while the film was being shot). They discuss the amazing choice of casting, the fantastic Michael Douglas and once again discuss the importance of the likeability of an actor playing a role, for the audience to be on board and like that character. Dion and Blake chat about the D-Feds character and if he’s actually the protagonist or perhaps the antagonist. And they compare him to his foil in the film, Detective Prendergast, played by the legendary Robert Duvall and how they both cope with the stress of daily life. They also discuss how this story translates to today’s audience; not just by how Douglas’ character is perceived and the glorification of some of his actions, but also how modern audiences in today’s highly politically correct environment may even jump to conclusions without fully understanding the context of the era, not only of 1993, but cinema in general and the background of D-Fens as a character. Well it’s a rip-roaring blast for the lads in this fun and exciting, all new episode of Saturday Night Movie Sleepovers! #wolfmansnards
Due to the astounding popularity and success of our last series of interviews with retired NYPD Homicide Detective Randy Jurgensen that aired here last December in 2 parts, and because of the content of last week’s SNMS episode on the 1980 film Cruising, we decided to reissue our first groundbreaking interview which originally ran in February of 2012 on our now defunct sister site, The Podwits.com.
So the name Randy Jurgensen doesn’t sound familiar to you? Well, believe it or not you know him. The retired NYPD Homicide Detective and film icon has acted in and produced dozens of films, and has worked on some of New York City’s most famous cases. His book, Circle of Six, is his real-life tale of going against the system and practically the entire department brass in order to bring to justice the murderer of a fellow brother-in-blue, in what turned out to be one of the city’s most notorious cop killings. This passed April marked the 44th anniversary of the killing of Officer Phil Cardillo at Mosque #7 in Harlem, and the case that forever changed the seasoned detective as well as the fabric of the entire New York City Police Department. In this SNMS EXCLUSIVE, Randy sits down with Dion Baia and talks about his very colorful career as a homicide detective and his unlikely segue into the cinema. The NYPD veteran gives his opinion of the mindset of the police hierarchy that made it so hard to be a policeman in New York City in the 60’s and 70’s. He recounts his involvement in the Patsy Fuca case, which became the 1971 film The French Connection. Perhaps for the first time, Jurgensen goes into detail of the sequence of events of the case he was assigned to, having to go underground into the gay leather-bar scene in the 1960s which eventually because the Al Pacino film Cruising. The Homicide Detective also discusses a crime scene that to this day still haunts him, and how he learned how to deal with ‘the job’. He then explains why it was so easy for him to make the gradual transition from detective to film consultant, actor and producer, examining his career in cinema. Mr. Jurgensen goes into his close friendship with legendary director William Friedkin, and actor Joe Spinell among others, and his memories working on films like The French Connection, The Godfather, Maniac, Cruising, Superman, and Sorcerer, among others. So what famous person was Jurgensen temporary pulled out from undercover to then go and arrest? What did his old childhood friend, legendary comedian George Carlin have to say about that notorious arrest? And what special message (through Dion) does actor Ed O’Neill have for Randy? Well come on and listen to a groundbreaking and highly educational episode of Saturday Night Movie Sleepovers’ Side-Cast!
The boys are back, taking on a film that is legendary for it’s controversy, so much so that not only did it taint the actual production of the movie but also led to it being regarded as a ‘bomb’ at the box office, despite an entire cast and crew of A-list talent. Dion and Blake this week take a hard look at the Al Pacino classic, Cruising from 1980, by the auteur William Friedkin.
Now the fellas are the first to admit that this wouldn’t top their list as the perfect nostalgic vehicle that a group of twelve or thirteen year old friends would knowingly rent (due to the subject matter) and watch at a sleepover back in the day, but they are also in agreement that Cruising has gotten a terribly raw deal ever since it’s first day of production. Blake and Dion start off by relating the facts of the real case that this film was partly based on, directly from the horse’s mouth so to speak, by chatting with their friend, former NYPD Detective turned actor, producer, stuntman and technical consultant Randy Jurgensen, who in real life was the one who actually went undercover into this world to solve a case, in an SNMS exclusive. They explain the backstory and the original book of the same name, and how it got into director William Friedkin‘s hands, eventually becoming a film he helmed. They lay-out the outcry that came from the gay community about the film and it’s subject matter, and the concerns behind that worry. Dion and Blake delve in and really dissect the plot, trying to flesh out all the twists and turns this noir thriller takes. So WHY was Cruising so controversial for Hollywood and the gay community in particular, and for the public at large? How “X-Rated” was this when it was first released? What about the new pseudo-documentary co-directed by actor James Franco called Interior. Leather Bar., and how much of it really focuses on Friedkin’s film that it was supposedly inspired by? What other personal and exclusive incite do the boys have from speaking with Paul Sorvino, Ed O’Neill and the great forensic pathologist Dr. Michael Baden about Cruising? And why the heck would the boys ever think of cosplaying with this film?! Well, come on down to find it all out, on an all new, highly informative and exciting episode of Saturday Night Movie Sleepovers!
(Dion mistakenly referred to 1970 Cruising novel author Gerald Walker, as Gerald Butler…who knows why.)
Has it been 2 weeks already?! Well then welcome back to another exciting, wacky, and in this week’s case, new and unique edition of Saturday Night Movie Sleepovers! This time around J. Blake and Dion Baia are doing a bonafide double feature, something that was to weekend sleepovers as Jack Daniels was to Frank Sinatra. And after throwing dump truck-loads of money at Quinnipiac University polling and hosting scores of focus group studies, they came up with the perfect pair of films for their inaugural double feature. And what lucky pair did they choose? Well the 1990 and 1991 classics Teenage Mutant Ninja Turtles and Teenage Mutant Ninja Turtles II: Secret of the Ooze of course!!!
The boys are completely sleep deprived this time around but still working on all cylinders, trying to cram as much info as they can about this classic franchise into a tiny, humble podcast. After voicing their concerns about the growing intelligence of the machines on the Island of Sodor (which oddly has NOTHING to do with the TMNT), the fellas quickly jump right into the topic at hand, the backstory of the beloved Ninja Turtles. They discuss the Half Shelled Heroes’ incredible journey from comicbook page to the small screen, leap to action figures, and finally their landing on the 35mm big screen. After the original 1990 film became such a success, Blake and Dion reminisce about the Turtle phenomenon that overtook the world. This popularity greenlit a second film, which made it to the screen just 10 days shy of a calendar year from the original’s release; making it possibly the quickest sequel put into production since the old studio system days of yesteryear.
So was the 1990 movie really an ‘independent’ film? How technically advanced and also cumbersome were the turtle suits, comparably, from one movie to the next? Was the original film really criticized for being so dark and violent, that it actually was censured in the U.K. and some other European countries because of it’s ninja connotations? And then was the 1991 sequel actually criticized for being too light-hearted and not as faithful to the source material.. wait, wha?! And will the lads actually get through the podcast before becoming too incoherent? Well order your pizza pies, grab your skateboards and your favorite pair of Nunchakus, because the guys are heading down into the sewers this week in this colossal double header, on another episode of Saturday Night Movie Sleepovers!
Have a look at this amazing arrangement of the TMNT cartoon theme song, performed by Scott Bradlee and Post Modern Jukebox (from their Saturday Morning Slow Jams series), sung by Righteous Music Media‘s own Drue Davis!