Greystoke: The Legend of Tarzan, Lord of the Apes, 1984
It’s that time once again… Welcome back to another, exciting edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are covering a true epic, a film that was meant to return a property back to its original source material, and also reinvigorate a franchise that had been around (at the time) close to seventy-plus years. This go around the boys are taking on Greystoke: The Legend of Tarzan, Lord of the Apes, from 1984.
Blake and Dion have a lot on their plates to get through: first laying out the backstory that legendary writer Edgar Rice Burroughs set up in his original 1912 novel Tarzan of the Apes when creating the title character, and the bigger role Burroughs played as one of the original pillars in the Pulp Tradition. They give an overview of that groundbreaking genre, and explain the vast influence it still has on the entertainment we seek out today. They also discuss sci-fi writer Harlan Ellison‘s scathing review of this film Greystoke, and use that critical essay as a template in comparing this 1984 version to Burroughs’ original work, and if it is indeed appropriate to label this work “the definitive version“- is it a fair criticism? The lads also go into depth about Rick Baker‘s groundbreaking contribution to this project, and how his help specifically was the key in getting this production off the ground. But what was the reasons for having the screenwriter, Robert Towne who penned this script, sacked as director of this adaptation? What other problems did a production like this run into while trying to get this project off the ground? What exactly is the Wold Newton Family, and how is it connected here? And is Dion really a Lord ? Well come on and have a listen as the fellas match an epic movie with an epic cast as they attempt to answer all the questions in this all new episode of Saturday Night Movie Sleepovers!
EXTRAS:
Read Edgar Rice Burroughs‘ 1912 book, Tarzan of the Apes, absolutely free!
Check out the original trailer for the film!
Have a listen to composer John Scott‘s overture!
For further writing on sci-fi writer Philip José Farmer‘s Wold Newton Universe, click here.
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