Welcome back to Saturday Night Movie Sleepovers! J. Blake and Dion Baia this week head way down the alley, back to 1986 and highlight the forgotten gem, Short Circuit ! They unpack the novelization and the subtle differences that add a large amount of character depth, which also may explain the need for a now controversial stereotype in the comic relief. They also chat about the practical technology used to make Johnny Five, and the themes expressed in this warm, light-hearted story. It’s all going down in this dog-days-of-summer 2020 edition of Saturday Night Movie Sleepovers!
It’s that time once again… Welcome back to another, exciting edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are covering a true epic, a film that was meant to return a property back to its original source material, and also reinvigorate a franchise that had been around (at the time) close to seventy-plus years. This go around the boys are taking on Greystoke: The Legend of Tarzan, Lord of the Apes, from 1984.
Blake and Dion have a lot on their plates to get through: first laying out the backstory that legendary writer Edgar Rice Burroughs set up in his original 1912 novel Tarzan of the Apes when creating the title character, and the bigger role Burroughs played as one of the original pillars in the Pulp Tradition. They give an overview of that groundbreaking genre, and explain the vast influence it still has on the entertainment we seek out today. They also discuss sci-fi writer Harlan Ellison‘s scathing review of this film Greystoke, and use that critical essay as a template in comparing this 1984 version to Burroughs’ original work, and if it is indeed appropriate to label this work “the definitive version“- is it a fair criticism? The lads also go into depth about Rick Baker‘s groundbreaking contribution to this project, and how his help specifically was the key in getting this production off the ground. But what was the reasons for having the screenwriter, Robert Towne who penned this script, sacked as director of this adaptation? What other problems did a production like this run into while trying to get this project off the ground? What exactly is the Wold Newton Family, and how is it connected here? And is Dion really a Lord ? Well come on and have a listen as the fellas match an epic movie with an epic cast as they attempt to answer all the questions in this all new episode of Saturday Night Movie Sleepovers!
The boys are back for week 3 in their epic October Halloween month of Horror! This time around J. Blake and Dion Baia tackle what some might call an unorthodox choice for a scary movie pick, but it certainly is Disney‘s darkest entry in film and also their most frightening (heck, [spoiler alert!] they go to Hell at the end)! Of course we’re talking Disney’s breath-taking and highly ambitious venture into cosmic Sci-Fi, The Black Hole, from 1979.
The boys get into all the minute details of a movie that was so shocking, it quite possibly might have scarred an entire generation of children while at the same time, begot a merchandising campaign so vast, it even gave us a Little Golden Book Edition for those too young to follow along with the terror onscreen. Dion and Blake attempt to dissect the film in the context of the space-mania in the late 1970’s, and Hollywood’s race to the stars on the big and small screen. They talk in detail about the pioneering and breathtaking visuals that sadly, at times were to the detriment of the movie’s story. Was this film actually in development years before Star Wars, as a disaster film no less? Were its groundbreaking Special Effects actually more involved than Star Wars and The Empire Strikes Back, combined? What’s really going on onboard the U.S.S. Cygnus between Hans Reinhardt and his evil companion, the hovering robot Maximilian? And learn about the roots of Dion’s fascination with Ernest Borgnine and the yearly event that he attends in the actor’s honor, all on another, terrifying and brand new episode of Saturday Night Movie Sleepovers!
Take look at some EXCLUSIVE PICTURES of some rarely seen items on display in the Frank G. Wells Building located on the Disney Studios Burbank Lot, from when Dion and Blake were given a tour by Uncle Walt and Mickey (okay, Walt and Mickey didn’t give the tour but the lads like to remember it that way!). Here is one of the Palomino models used in the film; along with one of the scale models of V.I.N.CENT; AND here‘s one of the laser pistols used in the film. ALSO, here is the plaque outside of Studio A, the recording Soundstage designed to record Disney’s live orchestra music since 1939, and where The Black Hole‘s score was the first to be digitally recorded.
For more on the Manhattan West Side Mexican Restaurant Tortilla Flats click here, and for more on Borgnine Night, click here for a CBS News Profile on the event (where SNMS’ own Dion Baia can be seen at the 2:25 mark!)