February
26
The Breakfast Club, 1985
The fellas are back yet again for an all new edition of Saturday Night Movie Sleepovers! Dion Baia and J. Blake are taking on a movie that, on the outset, looks to be your typical teen-angst drama, depicting the day-to-day trials and tribulations of young adults. But actually, it has layered within some pretty smart and frank commentary about adolescent ascension to adulthood and all the insecurities and pressure that accompany that transition. We are of course talking about the quintessential 1980’s teen film, The Breakfast Club, from 1985 written and directed by the great John Hughes.
After the boys settle in and reminisce about “the very serious episode” of some of their favorite childhood shows and about their mutual hobby of making some very serious home movies with their friends while growing up, they segue into all things Brat Pack and John Hughes. Playing the ‘what if’ game that Blake and Dion so enjoy doing on the podcast, who were originally slated to play the principles and who actually switched roles to accommodate Hughes? Was his first cut really over two and a half hours? And did Hughes also originally intend for this film to be the first in a series that would chronicle the lives of these characters every ten or so years? And did Dion actually sympathize with Paul Gleason‘s character, high school administrator and teenage nemesis Dick Vernon? All these tantalizing questions will be answered in this all new, radical and bodacious installment of Saturday Night Movie Sleepovers!
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Welcome back to another all new edition of Saturday Night Movie Sleepovers‘ Side-Cast. We present Part 2 of our exclusive interview with retired NYPD Homicide Detective turned actor, consultant, writer and producer Randy Jurgensen. In this episode, we segue into Randy’s fascinating career in Hollywood and his body of work in the 1970’s, 80’s and 90’s. We go in-depth about the first film he was drafted to be an advisor and actor for, The French Connection, and how he prepped the actors to be New York City cops (back when background prep was rare). We also discuss his friendship with director William Friedkin, as well as the four plus films they would collaborate together on. He also explains his role as of one the stunt drivers in one of the greatest car chases of all
time. He then goes into great detail about becoming a producer, and fighting the Screen Actor’s Guild for Larry Cohen‘s God Told Me To ; ‘stealing’ filming locations in New York City for Maniac and Viligante ; surviving the jungle and the Federales in Central America while filming Friedkin’s Sorcerer ; to fighting city hall (literally) in a small Maine town to get Stephen King‘s Thinner completed. As astounding as it is that a retired Detective was able transition into a life in Hollywood, what’s more incredible is that legends like Marlon Brando, Al Pacino and Roy Scheider were vying to hang out with him, because he was the ‘real’ deal, and moreover was the lead Detective on a very 
publicized case at the time involving probably the most notorious cop killing in New York City’s history! Again, it’s a case where truth is stranger (and more entertaining), than fiction! So come listen to an absolutely fascinating and exclusive installment of Saturday Night Movie Sleepovers! (above picture Randy and Roy Scheider in Sorcerer, 1977; left picture is Randy in the NYC Coroner’s Office in Cruising, 1980)
A brand new addition to the Saturday Night Movie Sleepovers rotation is the Podcast that started it all, Dion and Blake‘s Side-Cast. Originally airing on the sister site 
This film has an interesting backstory as that John Carpenter originally declined to direct instead opting to write the screenplay and produce, but then actually took the project away from director Rick Rosenthal, adding and directing additional scenes to make the film gorier than the original, so to compete with the other ‘slasher’ films of the time. This may have ended up confusing audiences because the film had a notorious ‘TV‘ or ‘Producers‘ Cut, which not only changes the fate of some central characters, but also varied the degree of gore associated with each of Michael Myer’s victims. Was this really the first time a sequel picks up seconds after the original ended, since Bride of Frankenstein some 50 years earlier? Did Rosenthal actually get Orson Welles-ed by Carpenter? How does this compare to the original, a classic that practically jump started an entire subgenre? What was the controversy some years back with the omission of legendary Producer Moustapha Akkad‘s credit on the 2011 Blu-ray rerelease that so enraged the loyal fans of the franchise? How awesome was Donald Pleasance‘s performance? Did Lance Guest‘s character actually die or not? And what the heck happened to Ben Tramer?! Plus, hear Blake talk about the afternoon he spent with Joe Bob Briggs in all places- a hotel room? All these questions and more will be answered in this exciting, Halloween Edition of Saturday Night Movie Sleepovers!