We are so grateful and love the pic! Thank you so much, and please everyone go check their page out cause it’s really, really cool. Thanks again guys!! You’re the best!
We are so grateful and love the pic! Thank you so much, and please everyone go check their page out cause it’s really, really cool. Thanks again guys!! You’re the best!
Hey there and welcome back to another all new edition of Saturday Night Movie Sleepovers! This go around J. Blake and Dion Baia have a nifty ‘cast lined up, covering a movie that was a staple back in the late 80s but also one that might not always be praised for the reasons it should. The boys are exercising their arms this week, because they’re talking the sport of arm wrestling and the film many think brought it to the masses, Sylvester Stallone‘s classic Over the Top, from 1987.
The boys ease into the podcast by discussing the complexities of Metal Earth model kits, then get right down to business and all things arm wrestling, first by examining the wide-ranging breadth of the sports genre, before getting into the nuts and bolts of Over the Top. Dion and Blake go through the incredible backstory and genius of Cannon films, who in 1986, actually created a year-long circuit and series of event ‘qualifiers’ in cities all over the world, so that they could then have a final eighteen hour-long tournament in Las Vegas that they could film for the 1987 movie. Blake and Dion show their true colors as they gush over this picture and readily admit while other podcasts and forums might immediately disparage Over the Top, the lads pull no punches when showing this movie (in their opinion) some deserved love. They go through the film’s storyline, the father/son dynamic, and discuss the custody battle between Sly and his father-in-law, the legendary Robert Loggia, and also praise Stallone for some real subtle, nuanced acting that seems to channel a bit of Rocky in this performance. They also chat about the great 80’s soundtrack and the other stroke of brillance upon Cannon‘s part, the merchandising: the Lewco Toyline that had all the children in 1987 arm wrestling, and the money they pumped into local circuits to get people interested in the sport, so the public would be hyped when the movie premiered in 1987. So Over the Top has often been critized because of the heavy emphasis on product placement, *but* was it actually genius on Cannon‘s part? How important was the soundtrack to the film? What did Sylvester Stallone say he’d change had he directed? What insider knowledge do the boys have on the world of trucking and particularly the rig used in this film? And what’s Dion‘s Sylvester Stallone story? Well put on all those baseball caps and make sure they’re turned to the back, because here come’s another explosive and exciting episode of Saturday Night Movie Sleepovers!
For an in-depth read into what Dion and Blake discussed in the cast regarding the history behind the actual tournament that was coordinated and then filmed for Over the Top, have a read of this fascinating blog posting from Armwrestlers ONLY.
Take a look at this amazing Arm Wrestling Exposition on MTV from the 90’s with Dan Cortese, featuring Sylvester Stallone, Danny Glover, Jean-Claude Van Damme, Evander Hollyfield, Jim Belushi and Melanie Griffith, courtesy of World of Arm Wrestling Channel on YouTube, and property of MTV.
Here are EXCLUSIVE PICTURES of the 1967 Autocar A64, Stallone’s truck in Over the Top, as it looks today: HERE, HERE, HERE, HERE, and in this last picture, you can still see the device setup on the cab’s roof for Stallone to work his arm while in the truck, HERE.
Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.
After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!
Welcome back to another all new episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia go back to their film school roots and discuss a movie that literally changed their lives back in the 1990s. This is a very special installment of the podcast for them, as they chat about the #1 voted Independent movie of all time, Quentin Tarantino‘s classic Reservoir Dogs, from 1992.
As stated above, this is a very significant film for Dion and Blake– a walk down memory lane and a nostalgic talk, that in many ways is very different to the other casts they’ve done up until now. Almost becoming a ‘comic-book origins’ edition, the lads have an extensive talk about their formative years, their meeting, and the influences Tarantino‘s work had on them as teenagers; which led them to want to go to film school and make movies at a time when the Independent boom was in full swing within Hollywood. The boys discuss at length what it was like to be in film school in that era and the influence an auteur like Quentin Tarantino had on them and others, attempting to give a context, while lovingly looking back at their shared tastes of then versus now. All this weaves into talking about this highly influential director, his particular style, and this work, Reservoir Dogs. Blake and Dion chat about the origins of this script, and how it quickly went from being a very low budget, black and white movie and quickly blossoming into the iconic film we know today. They discuss the awesome cast and the potential “what-if’s?” that were in play, as well as reactions the film had once released. They also attempt to analyze the violence and gore within the movie and within one scene in particular, which may seem tame today but caused quite a stir when it originally came out. So what other heist films does this film pay homage, or ‘borrow’ from? How important was the casting in this film? How influential was this film, not only to the SNMS boys but to cinema fans, the industry and that entire decade overall? How key is the soundtrack to this and other Tarantino films? And what the heck is up with the director’s obsession with the N-word? Well buckle yourself in, because the boys are taking on a seminal work in one of the most unique installments of Saturday Night Movie Sleepovers to date!
As mentioned in the latest podcast on the epic 1980 film Raise the Titanic, Dion Baia in 2012 with his then cohost Brian Zino of their podcast The Podwits on the 100th anniversary of that ship’s sinking, recorded a 3-part podcast in which they talk about other massive maritime disasters that many have forgotten in modern times. Both sharing a morbid fascination, and starting at the turn of the 20th century, Dion and Brian hit on numerous sinkings that were huge and world-changing at the times they occurred.
What connects these to the last SNMS podcast on Raise the Titanic (aside from the obvious disaster-at-sea aspect), is that the guys cover the fate of the many vessels brought up in that podcast, like theTitanic‘s sister ships RMS Olympic (and the incident occurring with her that had it not have happened, it maybe would have saved the Titanic from her fate), HMHS Britannic, and what the fourth funnel, which the boys lovingly label the ‘badass funnel‘, was actually for on these 3 ships. They also discuss the nuclear sub tragedies of the USS Thresher and USS Scorpion, which were the two naval submarines that ironically enabled Oceanographer Robert Ballad to discover the long-lost Titanic wreck in 1985. Brian and Dion also touch on their mutual love for the book and film version of Raise the Titanic.
The boys also touch on infamous events as the USS Maine, the RMS Lusitania, the Bismark, the SS Edmund Fitzgerald, and until September 11th, 2001, the biggest disaster in New York City history, the tale of the PS General Slocum, among many others.
Condescended into one episode, here is the acclaimed 3-parter, in an interesting, fascinating and fact-filled podcast that is so far out in the proverbial weeds, that it is not like any podcast Saturday Night Movie Sleepovers has done before, and probably ever do again! (Below are the original descriptions for the 3 parts originally published in 2012).
Can it be? Is it already that time? Why yes, it’s another edition of Saturday Night Movie Sleepovers! This week marks the 105th anniversary of the R.M.S. Titanic sinking, and having a resident expert at SNMS on the ocean liner and disaster that occurred in 1912, J. Blake and Dion Baia figured they’d pay their respects by covering a film based on the widely popular Clive Cussler novel that took the real-life event and turned it into a McGuffin for a Cold War-era espionage, intrigue, and deep-sea adventure filled story! Yes, the boys are diving to the bottom of the Atlantic this go around to take on the juggernaut Raise the Titanic, from 1980!
This becomes the ‘conspiracy theory episode‘ for the Blake and Dion, as they jump right in and layout some ‘alternate facts‘ that have recently come to light as to the real details concerning this great ship’s sinking, in an attempt to: A.) Explain to you what you didn’t know about that faithful night; B.) What you couldn’t have known, concerning facts that have been virtually ignored for over 105 years, and C.) Tell you what they never wanted you to know, surrounding the sinking of the White Star Line ocean liner. The boys unravel an elaborate and long-winded story (boy, Dion sometimes can go on, and on, and on, and-) that only recently has been getting some traction within scientific and Titanic-historian circles, which was supposedly buried for fear of international scandal in a pre-WWI era. After this extensive yarn, the boys then jump head-first into Raise the Titanic, by going into the background of mega-author Clive Cussler and what led to his decision of not working again with Hollywood (after this movie) for almost 30 years. Dion and Blake also go into why this film ended up being the most-expensive film to date, and why this could be a great example of why the industry completely embraced CGI technology in the following decade, versus shelling out millions of dollars for practical effects. They also talk about the glorious soundtrack by composer John Barry and the speculation about the fate of this and other works of art that become deemed “lost.” So why did the movie flop at the box office? Why did the film’s budget skyrocket and almost triple, with the model and water tank costing 1 million more than it cost to construct the actual RMS Titanic in unadjusted 1912 dollars? Only recently declassified, what was the real reason oceanographer Robert Ballard was out snooping around in the Atlantic in the first place? How does the final film version of Raise the Titanic differ from the original novel? And most importantly, are the facts as you know it about the Titanic‘s sinking that fateful night the real story ? Well, if you want to know or not, the fellas put all the pieces together for you this week in another enthralling edition of Saturday Night Movie Sleepovers!
Check out this video by the group Titanic Truths LLC Historical Preservation and Salavage Design Company and their current, 2017 plan to actually raise the Titanic wreck from the bottom of the Atlantic!
Welcome to a very special Exclusive Edition of Saturday Night Movie Sleepovers Presents, The Side-Cast! This week SNMS catches up with two legendary actors in their own right: the well-renowned Wilford Brimley, and film and television icon Martin Kove! Last month Dion Baia and J. Blake attended the 2017 Monster Mania Convention in Cherry Hill, New Jersey, and Dion was able to sit down and chat with these two amazing thespians.
Mr. Brimley whose credits include The Thing, Cocoon, The Firm, Hard Target and The Natural just to name a few, briefly talks about his reasoning for getting into the film business, his favorite role, as well as setting the record straight on some of the stories online about his early life. Not one to mince words, Mr. Brimley is direct and to the point.
Mr. Kove, known most notably as Sensei John Kreese of the Cobra Kai Dojo, also starred in such classics on the big screen as The Last House on the Left, The White Buffalo, Rambo: First Blood Part II, Steel Justice and Wyatt Earp, talks at length about his start in the film business, some embarrassing moments (he at least thinks) in his appearances in ’70s episodic television and why he feels The Karate Kid has become the cult classic it is today. Mr. Kove also goes into why he feels the 1980’s television show Cagney and Lacey, that he costarred on, was so ground-breaking and ahead of it’s time, and touches on other character’s he portrayed throughout his profound career.
Kove also laments about the one iconic actor he regrets not working with when he had the chance, and also laughs about the one legendary actor he caught up with years later, with who admitted to being a huge Cagney and Lacey fan. And he opines about the one American film genre that he has an immense passion for, and feels needs to be resurrected.
So come on down and take a listen to these exclusives, on another exciting installment of Saturday Night Movie Sleepovers!
Here’s Martin Kove signing Dion‘s Cagney & Lacey boxset; and here is Mr. Kove doing his badass Cobra Kai pose; then after realizing Dion was a huge C & L fan, here is a straight pose.
The boys are back and this week J. Blake and Dion Baia are celebrating the 40th anniversary of a film that is lauded as one of the best, if not THE best sports movie of all time- Full stop. That’s a very high standard. But the guys are going the distance in this installment as they take on the Paul Newman/George Roy Hill classic Slap Shot, from 1977.
The fellas dive right into the deep-end this go around, with the resident hockey expert at SNMS, J. Blake. They start with Blake‘s background with the sport, having played growing up, also being on the High School team, and taught kids ‘hockey skills‘ classes afterward while in school and college. Now the paradox within is that the boys aren’t really into sports anymore- now they may attend a sporting event or two and enjoy a good thrilling game, but really don’t actively seek it out now in their adult lives. But they love themselves a good sports film, and Dion and Blake are head over heels for this all-American classic! First they discuss the true events that were the inspiration for the script. They chat about the world this film creates and the real-life people this story spoke to. Set in the Northeast, the boys get into the ‘regional’ sporting events and circuits of the era and the enjoyment this form of entertainment gave to the local town and city audiences who, by day worked in the factories, the mines, or the mills that kept these local bergs afloat in the 1970s. So how was the original concept of Slap Shot conceived and in what other format was the original idea considered, other than comedy? How many real actors were actually in this movie? Through all the controversial foul and surly language, what truths does this film actually present in a brilliant and completely realistic manner? And what’s Blake‘s connection to director George Roy Hill and how does the story involve cult Horror director Jeff Lieberman?! Well you better lace up those skates (and make sure those laces are tight!) because we’re going on the ice in this all new, exciting episode of Saturday Night Movie Sleepovers!
Slap Shot presented Ogie Ogilthorpe as a fictional character, but he was real. Bill “Goldie” Goldthorpe was known as one the most outrageous goons of all time and here is a neat little documentary on his exploits, called I Am Ogie.
Buongiorno! Today we welcome James Hancock, host of the WRONG REEL podcast, for part 2 of a very special 2-part podcast crossover extravaganza (***Don’t worry, it is totally okay if you listen to this part first)! In part 1, SNMS’ very own Blake traveled to the Wrong Reel studio in lower Manhattan to sit in on a fun and informative chat regarding Italian horror maestro Dario Argento‘s first three films; affectionally known as The Animal Trilogy. Now, for your listening enjoyment, James has packed his PJs and sleeping bag and ventured into Blake’s Mom’s basement for a late night sleepover and a passionate discussion about Argento’s stylish, strange, provocative, controversial and (mostly) beloved trilogy exploring the mythos of the dreaded Three Mothers—SUSPIRIA (1977), INFERNO (1980) & MOTHER OF TEARS (2007).
They express their personal passions for the films and Argento and dive deep into the trilogy’s history, inspirations, productions, music, casts and wildly imaginative lore and visual aesthetics.
So is this horror’s strongest trilogy? Which film is Blake’s favorite of the series and why does he love it so? Why do the women act so immature in SUSPIRIA? Who the hell is that hot chick with the cat in INFERNO and what legendary classical composer was Keith Emerson ordered to adapt for a cue in the film? What common threads run throughout the series? Does James understand what the heck is going on in any of these films? Which Argento actress once attended one of Blake’s concerts and which other Argento actress was he once email pen-pals with? All of these questions and so many more are answered in this exciting conclusion to the Giant-Sized Wrong Reel/SNMS crossover 2-parter, here on the latest edition SATURDAY NIGHT MOVIE SLEEPOVERS PRESENTS: THE SIDE-CAST!
To hear Wrong Reel’s half of this 2-parter, CLICK HERE!
Follow Wrong Reel on Twitter, @WrongReel!
To hear Dion & Blake’s SNMS episode about Dario Argento’s DEEP RED, CLICK HERE!
To watch the documentary DARIO ARGENTO: AN EYE FOR HORROR, CLICK HERE!
To watch a vintage TV performance of GOBLIN performing the theme to SUSPIRIA, CLICK HERE!
To watch the late Keith Emerson perform Mater Tenebrarum from INFERNO, CLICK HERE!
Follow Blake’s book SCORED TO DEATH on Twitter @ScoredtoDeath!
It’s that time again… time for another exciting, thrilling and enthralling episode of Saturday Night Movie Sleepovers! Dion Baia and J. Blake have a whammy of an installment this week: a lighthearted, musical affair from a company that at the time of this film’s release, was going through a proper-resurgence themselves. And this movie marked its crowning achievement to-date for that company’s Animation Department, which broke new ground in its pioneering uses of CGI in this project… Yes, “it is a tale as old as time” as the boys explore the enchanted world of Walt Disney’s Beauty and the Beast, from 1991.
The fellas jump right in and go back to the beginning, discussing everything Disney in this epic podcast: They ‘set the table’ by giving a concise timeline on Walt‘s meteoric rise to fame, from his beginnings with the Oswald the Lucky Rabbit animated shorts and the work with his good friend and genius Ub Iwerks (among others), to bringing in Carl Stalling for help creating animated musical shorts, pioneering color cartoons and his finally creating a feature-length animated film in 1937 with the ground-breaking Snow White and the Seven Dwarfs. Blake and Dion follow Disney‘s journey through the war years and his upswing in the 1950s, and Walt then getting side-tracked with live-action films, a new medium called television, and theme park construction. These side ventures unconsciously begin to take its toll on the animation department and with Walt‘s death in 1966 it almost becomes rudderless, culminating with the near closing of the entire animation branch in the mid 1980s. The boys then go through the renaissance in the late 80’s that brought the famed animation unit back and to the biggest cartoon film to-date, Beauty and the Beast. They go through the history of the popular fairytale with the 1946 live-action Jean Cocteau movie, even hitting on the late 80’s TV series. Dion and Blake then discuss the work it took to get Beauty and the Beast on screen, with the brand new CAPS technology that changed the face of animation, and the work by composer Alan Menken and lyricist Howard Ashman that gave us all those classic songs we know today. So what 1949 Disney animated film do the lads draw similarities between? What are the controversial subtexts that some academics have read into the work and what are their perceptions of the themes within Beauty? How did Walt Disney‘s brilliance in knowing his own limitations actually help in making the company such a huge success? What important character from the 1946 Cocteau film did this Disney story borrow? What character was the song Be Our Guest originally supposed to be sung to? And what famous book-turned-to-film thriller (that is a staple in every serial killer library) do the boys find similarities with this animated classic? Well grab some popcorn and your favorite sipping drink, because the boys are taking you on a musical adventure this week with this mega, Disney-filled new installment of Saturday Night Movie Sleepovers!
*Dion misspoke during the cast, the 2012 film Snow White and the Huntsman was in fact a Universal, not Disney film.
As the boys described in the podcast, here our exclusive photos taken by them at the Disney Burbank Lot of the Ub Iwerk-designed 14′ high Multi-plane camera, HERE and HERE for the game challenger, Snow White, and check out Walt and the boys HERE and HERE, using it back in the day.
Take a look at photos HERE, HERE and HERE the boys took of the original Animation Building that’s located on the Burbank lot (personally designed by Walt), that animators drew the films from Dumbo up to The Black Cauldron within. Check out the plaque inside the building.
Here’s the original trailer to the 1946 Jean Cocteau Beauty and the Beast film, narrated by Cocteau himself.
We are back with the 2nd installment of our new feature called MOVIE LOVERS and this week Blake sits down with the son of sleepover movie royalty, (John Carpenter and Adrienne Barbeau‘s son) Cody Carpenter! The two discuss Cody’s new album ALTERNATE UNIVERSE, recording & touring with his dad and his love of movies. They reminisce about a few sleepover classics that have been featured on the regular SNMS podcast, as well as the work of animator/director Ralph Bakshi. They chat about the music of composer Vince Dicola and the Italian progressive rock band Goblin and Cody patiently sits through & answers a barrage of questions about his father…questions that did uncover some (arguably) revealing details about the patron-saint of sleepover movies, John Carpenter.
Which mid-eighties kids movie is “more than a movie” to Cody Carpenter? Who was Cody paying homage to when he composed the score to his father’s Masters of Horror episode Cigarette Burns? What moment did Blake & Cody (then strangers) share in Washington D.C.? What is Cody’s favorite ‘Carpenter film?’ Did Adrienne Barbeau like to ‘tape’ things off of TV? Did John Carpenter take his son to see the Teenage Mutant Ninja Turtles: Coming Out of Their Shells tour? Which guilty pleasure movie gets screened in the Carpenter household every time it is on TV? You will find the answers to these questions, and so many more, on this all new and exciting installment of SNMS PRESENTS: MOVIE LOVERS!
Follow Cody Carpenter on Twitter @ludium.
You can download Cody’s new album, Alternate Universe on iTunes, Amazon and at ludrium.bandcamp.com.
Check out an awesome video of Cody playing a track from the film Christine, with his dad John Carpenter, live in concert by CLICKING HERE.
Check out the official music video for the track “Distant Dream” from the album Lost Themes II, by CLICKING HERE.
Check out the official music video for the 2016 re-recording of theme to Escape from New York, by CLICKING HERE.
Check out the classic Coupe De Ville’s music video for the Big Trouble in Little China theme song, by CLICKING HERE.
Check out the trailer for Ralph Bakshi’s Wizards, by CLICKING HERE.
Follow Blake & his book Scored to Death on Twitter @ScoredtoDeath.
Hey New Jersey/Philly people, just a quick reminder that Dion Baia & J. Blake will be at Monster Mania in Cherry Hill NJ, at the Crowne Plaza Hotel next week, March 11th &12th!
(*Blake will also be there on the 10th!*).
They will be selling copies of J. Blake‘s book Scored to Death & soundtracks, etc.
If you’re going, make sure you stop at their table and say hi!
Party-hearty! Welcome to another episode of Saturday Night Movie Sleepovers! Your most excellent hosts, J. Blake and Dion Baia are heading back to their early teenage years and celebrating a film that turned 25 on Valentine’s Day, and became a vehicle that propelled two character’s from a skit on Saturday Night Live into the urban lexicon, becoming a world-wide phenomenon. It was so influential that it introduced several sayings and phrases that have been imprinted in our collective brains for decades now. That’s right, it’s time to party-on because this week the boys are talking Wayne’s World, from 1992.
That’s right, it’s (Saturday) Night, it’s 10:30, and it’s time to party. Dion and Blake start off my reminiscing about their shared history of making home-movies growing up, specifically genre installments for Blake and sketch comedy influenced by Saturday Night Live, for Dion. They discuss SNL as it was for them growing up, and Dion laments about the huge impact the show had on him, specifically as an adolescent, watching it religiously from 1989 up until the early 2000’s. They discuss the memories they had from the show and the several now-famous moments they remember with the cast members of the era. The boys debate the popularity of SNL back in the late 80’s and early 90’s, and get into a gentleman’s disagreement about what demographic this feature film, Wayne’s World, was actually trying to target. The fellas go into the history of the Wayne’s World skit, and it’s origins that predate Saturday Night Live entirely. They also explain the seemingly forgotten Rob Lowe sex tape controversy from the 1989. They may even break news and connect Chris Farley‘s cameo in this film and his win at the inaugural Borgnine Night in New York City, both of which occurred 25 years ago, in February of 1992. They also chart the rise of this film and examine it’s release and serendipitous timing, coming out exactly at the most perfect time it could have, becoming engrained in our collective consciousness. So how was the energy onset; were the rumors true of the difficulty working with comedian Mike Myers? What music group’s career did this movie help completely reinvent? What music group did the studio actually want, which Myers threated to leave the film if his wish’s weren’t followed? And does Myers actually hate this film? Well buckle yourselves in, because we’re heading back to 1992 and reliving a visual time capsule of that era, in this most-excellent edition of Saturday Night Movie Sleepovers! Party on!!!
This week we kick off a brand new & hopefully recurring segment called SNMS PRESENT: MOVIE LOVERS. For this debut episode, Blake sits down with Howard Stern Show personality, phony phone call expert, acclaimed heavy metal drummer, composer, writer, filmmaker and movie lover Richard Christy, to discuss their mutual loves for the horror genre, John Carpenter, metal music and horror movie soundtracks. The two reminisce about the origins of their love for these subjects, while swapping personal stories, sharing a few laughs and talking about how awesome their moms are.
So what was the defining film that made Richard fall in love with horror & what was the album that was released the very next year that cemented his love for all things metal? What is one of Richard’s new favorite books? [Hint, it was written by a SNMS host] Where is Richard’s favorite place & how is it related to a holiday that, possibly, only he & his wife celebrate? And which horror films did Richard & Blake’s moms wake them up, out of sound sleeps, to watch in the middle of the night? These questions and more are answered on this exciting debut of SNMS PRESENTS: MOVIE LOVERS!!!
Please subscribe to, rate & review our show on iTunes!
For all things Richard Christy, visit richardchristy.com
Follow Richard Christy on Twitter at @
For all things Charred Walls of the Damned, visit charredwallsofthedamned.com
To purchase Blaze: The Soundtrack Vol. 1& 2, CLICK HERE
To watch Richard’s short film EVIL NED 2, CLICK HERE
Blake’s book, SCORED TO DEATH, is available in paperback & on Kindle at Amazon and everywhere books are sold.
Follow Blake and his book on Twitter @
BABA BOOEY to ya’ll!!!
Welcome back to another edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are dipping into a horror classic, one of the most iconic and famous characters within the genre and what better place to start than right in the middle of the series… that’s right, the boys are talking Freddy Krueger and specifically the 30th anniversary of A Nightmare on Elm Street Part 3: Dream Warriors, from 1987.
That’s right, Blake and Dion start smack in the middle of the franchise, and after touching on the mysterious world that exists for children inside department store circular-coat racks, they jump right into the Elm Street lore; utilizing a largely forgotten Tobe Hooper directed episode of the 1988 series Freddy’s Nightmares, A Nightmare on Elm Street: The Series which delves deep into Freddy’s backstory, something that was still really unexplored up until that time. They jump into Dream Warriors, discussing the Wes Craven‘s involvement and the original script he submitted, then deemed too dark and subsequently changed due to the subject matter. Dion and Blake get into the controversial topics that are presented in the film, which were still very taboo to cover in the 1980s, topics like depression, self-harm and teen suicide. So, how was this installment as a sequel; did it accomplish what it needed and set out to do? As an effects-heavy film, how do these practical FX hold up nowadays? How does this stack up in relation to the other A Nightmare on Elm Street movies? And what’s Dion‘s funny story about meeting actor Robert Englund back in 2009 and the autograph he asked for? Well all these intriguing and mind-blowing questions get answered, so grab some coffee or a Red Bull, because whatever you do, you don’t want to fall asleep during this week’s all new episode of Saturday Night Movie Sleepovers!
As discussed in the podcast, check out this rare episode of Freddy’s Nightmares, A Nightmare on Elm Street: The Series, that explores the child murder Freddy Krueger’s nefarious history in coming the demonic villain we know him as today.
Lastly, also talked about, check out the amazing PBS American Experience documentary entitled The Lobotomist, about neurologist Walter J. Freeman and his once exulted way of dealing with our mentally ill in this country, by way of transorbital lobotomies.