November 10

Christine, 1983

Welcome to another exciting, brand-new edition of Saturday Night Movie Sleepovers! Even with October officially behind us, the boys still had the urge to cover one last horror to close out the season. And this go around J. Blake and Dion Baia are covering a director they love, dubbed by fans as “The Master of Horror.” This then begs the question: What do you get when you take a humble Detroit-born Plymouth Mopar‘, add the legendary horror novelist Stephen King and then throw said “Master of Horror into the mix? Well you get the John Carpenter classic, Christine, from 1983.

Christine, 1983

The fellas discuss their HUGE affinity and nostalgia for this film, reminiscing about specific childhood memories concerning Christine. They examine where director John Carpenter was at this point in his career, coming off the commercial failure of his 1982 film The Thing and his decision to take on this project, while only viewing it at the time as “a job.” True to form, Dion and Blake compare the book to the film, and analyze which version best presents (in their opinion) the most entertaining story. They also track the sub-subgenre of the “haunted” or “possessedvehicle, as well as get into the history of the real star of this movie, the 1958 Plymouth Fury– and their extraneous but personal connection to the car in question. So, though this is considered Carpenter‘s least favorite project, could it be argued that it might possibly be the auteur’s best directed film? How do the popular songs used in the film help convey the mood- specifically “Pledging my Love“, and the haunting true-story behind that classic Johnny Ace track? And how essential is the entire cast of Christine (including the supporting players) succeeding in carrying a story that otherwise might be completely unbelievable? Well, you better check your oil and tires, make sure your fingers are ready to shift with the push-button Torqueflite transmission on your Plymouth, and whatever you do, be sure your 1958 two-door sedan doesn’t feel spurned, because the boys are speeding into another thrilling and informative episode of Saturday Night Movie Sleepovers!

Extras!

Check out the original teaser trailer for Christine!

Take a look at the deleted and extended scenes from Christine!

A must watch, check out this 2017 full panel discussion at the Stephen King Film Series at Egyptian Theatre in the summer of 2017 on the 1983 film Christine, with some of the cast and crew!

Here’s the brand new, 2017 music video for Christine, starring and directed by the great John Carpenter!

Have a look at this 2017 Volo Auto Museum Series short on one of the original Plymouth Fury‘s used in the film, and the owner’s scary experience once acquiring the car!

A true flashback to the past, check out the short-lived 1986 TV series called The Wizard, and the 3rd episode called Haunted Memories that Dion brought up, that has a similar plot to this week’s film.

And lastly, also brought up in the cast, check out this 2009 Consumer Reports Crash Test, pitting a 2009 Chevy Malibu vs a 1959 Chevy Bel Air.

October 27

Hocus Pocus, 1993

Welcome back to week 4 of Saturday Night Movie SleepoversOctober Halloween Horror Movie Extravaganza! To bring to a close SNMSmonth of horror, J. Blake and Dion Baia decided to take on a fan favorite, particularly a cult classic for the ladies. The fellas are getting on their brooms and heading to Salem, Massachusetts, as they cover Walt Disney‘s Hocus Pocus, from 1993.

Hocus PocusThe boys get right into it by setting up the backstory of the film, and how it was originally pitched as a Disney television movie, then languished in developmental hell for ten years until it was brought in front of Bette Midler. They debate the theory of how some seasonal-themed films become cult classics, holiday staples because of repeated viewings on television and cable. They analyze the elements within the film that showcase another example of Disney tip-toeing into somewhat dark, erotic material- cleverly disguised inside a light-hearted fairytale. Dion and Blake unpack the historical context of this story, briefly summarizing about how Wiccan and Pagan religious ideologies were deemed to be akin to being in league with the devil, and the horrible witch-hunts that swept through Salem, Massachusetts, at the end of the 15th Century. They also compare the tone of Hocus Pocus to other properties at the time, like Eerie, Indiana and Are You Afraid of the Dark?. So, what is the fan speculation behind this story: going to the How and the Why of the Sanderson Sisters becoming witches? Was Leonardo DiCarprio once considered to star in this movie? Playing their own What if Game, could this film have been envisioned as a Tim Burton/Danny Elfman vehicle at the time? And are the fans finally going to see a sequel to this film, and why would Disney actually not be interested in making a sequel/reboot to this beloved property? Well, you better make sure no virgins are trespassing and lighting any candles, hide your children, and actually listen to that black cat trying to talk to you… because the boys are back with the Halloween-specific episode of SNMSOctober Halloween Horror Movie Extravaganza!

EXTRAS!

Check out this original trailer for Hocus Pocus, that contains shots from scenes that weren’t included in the final cut of the film!

Here’s a fantastic episode of the 1990’s Discovery Channel Show Movie Magic, devoted to the impressive EFX wire-work that is showcased in Hocus Pocus, courtesy of YouTube!

Take a listen to the John Debney score to the film!

This is the Bette Midler, Disney MGM Studio Commercial short entitled The Lottery, that was talked about in the podcast from the early 1990s, courtesy of some guy on YouTube, so enjoy!

Here is the 1973 book mentioned in the podcast that digs excessively into among other things, the history of Wiccan, Pagan and Witchcraft religions, entitled The Devil and all his Works, by Dennis Wheatley.

Also referenced in the podcast, for more information on Ed Gein, click here; for H. H. Holmes‘ and his house of horrors click here; and for information on the 1913 Villisca Axe Murders, click here.

And lastly but far from least, for more info on the 1977 John Carpenter‘s Halloween Michael Myers House that is now a museum, click here.

October 13

Jason Lives: Friday the 13th Part VI , 1986

Welcome back to another installment of Saturday Night Movie Sleepovers! The boys are entering week 2 of their annual SNMS October Halloween Movie Extravaganza, and serendipitously this Friday just happens to be the 13th... so J. Blake and Dion Baia put their heads together and decided to take on one of the most iconic series’ in the Horror genre. And after close examination, they’ve decided on a film they feel most embodies the spirit of that franchise. So the fellas are chatting about a guy named Jason Voorhees, and more specifically Friday the 13th Part VI: Jason Lives, from 1986!

Friday the 13th Part VI: Jason Lives

The boys start off by Dion explaining why this series is particularly near and dear to his heart, and his story about his first experience as a child with the Friday the 13th film series in general. They set up this film, Jason Lives, by recapping Part V: The Beginning, and Dion also goes on record to defend that installment, as he and Blake explain why that movie is so important to the fate of Part VI. The guys also lay out all the elements that are introduced in Jason Lives , and how these tropes help set-up the next 6 (or so) films in the series. They get into the history of the character Jason Voorhees, going back to Sean Cummingham‘s original film and sum up the other installments that preceded this one. The lads explain Jason Lives director‘s vision of making this an almost gothic horror film, a kind of homage to the classic Universal and Hammer Horror films of yesteryear. They discuss the trims and extended scenes that were left on the cutting room floor, as well as the reason why there were actually 2 actors appearing as Jason in this Part VI. They also chat about the various book tie-ins that expand on Jason’s backstory, as well as the original ending for Jason Lives that introduced Jason’s father, Elias Voorhees, and why it was ultimately cut. And we also get some insight into the score by way of Blake‘s friend and the film’s composer, Harry Manfredini. So, what is the speculation of how the creators came up with the first name for the character Tommy Jarvis? Who is clearly the real hero in this story? What are the 2 connections this film has to the classic television series Welcome Back, Kotter? And what Jason installment(s) are the boys thinking of turning into a traveling one-man play? Well, make sure you don’t accompany a friend late at night to a spooky cemetery with he/she having the idea to dig up a serial killer (for the obvious fear of accidently reanimating him and inadvertently causing the deaths of scores of other helpless victims), because the boys are laying out a sad, disturbing cautionary tale in this brand new Halloween, Friday the 13th episode of Saturday Night Movie Sleepovers!

Extras:

Check out the original teaser trailer for Jason Lives: Friday the 13th Part VI!

Here’s the Alice Cooper music video for his song, He’s Back (The Man Behind the Mask)!

Have a look at the original scripted ending, that introduced Jason’s father, Elias Voorhees!

Take a look at all the extended and deleted scenes for Jason Lives!

Here is the Jason Voorhees Sideshow Statue that Dion has in his livingroom.

Check out two worlds colliding: Dion and Blake at Monstermania back in March of 2017, witnessing Jason meeting Jason!

October 6

The Gate , 1987

Well it’s that time of year again, when Dion Baia and J. Blake sit down and up their output to one-episode-a-week for the Halloween season. And for the 2017 Horror-extravaganza the boys are kicking the month off with an often-requested film by SNMS listeners, the absolute cult classic, The Gate, from 1987.

The lads start off by reminiscing about their first childhood sleepovers in which they had friends attending; watching certain movies at a young age that they only learn the names of much years later in life; and the old idea from when we were all kids, that if you dig a hole deep enough, you’d make it to China– (remember that old myth?!) Blake and Dion then get down to business, discussing this horror classic. They chat about how the script got off the ground, shooting up in Canada, and how very early on it was decided to make this a horror movie specifically geared toward kids. They get into the occultism phenomenon that swept the country and world in the 1970s and 80s, giving us subgenres of horror films (like this one), music, and even things aimed at children, like Ouija Board‘s that are still mass-produced by companies like Hasbro. The fellas also talk about the excellent Special Effects in the film, particularly the amazing use of Forced Perspective, which really helped sell the Minions’ interaction with the human cast. So, what film did SFX man Randall William Cook screen for the filmmakers to sell them on this ideas for the SFX in The Gate ? How do those Effects hold up today? In what direction does the sequel go? And what’s the story with the film’s costar, Louis Tripp, and his journey from moving to Austrialia and changing his name from “Twelve Twenty“, to now Baph Tripp and releasing music under the name x.a.o.s? Well, make sure you don’t accidently read any dubious LP cover art or crudely dispose of any recently deceased family pets in any bottomless pits in the backyard, cause the guys are back with an all new, Halloween edition of Saturday Night Movie Sleepovers!

Extras!

Check out the original trailer for The Gate !

Have a watch of a documentary called The GateKeepers, about the making-of The Gate!

Check out this making-of  about the SFX called, From Hell- The Creatures and Demons from the Gate !

Take a listen to Louis Tripp, aka Baphomet Tripp, aka x.a.o.s, and his song Big Daddy which was just released on YouTube.

September 29

Blade Runner, 1982

Hello and welcome to another episode of Saturday Night Movie Sleepovers! The boys are back and taking on one of the most iconic Sci-Fi movies of all time, one that is still lauded and debated 35 years after it was first released. J. Blake and Dion Baia are chatting about the Future Noir classic, Ridley Scott‘s Blade Runner, from 1982.

Blade Runner

The fellas are probably tackling their biggest topic to date, meaning with arguably 5-8 versions of the film, entire books written about the movie, and even a 3 and a half-hour documentary on the subject- there seemed to be a lot to unpack and get into. Applying the SNMS method, Dion and Blake decided to watch the original 1982 International Cut of the film (which was the version subsequently released on home video and laserdisc), as well as read the original source novel, Do Android Dream of Electric Sheep? by Science Fiction legend Philip K. Dick. Also for reference, they screened the little seen 1982 Workprint version which was released in the massive 2007 boxset. The boys compare the film(s) to the book and discuss the differences that were dropped or added, and lay out a sizable portion of novel’s subplots like the Empathy Boxes and the religion Mercerism that were eliminated to condense the story to fit into a two-hour feature film. They get into a very in-depth, semi-intellectual conversation about the moral questions posed within the book and film, as well as how the movie’s title came to be. Delving probably into their most ‘meta’ discussion on the podcast to date, they highlight the ethical and fundamental issues raised within the story, as well as their own personal feelings regarding these huge topics. So, how different is the original 1968 book to the 1982 version that was released in theaters? What about the various versions that have come out in the years since and the subtle differences in each? And what about the notorious and highly polarizing “voiceover” track by Harrison Ford that was dropped in the later cuts of the film, and the reasons why it was included and then excluded in subsequent releases? And the biggest question for Blade Runner and Do Android Dream of Electric Sheeps? fans: is Rick Deckard an ‘Andy‘ or Replicant? Well, you better grab all your Poopsheets, your Voigt-Kampff Empathy Test kits and dial your mood organs to the correct settings, because the lads are taking you for a ride in their Spinners, in this all new edition of Saturday Night Movie Sleepovers!

Extras!

Check out the original 1982 trailer for the film!

Have a look at all the deleted, alternate and extended scenes from Blade Runner!

Discussed in the podcast, here is the 2015 BBC Radio adaptation of Do Androids of Electric Sheep?!

Here is all things Blade Runner, on the fansite BRmovie.com!

September 15

Raiders of the Lost Ark, 1981

Welcome back to another installment of Saturday Night Movie Sleepovers! This week marks the third anniversary of the podcast. So to keep with the theme of other past anniversaries, Dion Baia and J. Blake are going back and celebrating the pulps– the subgenre of the serials that so many of our modern iconic characters we know and love today were born out of. And what better character epitomizes that history than the figure created to celebrate that very style in cinema, everyone’s favorite archeologist and adventurer, Indiana Jones, and the film that started it all, Raiders of the Lost Ark, from 1981!

Raiders of the Lost Ark

After a brief Joe Piscopo interlude, the boys start a very deep-dive into the origins of Dr. Jones and one of the most successful franchises of all time. Taking on their first Steven Spielberg-directed movie, Blake and Dion discuss the essential genius of Spielberg as well as analyze the brilliance of George Lucas and his connection with this film, while challenging a lot of the guff by critics concerning Lucas in his years post-1977‘s Star Wars– and even encountering Spielberg detractors while in film school. The boys utilize the little known transcription of the legendary story conference between Spielberg, Lucas and screenwriter Lawrence Kasdan from January of 1978 (a fabulous read for any fan or writer), which lays out Indy as a protagonist, the other supporting characters, and even the story arc for Raiders. They also discuss the 1954 Charlton Heston film Secret to the Incas, and it’s supposed connection to Indiana Jones. They get into this love-letter to those serials of the 1930’s, 40’s and 50’s, and focus on the elements that transcend genre and the other various forms of media, as they attempt to pin down what makes this property so unique and utterly timeless. The boys get into the artwork of legendary artist Jim Steranko and his input into the look of this iconic character. They also get into Indy‘s superhero costume, even laying out the actual brand-name items that the adventurer prefers to wear. So, how much was exactly cut out of the original story and shelved only to be used in Indiana Jones and the Temple of Doom? How much of Chuck Heston and Secret of the Incas really influenced the Indy property? What does famed artist Carl Barks and his iconic character, Scrooge McDuck, have to do with Indiana Jones? And what the heck does The Big Lebowski have to do with any of this? Well, come have a listen to our longest running podcast yet, as we “Tickle the Brim” a little and celebrate our 3rd anniversary in this all new mega-edition of Saturday Night Movie Sleepovers! *(The 1951 film that first introduced the Wilhelm scream was actually called Distant Drum, not The Distant Dream as mentioned. )

#GoingFullIndy #TickletheBrim #WettheForceps

Extras!

Here is the much-referenced and highly recommended full text of the 1978 Raiders of the Lost Ark Story Conference Transcript between George Lucas, Steven Spielberg and Larry Kasdan.

Often referenced as an inspiration of Indy and Raiders, please check out the 1954 Charlton Heston film, Secret of the Incas, courtesy of YouTube!

Take a look at the original concept art legendary comic book artist Jim Steranko did for Spielberg for Raiders of the Lost Ark, and specifically the look of Indiana Jones.

So you wanna be Indiana Jones? Well don’t look any farther than to TheRaider.net‘s list of the official items worn by Ford, and how you can acquire those specific brand-names.

And for everything else Indiana Jones, look no farther than the aforementioned TheRaider.net!

Have a look at the often forgotten Harrison Ford as Indiana Jones appearance (circa 1950), in Chapter 20 of The Young Indiana Jones Chronicles, entitled Mystery of the Blues, from 1993.

Lastly, if you missed it, check out Harrison Ford‘s hilarious 2013 appearance on Jimmy Kimmel Live! while promoting the biopic 42, where he is questioned about the upcoming installment of Star Wars.

September 1

The Karate Kid, 1984

Hello and welcome back to another exciting installment of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are ending the 2017 summer season with a bang, or a ‘kick’, as they cover a classic that introduced marital arts and specifically Karate, to an entire new generation of moviegoers. The boys are practicing their waxing, sanding and painting techniques this week as they talk about The Karate Kid, from 1984.The Karate KidDion and Blake jump right in as they remember their first memories of The Karate Kid and how they were originally introduced to the film. Sharing a similar story and a lot of the same themes as another sports classic of director John G. Avildsen‘s, the 1976 movie Rocky, the fellas explore the similitude between both movies. They discuss how amazing the entire cast of this film really was, as well as touch of their own recent interview with actor Martin Kove, who portrays the Cobra Kai dojo sensei John Kreese. They again utilize the novelization to explain some of the story elements that didn’t make the final cut (like Daniel‘s mom was actually sacked and was in fact working as a hostess at that Chinese restaurant they were having lunch at- whaaat?!). Blake and Dion also try and set the table of the era this film was released within, a time when a term like ‘karate‘ became almost as Americanized as ‘pizza‘ was within the cultural lexicon of the 1980s. They also analyze this story and examine why this movie is considered a classic in the annals of sports, beach/summer, and coming-of-age films. And they dissect the disgusting phenomenon of bullying in this film, and the ugly part it sadly plays in so many people’s life’s, both young and old. So how was everyone trained in preparation for this project, and how did that help contribute to each actor’s individual or group performance(s)? Was Chuck Norris really offered the role of Cobra Kai Sensei Kreese? And speaking of Kreese, how great is actor Martin Kove in his role, compared to the relatively short amount of screen time he ultimately has? Well you better do some arm and leg stretches, clean and bleach those Gi’s, and watch out for those notorious Cobra Kai leg-swipes, because here comes another all new exciting edition of Saturday Night Movie Sleepovers!

Extras!

Please go check out SNMS’ exclusive interview with Martin Kove (as well as Wilfred Brimley) when the two actors were kind enough to come sleepover some months ago!

Have a look at the original 1983 audition tape of Ralph Macchio and Elisabeth Shue!

Have a look at the original 1983 audition tape of Ralph Macchio and Pat Morita!

Check out part 1 of the original 1983 video rehearsal footage and behind the scenes for The Karate Kid !

Here is the late, great Noriyuki ‘Pat’ Morita discussing his role as Mr. Miyagi!

Here’s Martin Kove in 2012 in England talking about The Karate Kid !

And here is the a question and argument recently submitted to the world, was Daniel in fact the real bully in The Karate Kid ?

 

August 18

Predator, 1987

Hello again and welcome back to an all new episode of Saturday Night Movie Sleepovers! This is a very special time for J. Blake and Dion Baia, because this signifies the 20th anniversary of their friendship. So they decided to tackle a movie that not only turns 30 this year, but also was something that they mutually loved when they entered film school and bonded over when they shared a dorm room. So this go around the boys are talking the Arnold Schwarzenegger/John McTiernan classic, Predator, from 1987!

Predator, 1987

After briefly reminiscing about their serendipitous pairing freshman year in college, Dion and Blake immediately realize that this is the first movie where the entire cast and most of the prominent crew have already appeared on SNMS, and should all be inducted in the SNMS Hall of Fame. The boys then get into the nuts and bolts of the film, while not in anyway hiding their love for this property. They first have an in depth discussion about the original alien suit and the Jean-Claude Van Damme controversy, and what led to bringing in Stan Winston for a complete redesign of that suit, to what we all love and know today. They compare elements of the novelization and some of the significant differences between it and the story we see in the finished film. And Dion also proposes a new theory for the creatures’ initial motivation to engage Arnold‘s elite team. So, in the novelization, why is the Predator hunting humans in the first place? What famous story concerning the folklore of this film does Blake take slight umbrage with? Does Van Damme actually get a raw deal here through the prism of history? And how many quotes and imitations can the boys fit into one humble podcast? Well grab your gear, face-paint and M134 miniguns, and make sure you watch your six, cause the boys are taking ‘Old Painless into the jungle and down memory lane on this all new and very special installment of Saturday Night Movie Sleepovers! #sleepovermischief

*Dion misspoke during the podcast- he meant the term “Over The Transom.

Extras:

Here is some footage and behind the scenes of the original Predator costume with Jean-Claude Van Damme, and the story behind it.

Check out a deleted scene talked about in the podcast, of Dutch attempting to escape the Predator.

For more information about all the unique and custom weaponry in this film, check out it’s Internet Movie Firearms Database webpage!

Have a look at a great ‘making-of’ documentary from 1987, for Predator.

Take a glance at the original theatrical trailer for the film.

Lastly, here is Dion with Jesse ‘the Body’ Ventura, circa 2006 or 2007.

July 21

Robocop, 1987

Welcome back to another edition of Saturday Night Movie Sleepovers! The boys are taking on another fan-favorite, a movie that has become an absolute cult classic for a generation of filmgoers. This week J. Blake and Dion Baia discuss the future of law enforcement and OCP’s Crime Prevention Unit 001, aka Robocop, from 1987.

RoboCop

The fellas rebound quickly after some technical difficulties but quickly get down to business, attempting to unpack this legendary film that just turned 30 this very week. Dion and Blake reflect on their connections with this classic and their first exposure to this iconic film. They go through the history behind the project and lay out how all the stars aligned to make a movie that almost didn’t get made. The lads cover the amazing SFX within the movie, be it Practical, Visual and Stop-Motion. They compare the two cuts of the film, and discuss the subtle differences that had the censors going crazy. They contrast the difference between visual and visceral filmmakers and how that translates to a young child watching something like Robocop who might not understand the social satire, as opposed to an adult who may see this story in a completely different light. So, since modern audiences are of course familiar with the iconic title Robocop’ because it has transcended into the Urban lexicon, but out of context, did it actually sound like a B-movie script to some in the mid-1980s? What were the legendary problems with the robo-suit that actually shut down production so all the flaws could be ironed out? How many times was Robocop screened before it was able to receive an R rating and remove the scarlet letter X? And did the forced cuts that were made to appease the MPAA to get that R rating actually take the gratuitous violence (which was meant to satirize) out, and instead turn it into something completely different and all that more disturbing and graphic for audiences? Well grab your Cobra Assault Cannons, your tickets to see Bixby Snyder and the keys to your new 6000 SUX’ (all of course installed with Blaupunkts), because we’re headed to Old Detroit in this all new episode of Saturday Night Movie Sleepovers!

EXTRAS:

Check out the original Robocop trailer, complete with the original 1984 Terminator score used in the background, since the former’s score wasn’t yet completed!

Watch Peter Weller get suited up in the Robo suit on Entertainment Tonight circa 1986!

Take a look at this great 1987 featurette on all the Special Effects for Robocop!

Have a look at Peter Weller in 2013 talking about how portrayed the character of “Robocop“.

Watch this great 2013 Robocop Q & A panel, set up by Nancy Allen, for a charity to benefit the weSpark Cancer Support Center.

Here is the first, brand new 2017 trailer for the epic documentary, RoboDoc: The Creation of Robocop, coming later this year. 

Last and far from least, check out all the specs on the various modified weapons in Robocop on the Internet Movie Firearm Database or IMFDB.com!

July 7

Spider-Man, 1977

Welcome True Believers to another all new episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are talking a character that is a personal favorite of the boys- particularly J. Blake -and with a new film hitting theaters this week, what better time then to discuss a certain New York City Web-Slinger! That’s right, your ‘friendly neighborhood Spider-Man‘ is the topic and his journey through television with an emphasis on the 1977 TV movie entitled just Spider-Man, and the live-action series that blossomed out of that movie pilot, The Amazing Spider-Man, which ran from 1978 to 1979.

Spider-man

With such a huge topic to cover, the boys initially set out to only talk the 1970’s live-action series but decided they needed to touch on the original 1967 Spider-Man cartoon series that ran until 1970, as well as the first live-action appearance of the character which appeared on of all places, PBS, on 1970’s series The Electric Company. They also felt compelled to discuss the little known, but amazing (no pun intended… or maybe it was…) live-action Japanese TV show entitled Spider-Man (or Supaidâman) that ran from 1978-1979, coinciding with the live-action America series. The fellas do touch upon the other iterations of Spidey in his various animated forms but set up the conversation by going into how much of an influence the character was for Blake growing up, even as far as a very young Blake (with the help of his Mom) submitting Spider-Man artwork to Marvel in hopes of becoming an artist there. The boys then go through the history of the character: summing up comics in the Golden Age, specifically pre and post war; Timely / Atlas Comics’ evolution into Marvel Comics; and Stan Lee‘s fight to breakout of the then-standard storytelling molds for comic books of the day, to be able to tell new kinds of stories that humanize the characters portrayed within. From the 1967 cartoon and appearances on The Electric Company, they dive deep into the 1977 TV movieBackdoor Pilot‘ (as it was called), to the last two-part episode of that series in 1979 called The Chinese Web, released theatrically later as The Dragon’s Challenge overseas. They also breakdown the pilot to the 1978 Japanese show and try to put into words how much the Japanese show blew their minds… So could it be argued that Spider-Man‘s origin story is in fact more tragic than Batman‘s? How does the life-action adaptations from the 70’s hold up? And just how freaking amazing is the Japanese show really? Well make sure you grab some extra web cartridges, your camera and pack a lunch, cause we’re swinging through the glass and cement canyons of New York City this week in an all new and exciting installment of Saturday Night Movie Sleepovers!

Excelsior!!!

*(This podcast was recorded prior to the passing of Stan Lee’s wife, Joan. Our thoughts and deepest condolences go out to Mr. Lee and his family.)

EXTRAS:

Take a look at Blake’s Turkish Spider-Man poster for the theatrical release of The Dragon’s Challenge, signed by Stan Lee! AND here is the American edition of that same poster.

As brought up in the podcast, here is a link to the Society of Illustrators‘ current exhibit on The Art of Spider-Man.

Check out the original 1977 ‘Backdoor Pilot’ TV movie that greenlit the 1970’s series, courtesy of YouTube

Here’s Stan Lee talking about why he disliked the 1978-79 American television series.

Have a look at the great opening for the 1978-79 Japanese series, with subtitles!

And if you didn’t believe the boys about the awesomeness of the Japanese series, have a look at this trailer for it’s re-release from Marvel.com!

For anyone who didn’t know or forgot this existed, please check out the full video of How to Draw Comics the Marvel Way, from 1986, starring Stan Lee and John Buscema!

Also discussed in the podcast, have a listen to Michael Bublé‘s great big band cover of the 1967 animated series theme, which starts as Sing Sing Sing and segues into Spider-Man. And to the show how popular this rarity must of been overseas, check out this live version with stage show, on Italian TV!

June 30

The Beguiled, 1971

Welcome to a special installment of Saturday Night Movie Sleepovers! The boys decided to pull an audible and slip a special edition into the regular scheduled episodes and discuss a film that both Dion Baia and J. Blake have a mutual affinity for. This week they chat about the controversial Civil War Southern-Gothic thriller, The Beguiled, starring Clint Eastwood, from 1971.

The Beguiled

Just as a reimagining of this film directed by Sophia Coppola hits theaters this week (both based off the 1966 novel entitled A Painted Devil ), Blake and Dion thought this would be a great excuse to discuss this very interesting movie from director Don Siegel and starring the aforementioned Clint Eastwood, a project that in certain respects is unlike anything out of either man’s entire catalog. Hugely controversial and a dud at the box office (largely due to the complete mis-marketing by Universal Studios) the film had fans and critics alike scratching their heads, for all the wrong reasons. Now considered a cult classic by many and a quite gutsy move at that point in each of the careers of both director Siegel and star Eastwood, this movie is unapologetic with how it deals with the male and female dynamic, and taboo topics like lust, sexuality, and even incest (to name just a view). The boys analyze all the psychological aspects layered within. They attempt to dissect the underlying adult themes and the sorted relationships these characters have in the story and the roller coaster-ride this plot takes, and it’s utterly-shocking finale, which almost turns into something one could see on an episode of Tales From the Crypt or even The Twilight Zone. Though Blake and Dion freely admit they haven’t yet seen the new Sophia Coppola reboot and in no way speculate on that film’s merit or quality, they do discuss the recent uproar Coppola has gotten from some circles due to the conscious omission in her version of an African-American slave character, and especially how the fellas think the 1971 version deals with that exact subplot. They also try to give a context to stories like these and the effects (and horrors) war has on everyone involved, both soldiers and civilians alike. So why was this such a risky endeavor for both Clint Eastwood and Don Siegel? Can this movie be considered a psychological or gothic horror film? Is this film misogynistic, as some suggest? And frankly, how messed up is this film really?! Well the boys hope to answer all these questions and find answers to many more in this special, and unique episode of Saturday Night Movie Sleepovers!

Extras:

Check out the original trailer to The Beguiled, and see the completely misshandling of the promotion of this movie by Universal.

Here is another poster for the film, which looks completely misleading to what the movie is actually about.

Discussed in the podcast, please have a gander at this article about the stunning and shocking Alexander Gardner and Mathew Brady photographs of the Civil War, which appear in the credit sequence. 

Take a look at actress Melody Thomas Scott who was one of the students at the Seminary in the film, talking about playing a now embarrassing childhood prank on Clint Eastwood during filming.

As brought up in the podcast, check out the 1962 French short film adaptation of Ambrose Bierce‘s Occurrence at Owl Creek Bridge as it aired on the Twilight Zone.

And since the boys are HUGE proponents of Old Time Radio (or OTR), check out this radio adaptation of the Bierce classic, on the legendary show Suspense, which aired 7/19/59, starring Vincent Price.

June 9

Dirty Dancing, 1987

Hello and welcome back to another all new episode of Saturday Night Movie Sleepovers! With summer upon us, Dion Baia and J. Blake have decided to chat about an absolute fan favorite which turns 30 in August- a film that immediately adored itself to multiple generations of women and fans alike. Well the boys are putting on their Cuban heels and stepping onto the dance floor this week with the 1987 classic, Dirty Dancing !

Dirty Dancing Movie Poster

After joking around about keeping their parents up all night long while hosting sleepovers growing up, they segue into the meat and potatoes of the podcast. They frame the period in which the film takes place, and touch on some of the themes layered within. They analyze not only the idea of the ‘scandalous’ music that swept through the country at that point in history (first through the lower-economic communities and the gradual and eventual infiltration into the white middle-class in the 1950s and early 60s, influencing a generation), but also discuss the bygone era of the Catskills destination resort getaways, and the boy’s serendipitous connection to it. Blake talks about his own grandfather Al Fisher, who was part of a comedy duo known as Fisher and Marks, who along with members of the Rat Pack would tour the country and particularly the Catskills/Poconos Circuit that thrived in the middle of the last century, where our 1987 Dirty Dancing takes place. The boys then unpack the movie and explore the various layers of the film’s individual characters and their relationships, set against the aforementioned August of 1963. Dion and Blake also take care in tackling the controversial aspect within the film and chat about how they feel the filmmakers handled it. Dion also brings in some extra insight as just having seen the touring stage version ofDirty Dancing this passed April at the famed Shubert Theater in New Haven, and they mull over a new subplot added into the stage play and speculate as to why they think this heavy plot-point was wovened into our classic story. They also discuss the impact the film’s amazing soundtrack had on a generation of fans and also the resurgence in the late 80s of everything 1950’s and 50’s Doo-Wop music, and the part this film might of played in that. So, what problems did this film have before it’s release- did it really have everything and everyone against it? What major company backed out of sponsoring the film due to a major controversial plot point within the story that the filmmakers refused to delete? And what is Blake‘s touching story about this film’s soundtrack and the part it played in a major moment in his young life? And to the overall point, how do the fellas feel about the movie after watching it this go-around? Well everybody start stretching, find your dancing partners and ditch your parents, cause this week the boys are sneaking over to the other side of the tracks, to do a little Dirty Dancing on this all new installment of Saturday Night Movie Sleepovers!

Extras:

Here is Blake’s Grandfather Al Fisher in action, framed between of Joey Bishop on his left and his comedy partner Lou Marks, on his right.

Check out all the deleted, alternate and extended scenes of the film!

Take a look at this very rare bloopers from the film!

Have a look at the original screen tests of Patrick Swayze and Jennifer Grey together, along with the test of the ‘lift’.

Coinciding with the 25th anniversary of the film in 2012, here’s Jennifer Grey revealing a lot of the secrets to Diane Sawyer about the film and her role, courtesy of ABC News.

Last but FAR from least, check out the GREAT Jerry Orbach in 1997 on Conan O’Brien, coinciding with the 10th anniversary rerelease, and their reenactment of one of the best scenes in the movie.

 

 

May 26

Over the Top, 1987

Hey there and welcome back to another all new edition of Saturday Night Movie Sleepovers! This go around J. Blake and Dion Baia have a nifty ‘cast lined up, covering a movie that was a staple back in the late 80s but also one that might not always be praised for the reasons it should. The boys are exercising their arms this week, because they’re talking the sport of arm wrestling and the film many think brought it to the masses, Sylvester Stallone‘s classic Over the Top, from 1987.

Over the Top

The boys ease into the podcast by discussing the complexities of Metal Earth model kits, then get right down to business and all things arm wrestling, first by examining the wide-ranging breadth of the sports genre, before getting into the nuts and bolts of Over the Top. Dion and Blake go through the incredible backstory and genius of Cannon films, who in 1986, actually created a year-long circuit and series of event ‘qualifiers’ in cities all over the world, so that they could then have a final eighteen hour-long tournament in Las Vegas that they could film for the 1987 movie. Blake and Dion show their true colors as they gush over this picture and readily admit while other podcasts and forums might immediately disparage Over the Top, the lads pull no punches when showing this movie (in their opinion) some deserved love. They go through the film’s storyline, the father/son dynamic, and discuss the custody battle between Sly and his father-in-law, the legendary Robert Loggia, and also praise Stallone for some real subtle, nuanced acting that seems to channel a bit of Rocky in this performance. They also chat about the great 80’s soundtrack and the other stroke of brillance upon Cannon‘s part, the merchandising: the Lewco Toyline that had all the children in 1987 arm wrestling, and the money they pumped into local circuits to get people interested in the sport, so the public would be hyped when the movie premiered in 1987. So Over the Top has often been critized because of the heavy emphasis on product placement, *but* was it actually genius on Cannon‘s part? How important was the soundtrack to the film? What did Sylvester Stallone say he’d change had he directed? What insider knowledge do the boys have on the world of trucking and particularly the rig used in this film? And what’s Dion‘s Sylvester Stallone story? Well put on all those baseball caps and make sure they’re turned to the back, because here come’s another explosive and exciting episode of Saturday Night Movie Sleepovers!

Extras!

For an in-depth read into what Dion and Blake discussed in the cast regarding the history behind the actual tournament that was coordinated and then filmed for Over the Top, have a read of this fascinating blog posting from Armwrestlers ONLY.

Check out the first Qualifier from August 25, 1985 in Beverly Hills, between John Brzenk and Clay Rosencrans, courtesy of Lori Cole‘s YouTube page!

Take a look at this amazing Arm Wrestling Exposition on MTV from the 90’s with Dan Cortese, featuring Sylvester Stallone, Danny Glover, Jean-Claude Van Damme, Evander Hollyfield, Jim Belushi and Melanie Griffith, courtesy of World of Arm Wrestling Channel on YouTube, and property of MTV.

Here are EXCLUSIVE PICTURES of the 1967 Autocar A64, Stallone’s truck in Over the Top, as it looks today: HERE, HERE, HERE, HERE, and in this last picture, you can still see the device setup on the cab’s roof for Stallone to work his arm while in the truck, HERE.

Here’s Dion with Sylvester Stallone, circa 2005.

Check out Blake with his Over the Top hat!

Here’s the Sammy Hager Winner Takes It All Music Video, with a Rick Zumwalt and Sylvester Stallone cameo!

Take a look at the 2009 documentary Pulling John, about the legendary arm wrestler John Brzenk, the man Stallone based his character in Over the Top on.

Whoa, Robert Loggia!” Here is the commercial circa 1999 maybe, talking Minute Maid Orange Juice

March 31

Slap Shot , 1977

The boys are back and this week J. Blake and Dion Baia are celebrating the 40th anniversary of a film that is lauded as one of the best, if not THE best sports movie of all time- Full stop. That’s a very high standard. But the guys are going the distance in this installment as they take on the Paul Newman/George Roy Hill classic Slap Shot, from 1977.

Slap Shot

The fellas dive right into the deep-end this go around, with the resident hockey expert at SNMS, J. Blake. They start with Blake‘s background with the sport, having played growing up, also being on the High School team, and taught kids ‘hockey skills‘ classes afterward while in school and college. Now the paradox within is that the boys aren’t really into sports anymore- now they may attend a sporting event or two and enjoy a good thrilling game, but really don’t actively seek it out now in their adult lives. But they love themselves a good sports film, and Dion and Blake are head over heels for this all-American classic! First they discuss the true events that were the inspiration for the script. They chat about the world this film creates and the real-life people this story spoke to. Set in the Northeast, the boys get into the ‘regional’ sporting events and circuits of the era and the enjoyment this form of entertainment gave to the local town and city audiences who, by day worked in the factories, the mines, or the mills that kept these local bergs afloat in the 1970s. So how was the original concept of Slap Shot conceived and in what other format was the original idea considered, other than comedy? How many real actors were actually in this movie? Through all the controversial foul and surly language, what truths does this film actually present in a brilliant and completely realistic manner? And what’s Blake‘s connection to director George Roy Hill and how does the story involve cult Horror director Jeff Lieberman?! Well you better lace up those skates (and make sure those laces are tight!) because we’re going on the ice in this all new, exciting episode of Saturday Night Movie Sleepovers!

Extras!

Check out Part 1 & Part 2 of this very informative 25th Anniversary special about Slap Shot!

Slap Shot presented Ogie Ogilthorpe as a fictional character, but he was real. Bill “Goldie” Goldthorpe was known as one the most outrageous goons of all time and here is a neat little documentary on his exploits, called I Am Ogie.

Take a look at some behind the scenes footage shot while Slap Shot was being filmed.

Here’s the Hanson Brothers on Hockey Night In Canada: February 25th, 2017, talking about the game today versus the old days, courtesy of YouTube!

March 17

Beauty and the Beast , 1991

It’s that time again… time for another exciting, thrilling and enthralling episode of Saturday Night Movie Sleepovers! Dion Baia and J. Blake have a whammy of an installment this week: a lighthearted, musical affair from a company that at the time of this film’s release, was going through a proper-resurgence themselves. And this movie marked its crowning achievement to-date for that company’s Animation Department, which broke new ground in its pioneering uses of CGI in this project… Yes, “it is a tale as old as time” as the boys explore the enchanted world of Walt Disney’s Beauty and the Beast, from 1991.

Beauty and the Beast

The fellas jump right in and go back to the beginning, discussing everything Disney in this epic podcast: They ‘set the table’ by giving a concise timeline on Walt‘s meteoric rise to fame, from his beginnings with the Oswald the Lucky Rabbit animated shorts and the work with his good friend and genius Ub Iwerks (among others), to bringing in Carl Stalling for help creating animated musical shorts, pioneering color cartoons and his finally creating a feature-length animated film in 1937 with the ground-breaking Snow White and the Seven DwarfsBlake and Dion follow Disney‘s journey through the war years and his upswing in the 1950s, and Walt then getting side-tracked with live-action films, a new medium called television, and theme park construction. These side ventures unconsciously begin to take its toll on the animation department and with Walt‘s death in 1966 it almost becomes rudderless, culminating with the near closing of the entire animation branch in the mid 1980s. The boys then go through the renaissance in the late 80’s that brought the famed animation unit back and to the biggest cartoon film to-date, Beauty and the Beast. They go through the history of the popular fairytale with the 1946 live-action Jean Cocteau movie, even hitting on the late 80’s TV series. Dion and Blake then discuss the work it took to get Beauty and the Beast on screen, with the brand new CAPS technology that changed the face of animation, and the work by composer Alan Menken and lyricist Howard Ashman that gave us all those classic songs we know today. So what 1949 Disney animated film do the lads draw similarities between? What are the controversial subtexts that some academics have read into the work and what are their perceptions of the themes within Beauty? How did Walt Disney‘s brilliance in knowing his own limitations actually help in making the company such a huge success? What important character from the 1946 Cocteau film did this Disney story borrow? What character was the song Be Our Guest originally supposed to be sung to? And what famous book-turned-to-film thriller (that is a staple in every serial killer library) do the boys find similarities with this animated classic? Well grab some popcorn and your favorite sipping drink, because the boys are taking you on a musical adventure this week with this mega, Disney-filled new installment of Saturday Night Movie Sleepovers!

*Dion misspoke during the cast, the 2012 film Snow White and the Huntsman was in fact a Universal, not Disney film.

EXTRAS!

As the boys described in the podcast, here our exclusive photos taken by them at the Disney Burbank Lot of the Ub Iwerk-designed 14′ high Multi-plane camera, HERE and HERE for the game challenger, Snow White, and check out Walt and the boys HERE and HERE, using it back in the day.

Check out the boys getting a tour from Walt and Mickey themselves, HERE and HERE!

Have a look at some of the original character design sculptures that animators used as references, that were on display at the Reagan Library Disney Exhibit.

Take a look at photos HEREHERE and HERE  the boys took of the original Animation Building that’s located on the Burbank lot (personally designed by Walt), that animators drew the films from Dumbo up to The Black Cauldron within. Check out the plaque inside the building.

And HERE and HERE are the pictures the fellas took of the corner window of the Animation Building that was Walt’s office.

Here’s the original trailer to the 1946 Jean Cocteau Beauty and the Beast film, narrated by Cocteau himself.

Have a gander at this chart of the different elements of animals used to make the Beast.

As talked about in the podcast, here is the Billy Joel rendition of When You Wish Upon a Star, from the 1991 Disney album Simply Mad About the Mouse.

Check out Tom Waits‘ version of Heigh Ho (The Dwarfs Marching Song) from the 1988 Disney album Stay Awake:Various Interpretations of Music from Vintage Disney Films.