October 28

Dark Night of the Scarecrow, 1981

Welcome back to week four of our October Halloween-Horror Binge here at Saturday Night Movie Sleepovers! As has been the tradition with the fourth week of the SNMS Halloween horror cycle, J. Blake and Dion Baia pick a film that actually takes place on the day or has the holiday itself play a part in the plot… So for this go-around they’ve selected a TV movie that is a classic within the genre- Dark Night of the Scarecrow, from 1981.

Dark Night of the ScarecrowThe fellas reminisce about this often lost art, the major network horror movie, and how unique these forgotten templates were for this once-popular format on the small screen. A forgotten classic and a great example of a comeuppance tale, Dion and Blake plot the origins of Scarecrow and try to confirm if this the first example of a scarecrow character as an antagonist (or protagonist?) in a horror film. They also go into the backstory of the players involved, like the great Charles Durning and the story’s director, Frank De Felitta. The boys also discuss the differences of a story like this, where less is more and implication is the name of the game at a time when the slasher genre was in full swing, and how a movie with no gore but instead relies on terror and suspense, can holdup within that time period when blood and guts were the norm. So how does this TV movie hold up 35 years later? How does Ray Bradbury have a connection to this work? And how good is Charles Durning in this demented role? And why did they make him a mailman? Well come on down and check out our final installment of 2016’s October-horror Halloween binge here on an all new episode of Saturday Night Movie Sleepovers!

EXTRAS:

Check out Dark Night of the Scarecrow in it’s entirely, courtesy of YouTube!

How about checking out the film out as it aired Saturday, October 24th 1981, with the original commercials to boot, again courtesy of YouTube!

Take a look at this rare interview with writer J.D. Feigelson, courtesy of MutantvillePlayers!

And have a look at this rare interview with the late, great Larry Drake, again courtesy of MutantvillePlayers!

October 21

Night of the Creeps, 1986

The boys are crawling back with their eyes clouded-over for week three of their October Halloween-Horror Binge, here at Saturday Night Movie Sleepovers! J. Blake and Dion Baia have delved deep into the video store racks and dusted off one from way down on the bottom shelf. They’ve selected an 80’s horror classic, and an absolutely undeniable classic for hardcore zombie fans! So what do you get when you take the urban legend of the escaped lunatic, add in 1950’s alien invaders, sprinkle in some elements of classic Film Noir, and then mix in the living dead for good measure? Well we’re here to ‘thrill you‘ this week with Fred Dekker‘s near perfect Night of the Creeps, from 1986!

Night of the Creeps, 1986

Dion and Blake mince no words about their love for this film, and their appreciation for Mr. Dekker. They ease on into the ‘cast by reminiscing about attending community-organized Halloween parties as young kids back in the early 80’s, and jokingly psychoanalyze each other over what they’re nostalgic for by laughing about what they were exposed to as children. They then get into the meat and bones of Night of the Creeps. They gush over all the many clichéd tropes that are purposely brought together and used perfectly, to add to a sometimes hilarious, serious, and quite frighteningly effective and amazing 80’s horror movie. The boys reaffirm and solidify their undying (no pun intended) love for the man, the myth, the legend, Mr. Tom Atkins. They also analyze the mashup of various 1950’s sci-fi and horror elements, and how they all play into a nostalgic and loving homage to that era’s segment of genre films. And they discuss the notorious original, alternate ending. So to address the huge elephant in the room, why did this film flop? Why did it play into effectively destroying it’s director’s, Fred Dekker‘s Hollywood career? Was it perhaps too smart and too forward thinking for it’s own good, making it fall short to the expectations of the general 1980’s audience? And does this film, in fact, deserve the credit and reverence that A-list genre films of the time garner? Well, you better grab your shotguns and flame-throwers, duct-tape your mouth’s shut, and keep your High School dates close, because here comes an all new edition and third installment of the October-Halloween binge of Saturday Night Movie Sleepovers!

Extras!

Check out the original trailer for Night of the Creeps!

Take a look at the deleted scenes!

Have a gander at the original ending! 

Check out a rare panel discussion with the original cast from the 2010 Monster Mania!

Here’s SNMS‘ very own J. Blake‘s autograph from the man, the myth, and the legend, Mr. Tom Atkins!

As discussed in the podcast, HERE is the before, and HERE is the transformation of the rare hologram pin for the short-lived 80’s TV show Werewolf!

October 14

The Mummy, 1959

Welcome back to week two of Saturday Night Movie Sleepover‘s October-Halloween month of Horror, where for the four weeks of the Autumn month, J. Blake and Dion Baia are giving you four podcasts to help fill you nightmares with nostalgic terror! This installment the boys are showcasing a classic, and also the first Hammer Studios production to be discussed on the podcast. This week they chat about the iconic 1959 movie The Mummy, starring the legendary Peter Cushing and Christopher Lee.

The Mummy, 1959

Dion and Blake chat again about their love for the classics and set the table and explain (within the cycle of the horror films) how the Hammer Studios helped revitalize the waning genre, and breathe new life into the catalog of monsters that Universal Pictures established some twenty years before. They go through the backstory of how a small British company like Hammer was able to successfully ‘borrow’ the classic monsters like Frankenstein’s Monster, Dracula, and this film’s central character, The Mummy and helped catapult them into the iconic status that we know them as today. The fellas also compare the template that we see these type of franchises cycle through, to the same template in films we see today like with the current trend of superhero movies, highlighting the similarities- e.g. first, the single-character ‘tent pole’ movies, then morphing into the multi-character team up installments. They also gush over their love for legendary actors Peter Cushing and Christopher Lee, and how without these men who went on to endear themselves to over 8 decades of cinema lovers, there might never have been the monster revival that Hammer brought forth, and the lasting impact these amazing horror characters had on us, film fans, having been firmly cemented into our pop culture. But how was Hammer even able to swing using these monster icons and get around Universal’s copyrighting in the first place? How was this film revolutionary, not only within the monster sub-genre but in the overall horror genre in general? How does this film and story hold up today? And is this version of the Mummy actually the precursor to characters we see in decades to come like Jason Voorhees or Michael Myers? And what impact have these movies left upon cinema? Well come one down and listen to week two of the horror extravaganza in another all new edition of Saturday Night Movie Sleepovers!

EXTRAS

Check out the original trailer for this 1959 classic!

Take a look at the TCM intro for 1959 The Mummy! AND here’s the Outro!

Here’s a great interview with Christopher Lee about Dracula and The Mummy!

Watch the Donald Fearney‘s documentary on Hammer‘s cycle of Mummy horror films!

Have a listen to the pilot of Suspense Radio show, of The Lodger, directed by Alfred Hitchcock, which is a radio series Dion and Blake absolutely flip over.

SNMS cannot recommend enough, for those interested to check out the classic radio shows (commonly referred to OTR, meaning Old Time Radio) on archive.org that are now public domain. On this .org site, enthusiasts compile the best surviving sources for each particular show and add new ones or discover better quality episodes everyday. Have a mozy and see if you can find a genre and/or show that you’d love today; and we guarantee that if you take the time, you will find a show you’d love. The rest is on you.

October 7

In the Mouth of Madness, 1995

Welcome back to another exciting edition of Saturday Night Movie Sleepovers! Dion Baia and J. Blake are kicking off week one of their 2016 October-Halloween binge, where they ‘up’ their ‘output’ and deliver one horror-themed podcast a week for the Autumn month. And the boys are kicking off October with a real favorite here at SNMS, a film that spawned a life long love affair with John Carpenter, horror, and quite possibly became the catalyst for one of the guys to even attend film school. That movie is the aforementioned director John Carpenter‘s masterpiece, In the Mouth of Madness, from 1995.

In the Mouth of Madness

Do you read Sutter Cane? The fellas start out the podcast discussing the maestro himself, John Carpenter and Blake‘s two interviews he did with the director that are part of Blake‘s new book Scored to Death: Conversations with some of Horror’s Greatest Composers. Dion jokes about the rumor among their friends that maybe it was in fact Blake who put the seed into Mr. Carpenter’s head to release a new music album, and then to tour. They talk about their mutual background of making home movies with their friends growing up, but specifically the huge inspiration In the Mouth had for Blake when he first saw it while in High School and it turning a ‘light’ on deep inside of him, perhaps even giving him the inspiration to go to film school as well as steer him toward his passion for horror films and their music, which then led to an entire book on the subject. The guys then segue and talk about the background of this film In the Mouth, beginning with the influence the huge pillar, H. P. Lovecraft, had on the horror genre on a whole, and then what elements were distilled into this work. They attempt to analyze and dissect what is and is not reality within the story and the blurred lines that are presented… which lead to some burning questions: Are we already seeing these complicated and convoluted themes within our own culture, vis-à-vis the television reality show industry, which now seems to have set a standard for our entertainment or even how we live and what we consider now our reality? How about in book form, as in the film’s plot- can a book series like Harry Potter or Game of Thrones be real life examples of works of fiction that have taken off and become their own entities, much like Sutter Cane’s work? Even though this story is not based on an actual HP Lovecraft work, can this be categorized as a continuation in the lore and tradition he started almost 100 years before? Well all these questions will be attempted to be answered in this exciting ‘first Halloween 2016 installment‘ of Saturday Night Movie Sleepovers!

EXTRAS

Here is the original trailer to In the Mouth of Madness.

Have a look and listen to John Carpenter and his band perform the In The Mouth of Madness theme Live at the Retrospective Concert at ACL Moody Theater in Austin, Texas.

Check out John Carpenter himself chat in 2007 about H. P. Lovecraft and In the Mouth of Madness.

Take a look at this featurette for In the Mouth of Madness!

Have a listen to the soundtrack to In the Mouth of Madness!

July 15

Ghostbusters, 1984

The boys are back with another exciting episode of Saturday Night Movie Sleepovers! This week and Dion and Blake take on a popular favorite from their childhood that has stood the test of time and is regarded now as a cult classic. Of course we’re talking about the spook and goblin-filled spectacular, Ghostbusters, from 1984!

Ghostbusters, 1984

After briefly dipping back into last podcast’s discussion on the ‘Wold Newton Universe‘ theory by bringing up the companion ‘Tommy Westphall Hypnosis‘, and after also playing another exciting addition of what-has-Blake-brought-back-from-his-parent’s-house-to-surprise-Dion-with? game (which ends up playing brilliantly into this week’s choice of movie), the boys attempt to dissect the origins of the Ghostbusters by laying out the backstory and various incarnations of the script. They play their patented what-if’ game, and discuss the many people who were originally envisioned to play the now famous characters. They also talk about Elmer Bernstein‘s score and his issues with unused portions of his compositions for the film, leading to a bigger chat about other legendary music cues in cinema that have went unused, or completely omitted scores altogether (see Lalo Schifrin‘s notorious rejected Exorcist soundtrack), and then the eventual legal problems that Ray Parker Jr‘s now iconic song saw. So what was the idea for the potential third installment in the series that Dan Aykroyd outlined in the 1990s involving a ‘ManHellTown‘? Was the original Ecto-1 really supposed to be a different color and fly? What about the bigger world that was fleshed out by the NOW/Marvel UK comics, and the fabulous cartoon? How about that elephant in the room, an explanation to what the heck was the difference between The Real Ghostbusters cartoon series and the Filmation Company’s live-action 1970s Ghostbusters show and it’s subsequent 1986 cartoon reboot?(which ended up confusing the heck out of all of us kids at the time!) So prepare for an eerie, mysterious and terrifying journey as Dion and Blake try to do the Ghostheads some justice, as they throw on their jumpsuits and proton packs, jump into their converted ‘59 Cadillac Miller-Meteor, and embark on another edition of Saturday Night Movie Sleepovers!

EXTRAS:

As discussed in the cast, take a look at some of the deleted scenes from the original film!

Have a look at the original full Ghostbusters television commercial with the cast from the 1984 film.

Here’s a great 1984 interview with Harold Ramis about the film.

Check out this vintage 1984 commercial for the Ghostbusters toys.

Watch this EXTREMELY RARE the behind-the-scenes video from the voice recording sessions of The Real Ghostbusters cartoon show featuring the legendary Frank Welker, alongside fellow voice acting great, Maurice LaMarche!

Take a look at the classic Ray Parker Jr. music video for his song Ghostbusters.

Have a look at London’s Waterloo Station and see what has invaded!

Here’s the picture Dion snapped of the new Ecto-1 parked in Manhattan.

These are Blake’s original 1984 Ghostbuster pinsHERE and HERE!

Lastly, here’s the progression of selfies Blake and Dion attempted to take wearing their pins, as Dion’s Yorkshire Terrier Babe wanted in on the action: HERE, HERE, and HERE!

June 24

Alan Jones: Dario Argento & Beyond…

As a little added bonus to last week’s Saturday Night Movie Sleepovers‘ podcast on Dario Argento’s Deep Red (1975), this week we’d like to present a conversation that our very own J. Blake had, way back in October of 2013, with British film critic, journalist, author and Argento expert, Alan Jones.

cinefantastiqueJones runs the Frightfest film festival in London, has contributed to many publications (Empire, Premiere, Fangoria and the iconic Cinefantastique to name only a few), can be heard on numerous noteworthy Blu-ray and DVD audio commentaries and is the author of The Rough Guide to Horror Movies and the definitive Dario Argento guide, Profondo Argento: The Man, the Myths & the Magic (with its latest edition being titled Dario Argento: The Man, The Myths & The Magic).

A few years ago, actually on the eve of an unforgettable sold out Goblin concert at Music Hall of Williamsburg in Brooklyn NY, Mr. Jones was nice enough to take Blake’s call and chat about his passions for horror movies, Argento, disco and the Sex Pistols; an odd combination I know, but he is a complex and interesting guy.

So take a few moments, sit back with a glass of wine and read forth…if you dare!

(The interview is presented in an alternate font, to make it easier to read.)

Continue reading

June 17

Dario Argento’s Deep Red, 1975

Buon Giorno dear friends, and welcome back to another edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are taking a trip to picturesque Italy to visit a filmmaker near and dear to both their hearts, the maestro Dario Argento. The boys tackle a film they feel is a classic and a quintessential representation of a genre that was reinvigorated within the mediterranean country, by Argento, in the 1970’s. The fellas are going back to film school with this one, covering arguably the director’s most commerically successful and popular film, Profondo Fondo or Deep Red, from 1975.

Deep Red

 

As Argento the auteur is a huge favorite here at SNMS, especially for Blake, he and Dion waste no time getting into the topic of discussion, by setting the stage and first explaining the sub-genre known as ‘giallo‘ and what are the essential elements that classically make up a giallo film. They also lay out a crucial element: what it was like engaging in the Italian cinema experience of the time; how going to the movies back then and specifically that social aspect affected how Italian films of this elk were subsequently written, and even paced.  The boys examine Argento’s career rise to a filmmaker and his Animal Trilogy of films, and review how Deep Red began his seque from ‘who-dun-it’-type stories, to eventually Supernatural and straight Horror vehicles. And how on a larger scale, he singlehandedly revitalized an entire genre within Italian cinema. Dion and Blake also cite American auteurs like John Carpenter and Brian De Palma, who vocally or even subconsciously have been influenced by the Italian maestro. They also discuss the legendary Italian progressive rock band Goblin in detail, as this was the first collaboration between band and filmmaker. So get ready as the boys take you on a trip filled with mystery, intrigue and horror, in another fabulous and informative installment of Saturday Night Movie Sleepovers!

*Dion misspoke when he referenced Michael Mann‘s Manhunter, when he was actually referring to the director’s 1981 film Thief.

EXTRAS!

Check out Blake’s exclusive interview with film critic and Argento lover Alan Jones.

Here is Deep Red, remastered, in all it’s original gorgeous uncut glory, courtesy of YouTube!

Now watch the shorter, exported version of Deep Red, again courtesy of YouTube!

Take a gander at one of the original posters for Deep Red, aka Profondo Rosso, which interestingly bares a very close resemblance to Alfred Hitchcock‘s 1958 classic, Vertigo poster.

Have a look at the original Italian theatrical trailer for Profondo Rosso, aka Deep Red.

And here’s a REAL treat, watch Goblin live on Italian television circa 1975 or 1976, perform the title track to Profondo Rosso!

And to preorder J. Blake’s new book Scored to Death, click here!

May 13

SNMS Presents: The Side-Cast-Origins, Travels and Close Encounters

Hello True Believers!! Welcome to a very special and impromptu edition of Saturday Night Movie Sleepovers! J. Blake and Dion Baia sit down and deliver a brand new episode of the Side Cast, laying the foundation for summer installments of both new, and reissued editions of this podcast series.SNMS Side Cast

The boys set the table and explain the premise of the Side Casts, and while doing that (because they go hand in hand), Dion and Blake lay out the origins of that podcast, and how it in turn morphed into Saturday Night Movie Sleepovers! The fellas go on to talk about Blake‘s recent trip to California, where he met up and hung out with various Horror film composers he’d interviewed for this upcoming book, Scored To Death, and the stories from those meetings. They go on to cover the fun celebrities Blake met and hung out with while attending the Monsterpalooza Horror Convention in Pasadena, and he also dissects the various studio tours he went on while out there. They also preview the upcoming Side Cast Podcasts, as well as just keep the conversation lite, not focusing on one particular topic or film, as their usual format imposes. So come on down and pull up a chair with two old friends, as they enjoy each other’s company in another all new episode of Saturday Night Movie Sleepovers!

Extras:

Check out the awesome James Remar photo Blake got for Dion at Monsterpalozza! AND He’s Blake with James Remar!

We’re all part of a Tribe..!” Take a look at highly recommended biography: Not Bad for a Human: The Life and Films of Lance Henriksen! AND Check out the Blake w/ the legend himself, Lance Henriksen!

Here’s Blake with The Last Starfighter star, Lance Guest!

And he Blake is with The Last Starfighter director and Halloween‘s “The Shape” himself, Nick Castle!

Take a look at Blake with 80’s action icon Al Leong!

Here’s Blake on the Town Sqaure and Church Backlot used in films such as The Monster Squad and The Lost Boys!

Have a gander at Blake having dinner with legendary film composers Harry Manfredini and Joseph Bishara!

Lastly, here’s Blake in front of Norman and Mama Bates’ house… there’s still a vacancy!!

January 29

The Night Stalker, 1972

Welcome back to another all new edition of Saturday Night Movie Sleepovers! To celebrate the return of The X-Files to the small screen, J. Blake and Dion Baia decided to go back and cover a film and character that is very close to both their hearts, which has been also cited by Mulder and Scully creator Chris Carter as a direct inspiration for his show. If you haven’t already guessed, this week the fellas are talking about the ground-breaking TV movie The Night Stalker, from 1972 starring the great Darren McGavin as the iconic Carl Kolchak.mcgavinnight-stalker

The boys setup the podcast by giving a little backstory about the ‘TV movie” or as it was called, the “Movie of the Week“, adding some context on how popular the format was and continues to be; and the astounding precedent The Night Stalker achieved by becoming the highest viewed TV film up until that time. Dion and Blake discuss all things Kolchak and shamelessly gush about their love for Darren McGavin and the amazing character he helped bring to the screen. They also explain the story about how an unpublished manuscript by Jeff Rice was taken and adapted by legendary writer Richard Matheson and turned into the highest rated tv movie up until January 11th, 1972. So, what was it about this story that was so popular for audiences? How does the film hold up more than 44 years later? What occured that made McGavin become so disenchanted with the 1974 TV series, which eventually got cancelled after only one season? What has become the legacy of Kolchak the Night Stalker? And what was the flub during the podcast that practically stopped the recording in it’s tracks, and turned the lads into two laughing school girls? Well all those juicy questions will be answered on this awesome and exciting all new episode of Saturday Night Movie Sleepovers!

EXTRAS:

Check out this great and VERY interesting page on the official Darren McGavin and wife Kathie Browne McGavin‘s website about Kolchak the Night Stalker, giving a timeline for the series and the actor’s direct perceptive during the project, along with very candid interviews about the show.

Here’s another link to the McGavin/Browne website, showing the unproduced Kolchak scripts, including what was to be the third film, The Night Killers.

EXCLUSIVE: Straight out of the SNMS Archive, check out this original art by Douglas Klauba for the C. J. Henderson Kolchak novel, The Lost City. Here is the finished product, as it looks with it’s titles.

EXCLUSIVE: Another work of art right out of the SNMS Archive, take a look at this original comic book page #38 from issue #2 of the 2002 run of the Kolchak comic book series, entitled Get of Belial.      Here is the finished page as it looked.

EXCLUSIVE: Another out of the SNMS Archive, this original newspaper advertisement for Darren McGavin starring in the brand new 1974 Kolchak The Night Stalker television series

Check out the link to John Carpenter’s The Thing limited edition Christmas ornament brought up in the podcast.

December 23

Gremlins, 1984

Welcome to another episode of Saturday Night Movie Sleepovers! Dion and J. Blake are taking on another holiday classic for their Christmas viewing this season, and have decided on an iconic genre mash-up. It’s a film that really goes to show you the 1980’s was a time when you could practically market anything you wanted to children, even a dressed up Horror film parading as a cute, Christmas/Comedy that subtlety pokes fun at American and Western culture in general. Of course we’re talking about Joe Dante‘s classic, Gremlins, from 1984.

Gremlins

The trifecta of Chris Columbus writing, Steven Spielberg executive producing, and Dante directing, gave us one of the most interesting and fun films of the 1980s. Blake and Dion try to flesh out the back story of this love letter to Frank Capra, B-Horror films of the 1950’s, and Warner Bros.’ Looney Tunes cartoons, among a slew of others, while trying to wrap their heads around some terrifying concepts layered within. How much darker was this film originally supposed to be? Does this movie really convey themes like anti-technology, as well as lament about the ignorance of Western society as a whole? Have some critics read into the film and actually injected elements of supposed racism which surprisingly, doesn’t even have to do with the culture that is presented within the story? How has the movie held up after 30+ years, as both a genre mash-up and holiday film? And is this a movie that could even be attempted in 2015 without severely changing the story itself and its primary antagonists? Well the boys are wearing their Santa hats and have their sleigh bells ringing in this all new, Christmas installment of Saturday Night Movie Sleepovers!

(We’d like to give a shout out to Jason Derenick for recommending Gremlins, and we’d like to apologize for not remembering his name during the podcast. Thank you!)

(When speaking about New Line Cinema, Blake mistakenly said Friday the 13th, when he was actually referring to Nightmare on Elm Street.)

Extras:

Jason’s name isn’t the only thing we forgot this time around; we’d like to share straight out of the SNMS Archive, a clay Gremlin bust sculpted by Rick Baker‘s SFX team for Gremlins 2: The New Batch, something we completely forgot to bring up, and something we will touch on at the beginning of the next Podcast. Check out this bad-boy here, here, here, here, and here.

Check out the original theatrical trailer!

Take a look at the 1943 Merrie Melodies Bug Bunny short Falling Hare, which is credited by director Joe Dante as an influence on his 1984 film Gremlins.

Also mentioned in the podcast, please watch the HIGHLY RECOMMENDED documentary on the artist, animator and auteur Chuck Jones, entitled Extremes and In Betweens: A Life in Animation.

Go read the HUGELY RECOMMENDED book Outrageous Conduct, which examines the events surrounding the infamous filming of the John Landis short for Twilight Zone The Movie, where veteran actor Vic Morrow and two children were killed.

Here’s the cartoon adaptation of the book Monster’s Ring, mentioned by Blake in the Podcast.

Have a look at this absolutely hilarious parody of Gremlins mashed-up with Taken, courtesy of How it Should of Ended.

December 4

SNMS Presents The Side Cast: Randy Jurgensen Part 1The Bad, Old Days

SNMS Side CastWelcome to an ALL NEW edition of Saturday Night Movie Sleepovers‘ “Side-Cast“. This episode takes SNMS listeners in an entirely different direction, presenting an all new and very rare interview with a retired NYPD Detective and Hollywood legend, Randy Jurgensen. He has appeared in over 50 films and television shows, including The French Connection, The Godfather, The Seven Ups, God Told Me To, Maniac, Sorcerer, Kojak, Fort Apache the Bronx, Superman, Vigilante, Cruising,  C.H.U.D., Maniac Cop, Homicide: Life on the Street, The Juror, Thinner and Donnie Brasco among many others as an advisor, actor, producer and writer. Two of his cases were turned into major Hollywood films by his good friend William Friedkin, and are now classics.

But before all of this, Randy was a Homicide Detective in Harlem, “making a living among the dead” as he calls it, in the 2-8 Precinct dubbed “the Murder Factory“, navigating through some of the most awful times in New York City’s history. He and his fellow officers battled to keep the crime and murder rate down, while at the same time struggled to not lose a city to radical groups like the Weather Underground and the Black Liberation Army (BLA). He was involved in the worst cop killing in the city’s history and made it his mission to bring the killer to justice, even if it meant sacrificing his career as a police officer. The experience led him to write a book in 2006 about the case, entitled Circle of Six: The True Story of New York’s Most Notorious Cop Killer and the Cop Who Risked Everything to Catch Him, a must read and cannot be recommended more highly. But to understand how he got to work in films with legends like Al Pacino, Marlon Brando, Gene Hackman, Johnny Depp, and his good friend (and SNMS favorite!) Joe Spinell, one has to hear the incredible and unbelievable story of how he got there.

blue cover Part One of our interview with Randy is the prequel to his film career, as he goes into detail on what it was like being a cop in a city that had on average 2000 murders a year, and speaks about some of the parallels that can be seen today with law enforcement. It is truly a case where fact is stranger (and at times more interesting) than fiction. A must listen! #RememberCardillo

Click here to see Randy back in the day, a picture from the 1977 Frank Sinatra film Contract on Cherry Street.

(Here is Randy with Ol’ Blue Eyes)

Click here to see Randy on April 20, 1972, moments after being hit in the back of the head by a brick thrown off a roof, during the Harlem riot that occurred after the shooting of Officer Phil Cardillo in Nation of Islam Mosque No. 7.

Check out this short Documentary starring Retired Detective Jurgensen.

Here are some more interesting facts about Randy.

 

October 30

Halloween II, 1981

We are entering the home stretch of Saturday Night Sleepover‘s October month of Horror! For the fifth and final week Dion Baia and J. Blake are continuing with the tradition (granted it’s only the second year) of doing a film that not only is a horror (which is a given in a month of October) but a movie that also actually takes place on the holiday itself (and coincidentally has the name in the title). Along with all the parentheses, you might have guessed the boys are doing Halloween II, from 1981.

Halloween 2This film has an interesting backstory as that John Carpenter originally declined to direct instead opting to write the screenplay and produce, but then actually took the project away from director Rick Rosenthal, adding and directing additional scenes to make the film gorier than the original, so to compete with the other ‘slasher’ films of the time. This may have ended up confusing audiences because the film had a notorious ‘TV‘ or ‘ProducersCut, which not only changes the fate of some central characters, but also varied the degree of gore associated with each of Michael Myer’s victims. Was this really the first time a sequel picks up seconds after the original ended, since Bride of Frankenstein some 50 years earlier? Did Rosenthal actually get Orson Welles-ed by Carpenter? How does this compare to the original, a classic that practically jump started an entire subgenre?  What was the controversy some years back with the omission of legendary Producer Moustapha Akkad‘s credit on the 2011 Blu-ray rerelease that so enraged the loyal fans of the franchise? How awesome was Donald Pleasance‘s performance? Did Lance Guest‘s character actually die or not? And what the heck happened to Ben Tramer?! Plus, hear Blake talk about the afternoon he spent with Joe Bob Briggs in all places- a hotel room? All these questions and more will be answered in this exciting, Halloween Edition of Saturday Night Movie Sleepovers!

EXTRAS:

Check out the Original Trailer for Halloween II!

Here’s the Alternate Television Ending!

Here are the scenes Carpenter shot to insert into the original Halloween film to make it long enough to be shown on TV, while using the actors and crew to shoot the extra scenes for Part II!

Take a look at the TV show Hollywood Structured, this episode with Dick Warlock from 1991.  

Have a read of J. Blake‘s review on the 2012 2-disc Blu-ray Scream Factory Collector’s Edition, originally posted on Podwits.com.

October 23

Silver Bullet, 1985 – SNMS Presents: The Side-Casts

For week 4 of SNMS’ epic October Halloween Month of Horror, J. Blake takes the show on the road and does a totally impromptu special Sunday Night Movie Sleepover “Side-Cast” from the nation’s capitol with a cherished old friend, former classmate and fellow sleepover & horror movie enthusiast, Dave…covering one of their all-time favorite 80s horror classics, Silver Bullet (1985).

SIlver Bullet Poster

 

In this first all new and original edition of SNMS’ “Side-Casts,” Blake calls on Dave’s love and knowledge of Stephen King to help examine this seldom mentioned King penned masterpiece. They discuss King as an author, Cycle of the Werewolf, (the novelette the film is based on) and King’s original screenplay. They discuss how the film is, at its core, really a beautifully executed family drama and marvel at the performances of Gary Busey and the late Corey Haim. They talk about composer Jay Chattaway and the film’s musical score. They explore the werewolf legend as metaphor. Blake tells the bone-chilling story about the first time he ever saw this movie and while under the influence of perhaps one growler of beer too many, the guys get a little deep.

Did Stephen King mean for some the dialogue to be a “tongue in cheek?” How does this film’s take on the werewolf transformation really work? Are we, as an audience, supposed know who the werewolf is before Janie does and are his intentions actually good? How loose is “The Buse” in this movie and why do Blake and Dave love this movie so darn much? Try your best not to “make lemonade in your pants,” because all these questions and more are answered in this special Halloween edition of SNMS’ Side-Casts!

EXTRAS:

Check out the original trailer!

Here’s a link to the printing of the film’s screenplay Blake and Dave talk about during the podcast.

Here’s a compilation of all of Silver Bullet’s werewolf attacks, by Gorey Bits on youtube.

Take a listen to Jay Chattway’s fantastic score!

 

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October 21

SNMS Presents: The Side-CastHorror Recommendations

SNMS Side CastA brand new addition to Saturday Night Movie Sleepovers  rotation is the Podcast that started it all, Dion and Blake‘s Side-Cast. Originally airing on the sister site Podwits.com, the Side-Cast was the series that became the catalyst for what became SNMS. To showcase where it all began we are reissuing this series, highlighting the anthology podcast that covered a variety of topics, so that they can breath a second life, and because eventually it will be a new off-shoot of the regular SNMS Podcast, where brand new podcast content will be generated for SNMS website as well.

(For the inaugural release of the Side-Cast here at SNMS, we present a Halloween-themed podcast originally published on October the 14th of 2014, to help get the word out on the then newly launch Saturday Night Movie Sleepovers Podcast and Website. We hope you enjoy!)

To help get the word out about their new Podcast Saturday Night Movie Sleepovers, Dion and J. Blake sit down to recommend 10 horror films for the Halloween season that they feel may be overlooked or forgotten in today’s times. The boys attempt to compile a list of amazing fright films that may not be considered first choice picks, but are a necessity for ANY horror fan. Along with their podcast, the lads have also co-wrote a companion posting over at Saturday Sleepovers, giving another 10 (5 each) that they couldn’t fit into the podcast but felt remise if they didn’t include as well. So please go have a listen and then go over to Saturday Night Movie Sleepovers to see the written list. We hope you enjoy!

(Please check out J. Blake‘s new Blues album When You Coming Home? and check out his interview with Alan Jones, the premiere aficionado on everything Dario Argento.)

(Check out the written companion piece to this podcast, the 5 Rentals for $5 List of Horror Recommendations!)

October 16

The Black Hole, 1979

The boys are back for week 3 in their epic October Halloween month of Horror! This time around J. Blake and Dion Baia tackle what some might call an unorthodox choice for a scary movie pick, but it certainly is Disney‘s darkest entry in film and also their most frightening (heck, [spoiler alert!] they go to Hell at the end)! Of course we’re talking Disney’s breath-taking and highly ambitious venture into cosmic Sci-Fi, The Black Hole, from 1979.

The Black Hole, 1979

The boys get into all the minute details of a movie that was so shocking, it quite possibly might have scarred an entire generation of children while at the same time, begot a merchandising campaign so vast, it even gave us a Little Golden Book Edition for those too young to follow along with the terror onscreen. Dion and Blake attempt to dissect the film in the context of the space-mania in the late 1970’s, and Hollywood’s race to the stars on the big and small screen. They talk in detail about the pioneering and breathtaking visuals that sadly, at times were to the detriment of the movie’s story. Was this film actually in development years before Star Wars, as a disaster film no less? Were its groundbreaking Special Effects actually more involved than Star Wars and The Empire Strikes Back, combined? What’s really going on onboard the U.S.S. Cygnus between Hans Reinhardt and his evil companion, the hovering robot Maximilian? And learn about the roots of Dion’s fascination with Ernest Borgnine and the yearly event that he attends in the actor’s honor, all on another, terrifying and brand new episode of Saturday Night Movie Sleepovers!

EXTRAS:

Take look at some EXCLUSIVE PICTURES of some rarely seen items on display in the Frank G. Wells Building located on the Disney Studios Burbank Lot, from when Dion and Blake were given a tour by Uncle Walt and Mickey (okay, Walt and Mickey didn’t give the tour but the lads like to remember it that way!). Here is one of the Palomino models used in the film; along with one of the scale models of V.I.N.CENTAND here‘s one of the laser pistols used in the filmALSO, here is the plaque outside of Studio A, the recording Soundstage designed to record Disney’s live orchestra music since 1939, and where The Black Hole‘s score was the first to be digitally recorded.

Here’s a GREAT Behind the Scenes picture of Peter Ellenshaw overseeing the photography of the U.S.S. Cygnus model, courtesy of AintitCool.com

Check out this awesome rarely seen commercial for a toy robot version of V.I.N.CENT!

While you’re at it, here’s a vintage commercial for its action figures!

Courtesy of BugEyedMonster.com, along with the regular toys, check out some UTRA-RARE Black Hole toy prototypes that NEVER made it to market.

Have a look and listen to the Black Hole Read Along and Aloud record, most notably with different actors voicing the characters, with the exception of Roddy McDowell.

Here’s the LP versionStory of the Black Hole“, this time with the actor’s from the film. And he’s Part 2, Side B!

For more on the Manhattan West Side Mexican Restaurant Tortilla Flats click here, and for more on Borgnine Night, click here for a CBS News Profile on the event (where SNMS’ own Dion Baia can be seen at the 2:25 mark!)

Take a listen to the sister-site Podwits.com Podcast where Dion, Brian Zino and J. Marcus recorded live from the 2012 Borgnine Night!

 

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