Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are back, and opening up the Spring/Summer season up with a classic, a debut [of sorts] from a director who went on to become sleepover royalty. The boys are tackling John Carpenter‘s thriller, Assault on Precinct 13, from 1976!
Dion and Blake discuss their history with this film and the horrifying and controversial aspects it presents, and unpack the various influences on John Carpenter that helped him pen and direct this terrifying genre film. They also talk about the groundbreaking soundtrack, and the various inspirations it drew from. Plus, the lads make their big summer announcement! It’s all going down in this episode, so keep an eye out when you visit your local ice cream trucks because anything can happen on an all newSaturday Night Movie Sleepovers!
Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week’s podcast is a true epic, with the boys breaking new ground and covering their first Western. The choice for their first in the genre is a film near and dear to both Dion Baia and J. Blake‘s hearts, a momentous pick that has become a modern classic, George P. Cosmatos‘ Tombstone, from 1993.
After Blake relates a recent story about attempting to see the obscure Michael Mann film The Keep at BAM (Brooklyn Academy of Music), the boys lay out their history with Tombstone, and setup the history of the western genre, laying out the evolution of the complexities and sophistication of themes and presentation of these stories within the film industry, through the second half of the 20th Century. Then the boys get onto the winding road that is the back story of this film, laying out the actual history of the Earps and the Cowboy Gang in the 1880’s in the city of Tombstone, and the lead up to this 1993 film being made and the extensive cast this movie boasts. How accurate was this story to the real historical events? Why was the first director Kevin Jarre (who actually penned the script) fired mere days into production? Did new director George Cosmatos actually oversee the production as credited or did one of the lead actors actually secretly direct the picture? Who was originally cast as Doc Holliday, only to be denied by the film’s distributor because of past controversy? How did the film’s rival production, Kevin Costner‘s Wyatt Earp actually help and hurt Tombstone‘s fate? Well grab your dusters, Winchester Repeaters and Colt Peacemakers, because all these convoluted stories will be explained and put into context in this all new, massive and epic installment of Saturday Night Movie Sleepovers!
This time around Dion and Blake are talking about potentially their most controversial film for Saturday Night Movie Sleepovers to date, Don Siegel‘s classic, the original Dirty Harry, from 1971, starring Clint Eastwood.
This groundbreaking film literally paved the way for the onslaught of police genre stories on the big and small screen in the 1970’s, and refined and set the standard for the Vigilante/Anti-Hero genre that blossomed for the next 20 years, and also spawned 4 sequels. So why the heck was this film so contentious for 1971? How did the raw violence and its graphic depiction sit with audiences at the time? How does it hold up today? Is this actually a Western in disguise? Is the film’s composer Lalo Schrifrin as underrated as it seems? Did this film quite possibly give us the action film genre as we knew it with Arnold, Sly, and Willis in the 1980’s- Wha-? Hmm… Well come on down and give us a spin on another brand-new edition of Saturday Night MovieSleepovers!
*Dion erroneously referred to Frank Sinatra‘s 1967 film Tony Rome, when he actually met his 1968 film The Detective.