State of Grace , 1990
Welcome back true believers to another exciting and enthralling episode of Saturday Night Movie Sleepovers! The boys noticed that St. Patrick’s Day is around the corner and figured they’d roll out a podcast about a long-forgotten, classic gangster film (surprisingly the first in the genre for Dion and Blake), that has its climatic scene coincide with the St. Patty’s Day Parade. Haven’t guessed it yet? This week their chatting up the Irish-American Mob film State of Grace, from 1990.
The boys reminiscence about the 1990’s era of gangster movies, and the connection this one has to that timeframe. Truly an unorthodox choice and certainly not the first on anyone’s list when remembering gangster films of that period, this video store staple boosts a very impressive cast of principle and supporting actors that makes it a truly forgotten gem that is certainly worth a visit (or revisit). Blake and Dion talk about their unbridled love for costar Gary Oldman, focusing particularly on his early body of work, which the boys feel doesn’t get its deserved do. Often cited by Oldman himself as one of his favor roles, why did this film literally come and go in the cinema? Did Martin Scorsese‘s Goodfellas (out the same year) actually have anything to do with it? Or is that just speculation? What inside stories do the boys themselves have from people they know who worked on this film and others around this time, that paints the picture of what was happening behind the scenes for the lead actors during this period? And how much foresight did this story have about the revitalization and gentrification that is currently happening in New York City, that had its roots in this film’s backdrop, Hell’s Kitchen circa 1989-90? Well get your favorite gun, leather jacket and your flasks, cause this week the lads are paying a kailee to their favorite Hell’s Kitchen public house in this edition of Saturday Night Movie Sleepovers! Erin go Bragh!
EXTRAS:
Have a look at Colin Quinn talking up State of Grace and Gary Oldman
Take a look at the official trailer for the film.
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Welcome back to another all new edition of Saturday Night Movie Sleepovers‘ Side-Cast. We present Part 2 of our exclusive interview with retired NYPD Homicide Detective turned actor, consultant, writer and producer Randy Jurgensen. In this episode, we segue into Randy’s fascinating career in Hollywood and his body of work in the 1970’s, 80’s and 90’s. We go in-depth about the first film he was drafted to be an advisor and actor for, The French Connection, and how he prepped the actors to be New York City cops (back when background prep was rare). We also discuss his friendship with director William Friedkin, as well as the four plus films they would collaborate together on. He also explains his role as of one the stunt drivers in one of the greatest car chases of all
time. He then goes into great detail about becoming a producer, and fighting the Screen Actor’s Guild for Larry Cohen‘s God Told Me To ; ‘stealing’ filming locations in New York City for Maniac and Viligante ; surviving the jungle and the Federales in Central America while filming Friedkin’s Sorcerer ; to fighting city hall (literally) in a small Maine town to get Stephen King‘s Thinner completed. As astounding as it is that a retired Detective was able transition into a life in Hollywood, what’s more incredible is that legends like Marlon Brando, Al Pacino and Roy Scheider were vying to hang out with him, because he was the ‘real’ deal, and moreover was the lead Detective on a very 
publicized case at the time involving probably the most notorious cop killing in New York City’s history! Again, it’s a case where truth is stranger (and more entertaining), than fiction! So come listen to an absolutely fascinating and exclusive installment of Saturday Night Movie Sleepovers! (above picture Randy and Roy Scheider in Sorcerer, 1977; left picture is Randy in the NYC Coroner’s Office in Cruising, 1980)
A brand new addition to the Saturday Night Movie Sleepovers rotation is the Podcast that started it all, Dion and Blake‘s Side-Cast. Originally airing on the sister site 
This film has an interesting backstory as that John Carpenter originally declined to direct instead opting to write the screenplay and produce, but then actually took the project away from director Rick Rosenthal, adding and directing additional scenes to make the film gorier than the original, so to compete with the other ‘slasher’ films of the time. This may have ended up confusing audiences because the film had a notorious ‘TV‘ or ‘Producers‘ Cut, which not only changes the fate of some central characters, but also varied the degree of gore associated with each of Michael Myer’s victims. Was this really the first time a sequel picks up seconds after the original ended, since Bride of Frankenstein some 50 years earlier? Did Rosenthal actually get Orson Welles-ed by Carpenter? How does this compare to the original, a classic that practically jump started an entire subgenre? What was the controversy some years back with the omission of legendary Producer Moustapha Akkad‘s credit on the 2011 Blu-ray rerelease that so enraged the loyal fans of the franchise? How awesome was Donald Pleasance‘s performance? Did Lance Guest‘s character actually die or not? And what the heck happened to Ben Tramer?! Plus, hear Blake talk about the afternoon he spent with Joe Bob Briggs in all places- a hotel room? All these questions and more will be answered in this exciting, Halloween Edition of Saturday Night Movie Sleepovers!