Christine, 1983
Welcome to another exciting, brand-new edition of Saturday Night Movie Sleepovers! Even with October officially behind us, the boys still had the urge to cover one last horror to close out the season. And this go around J. Blake and Dion Baia are covering a director they love, dubbed by fans as “The Master of Horror.” This then begs the question: What do you get when you take a humble Detroit-born Plymouth ‘Mopar‘, add the legendary horror novelist Stephen King and then throw said “Master of Horror“ into the mix? Well you get the John Carpenter classic, Christine, from 1983.
The fellas discuss their HUGE affinity and nostalgia for this film, reminiscing about specific childhood memories concerning Christine. They examine where director John Carpenter was at this point in his career, coming off the commercial failure of his 1982 film The Thing and his decision to take on this project, while only viewing it at the time as “a job.” True to form, Dion and Blake compare the book to the film, and analyze which version best presents (in their opinion) the most entertaining story. They also track the sub-subgenre of the “haunted” or “possessed” vehicle, as well as get into the history of the real star of this movie, the 1958 Plymouth Fury– and their extraneous but personal connection to the car in question. So, though this is considered Carpenter‘s least favorite project, could it be argued that it might possibly be the auteur’s best directed film? How do the popular songs used in the film help convey the mood- specifically “Pledging my Love“, and the haunting true-story behind that classic Johnny Ace track? And how essential is the entire cast of Christine (including the supporting players) succeeding in carrying a story that otherwise might be completely unbelievable? Well, you better check your oil and tires, make sure your fingers are ready to shift with the push-button Torqueflite transmission on your Plymouth, and whatever you do, be sure your 1958 two-door sedan doesn’t feel spurned, because the boys are speeding into another thrilling and informative episode of Saturday Night Movie Sleepovers!
Extras!
Check out the original teaser trailer for Christine!
Take a look at the deleted and extended scenes from Christine!
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The boys get right into it by setting up the backstory of the film, and how it was originally pitched as a Disney television movie, then languished in developmental hell for ten years until it was brought in front of Bette Midler. They debate the theory of how some seasonal-themed films become cult classics, holiday staples because of repeated viewings on television and cable. They analyze the elements within the film that showcase another example of Disney tip-toeing into somewhat dark, erotic material- cleverly disguised inside a light-hearted fairytale. Dion and Blake unpack the historical context of this story, briefly summarizing about how Wiccan and Pagan religious ideologies were deemed to be akin to being in league with the devil, and the horrible witch-hunts that swept through Salem, Massachusetts, at the end of the 15th Century. They also compare the tone of Hocus Pocus to other properties at the time, like Eerie, Indiana and Are You Afraid of the Dark?. So, what is the fan speculation behind this story: going to the How and the Why of the Sanderson Sisters becoming witches? Was Leonardo DiCarprio once considered to star in this movie? Playing their own What if Game, could this film have been envisioned as a Tim Burton/Danny Elfman vehicle at the time? And are the fans finally going to see a sequel to this film, and why would Disney actually not be interested in making a sequel/reboot to this beloved property? Well, you better make sure no virgins are trespassing and lighting any candles, hide your children, and actually listen to that black cat trying to talk to you… because the boys are back with the Halloween-specific episode of SNMS‘ October Halloween Horror Movie Extravaganza!
The lads start off by reminiscing about their first childhood sleepovers in which they had friends attending; watching certain movies at a young age that they only learn the names of much years later in life; and the old idea from when we were all kids, that if you dig a hole deep enough, you’d make it to China– (remember that old myth?!) Blake and Dion then get down to business, discussing this horror classic. They chat about how the script got off the ground, shooting up in Canada, and how very early on it was decided to make this a horror movie specifically geared toward kids. They get into the occultism phenomenon that swept the country and world in the 1970s and 80s, giving us subgenres of horror films (like this one), music, and even things aimed at children, like Ouija Board‘s that are still mass-produced by companies like Hasbro. The fellas also talk about the excellent Special Effects in the film, particularly the amazing use of Forced Perspective, which really helped sell the Minions’ interaction with the human cast. So, what film did SFX man Randall William Cook screen for the filmmakers to sell them on this ideas for the SFX in The Gate ? How do those Effects hold up today? In what direction does the sequel go? And what’s the story with the film’s costar, Louis Tripp, and his journey from moving to Austrialia and changing his name from “Twelve Twenty“, to now Baph Tripp and releasing music under the name x.a.o.s? Well, make sure you don’t accidently read any dubious LP cover art or crudely dispose of any recently deceased family pets in any bottomless pits in the backyard, cause the guys are back with an all new, Halloween edition of Saturday Night Movie Sleepovers!
George A. Romero
