December 23

Gremlins, 1984

Welcome to another episode of Saturday Night Movie Sleepovers! Dion and J. Blake are taking on another holiday classic for their Christmas viewing this season, and have decided on an iconic genre mash-up. It’s a film that really goes to show you the 1980’s was a time when you could practically market anything you wanted to children, even a dressed up Horror film parading as a cute, Christmas/Comedy that subtlety pokes fun at American and Western culture in general. Of course we’re talking about Joe Dante‘s classic, Gremlins, from 1984.


The trifecta of Chris Columbus writing, Steven Spielberg executive producing, and Dante directing, gave us one of the most interesting and fun films of the 1980s. Blake and Dion try to flesh out the back story of this love letter to Frank Capra, B-Horror films of the 1950’s, and Warner Bros.’ Looney Tunes cartoons, among a slew of others, while trying to wrap their heads around some terrifying concepts layered within. How much darker was this film originally supposed to be? Does this movie really convey themes like anti-technology, as well as lament about the ignorance of Western society as a whole? Have some critics read into the film and actually injected elements of supposed racism which surprisingly, doesn’t even have to do with the culture that is presented within the story? How has the movie held up after 30+ years, as both a genre mash-up and holiday film? And is this a movie that could even be attempted in 2015 without severely changing the story itself and its primary antagonists? Well the boys are wearing their Santa hats and have their sleigh bells ringing in this all new, Christmas installment of Saturday Night Movie Sleepovers!

(We’d like to give a shout out to Jason Derenick for recommending Gremlins, and we’d like to apologize for not remembering his name during the podcast. Thank you!)

(When speaking about New Line Cinema, Blake mistakenly said Friday the 13th, when he was actually referring to Nightmare on Elm Street.)


Jason’s name isn’t the only thing we forgot this time around; we’d like to share straight out of the SNMS Archive, a clay Gremlin bust sculpted by Rick Baker‘s SFX team for Gremlins 2: The New Batch, something we completely forgot to bring up, and something we will touch on at the beginning of the next Podcast. Check out this bad-boy here, here, here, here, and here.

Check out the original theatrical trailer!

Take a look at the 1943 Merrie Melodies Bug Bunny short Falling Hare, which is credited by director Joe Dante as an influence on his 1984 film Gremlins.

Also mentioned in the podcast, please watch the HIGHLY RECOMMENDED documentary on the artist, animator and auteur Chuck Jones, entitled Extremes and In Betweens: A Life in Animation.

Go read the HUGELY RECOMMENDED book Outrageous Conduct, which examines the events surrounding the infamous filming of the John Landis short for Twilight Zone The Movie, where veteran actor Vic Morrow and two children were killed.

Here’s the cartoon adaptation of the book Monster’s Ring, mentioned by Blake in the Podcast.

Have a look at this absolutely hilarious parody of Gremlins mashed-up with Taken, courtesy of How it Should of Ended.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Copyright © 2014. All rights reserved.

Posted December 23, 2015 by admin in category "Action", "Adventure", "Animation", "Classic", "Comedy", "Disney", "Fantasy", "Holiday", "Horror", "Sci Fi


  1. By Chupacabra on

    While some critics criticized the film’s depictions of violence and greed—such as death scenes, Kate’s speech, and the gremlins’ gluttony—for lacking comic value, scholar Charlotte Miller instead interpreted these as a satire of “some characteristics of Western civilization “, suggesting that Westerners may take too much satisfaction from violence.

    1. By admin (Post author) on

      Fascinating incite Chupacabra, thank you so much for stopping by. And thank you for listening.


Leave a Reply

Your email address will not be published. Required fields are marked *