Welcome to a special installment of Saturday Night Movie Sleepovers! The boys decided to pull an audible and slip a special edition into the regular scheduled episodes and discuss a film that both Dion Baia and J. Blake have a mutual affinity for. This week they chat about the controversial Civil War Southern-Gothic thriller, The Beguiled, starring Clint Eastwood, from 1971.
Just as a reimagining of this film directed by Sophia Coppola hits theaters this week (both based off the 1966 novel entitled A Painted Devil ), Blake and Dion thought this would be a great excuse to discuss this very interesting movie from director Don Siegel and starring the aforementioned Clint Eastwood, a project that in certain respects is unlike anything out of either man’s entire catalog. Hugely controversial and a dud at the box office (largely due to the complete mis-marketing by Universal Studios) the film had fans and critics alike scratching their heads, for all the wrong reasons. Now considered a cult classic by many and a quite gutsy move at that point in each of the careers of both director Siegel and star Eastwood, this movie is unapologetic with how it deals with the male and female dynamic, and taboo topics like lust, sexuality, and even incest (to name just a view). The boys analyze all the psychological aspects layered within. They attempt to dissect the underlying adult themes and the sorted relationships these characters have in the story and the roller coaster-ride this plot takes, and it’s utterly-shocking finale, which almost turns into something one could see on an episode of Tales From the Crypt or even The Twilight Zone. Though Blake and Dion freely admit they haven’t yet seen the new Sophia Coppola reboot and in no way speculate on that film’s merit or quality, they do discuss the recent uproar Coppola has gotten from some circles due to the conscious omission in her version of an African-American slave character, and especially how the fellas think the 1971 version deals with that exact subplot. They also try to give a context to stories like these and the effects (and horrors) war has on everyone involved, both soldiers and civilians alike. So why was this such a risky endeavor for both Clint Eastwood and Don Siegel? Can this movie be considered a psychological or gothic horror film? Is this film misogynistic, as some suggest? And frankly, how messed up is this film really?! Well the boys hope to answer all these questions and find answers to many more in this special, and unique episode of Saturday Night Movie Sleepovers!
Welcome back to another exciting edition of Saturday Night Movie Sleepovers. This week J. Blake and Dion Baia are going “way down the alley“, to discuss a monumental film that marked a seminal event in cinema history, something that to this day has never been replicated. What is it you might ask? Well have a listen as the boys talk the film noir/live-action/animated mash-up, Who Framed Roger Rabbit, from 1988!
Dion and Blake jump right into things, reminiscing about the late 80s, discussing the time period this film was released within. Another movie highlighting the glory of the pre-CGI era, the fellas analyze the various practical methods used to bring this amazing story to the silver screen, from the hand-drawn cell animation, to the practical SFX, to the sheen ILM applied to help make the finished product look that much more ‘real’. The boys go through the 1981Gary Wolfbook the film is based on Who Censored Roger Rabbit? and the similarities and major differences in plot and tone. Blake and Dion attempt to add perspective and really underscore how amazing this project was to be able to bring together various characters from Warner Bros., Disney and Tex Avery‘s troupe at MGM– a colossal feat that still 29 years on, hasn’t again been achieved. They also discuss meeting pioneering animation Ink and PainterMartha Sigall, who personally knew icons like Chuck Jones and Mel Blanc, as well as meeting Hanna Barbara legendBob Singer. So how dark is this film really, even though it was billed as a children’s picture? And is the book actually much darker? What is the real-life plot point in Roger Rabbit that audiences forget actuallyhappened, and how is it somehow related to Robert Towne‘s Chinatown series? And what is Dion‘s Bob Hoskins story- did he actually carry him around on his back, Yoda-style for a day? Well get ready and make sure you take your heart medicine, because the lads are taking you on a trip into Toontown in this all new episode of Saturday Night Movie Sleepovers!
*Dean Cundey actually directed Honey We Shrunk Ourselves, not the original Honey I Shrunk the Kids.
Hello and welcome back to another all new episode of Saturday Night Movie Sleepovers! With summer upon us, Dion Baia and J. Blake have decided to chat about an absolute fan favorite which turns 30 in August- a film that immediately adored itself to multiple generations of women and fans alike. Well the boys are putting on their Cuban heels and stepping onto the dance floor this week with the 1987 classic, Dirty Dancing !
After joking around about keeping their parents up all night long while hosting sleepovers growing up, they segue into the meat and potatoes of the podcast. They frame the period in which the film takes place, and touch on some of the themes layered within. They analyze not only the idea of the ‘scandalous’ music that swept through the country at that point in history (first through the lower-economic communities and the gradual and eventual infiltration into the white middle-class in the 1950s and early 60s, influencing a generation), but also discuss the bygone era of the Catskills destination resort getaways, and the boy’s serendipitous connection to it. Blake talks about his own grandfatherAl Fisher, who was part of a comedy duo known as Fisher and Marks, who along with members of the Rat Pack would tour the country and particularly the Catskills/Poconos Circuit that thrived in the middle of the last century, where our 1987 Dirty Dancing takes place. The boys then unpack the movie and explore the various layers of the film’s individual characters and their relationships, set against the aforementioned August of 1963. Dion and Blake also take care in tackling the controversial aspect within the film and chat about how they feel the filmmakers handled it. Dion also brings in some extra insight as just having seen the touring stage version ofDirty Dancing this passed April at the famed Shubert Theater in New Haven, and they mull over a new subplot added into the stage play and speculate as to why they think this heavy plot-point was wovened into our classic story. They also discuss the impact the film’s amazing soundtrack had on a generation of fans and also the resurgence in the late 80s of everything 1950’s and 50’s Doo-Wop music, and the part this film might of played in that. So, what problems did this film have before it’s release- did it really have everything and everyone against it? What major company backed out of sponsoring the film due to a major controversial plot point within the story that the filmmakers refused to delete? And what is Blake‘s touching story about this film’s soundtrack and the part it played in a major moment in his young life? And to the overall point, how do the fellas feel about the movie after watching it this go-around? Well everybody start stretching, find your dancing partners and ditch your parents, cause this week the boys are sneaking over to the other side of the tracks, to do a little Dirty Dancing on this all new installment of Saturday Night Movie Sleepovers!
This week Blake welcomes a very special guest — the always charming Patrick Bromley of F This Movie —to partake in part 2 of an exciting, podcast-spanning 1985 werewolf extravaganza! In part 1, Blake joins Patrick on the F This Movie podcast to discuss one of his favorite films, SILVER BULLET (which can be found HERE). And for this glorious installment of the “SNMS Presents” series, Patrick brings his love for all things Michael J. Fox to the table, as he and Blake get a little personal while discussing the finer points of the sleepover classic, TEEN WOLF.
Patrick and Blake begin the show by reminiscing about their first viewings of TEEN WOLF before diving into an in-depth discussion about the making of the film, its post BACK TO THE FUTURE release, infamous sequel, Saturday Morning Cartoon spin-off, characters, message and most importantly…the eye-opening & life-changing revelation that Patrick had upon this latest viewing. He may never be the same again!
So what does the newly coined term “Chasing Boof” mean? How many times do the boys manage to say the word “Boof” in this episode? What is the moral of this crazy 80s comedy about a basketball-playing teenaged werewolf? Are Pam & Boof the 80s’ equivalent of “Betty & Veronica?” Has Blake finally found his 21 Jump Street-loving soulmate? Was it really out of fashion to give somebody the nickname “Chunk” by the early 1990s? Which childhood crush, of both Blake and Patrick’s, almost starred in a third TEEN WOLF movie? All of these questions and more are answered in this very special, podcast crossover installment of SNMS PRESENTS: SATURDAY NIGHT MOVIE GUESTOVERS!!!
Check out Patrick & Blake discussing 1985’s SILVER BULLET by CLICKING HERE.