January 6

John Carpenter’s Escape From New York, 1981

Happy New Year and welcome to the 2017 season opener of Saturday Night Movie Sleepovers! J. Blake and Dion Baia decided to start the year off with a bang, tackling a cult classic that mash’s genres and became a forerunner for a decade or more for Future Noir / Sci-Fi films alike; forecasting a bleak future for the 1980s and beyond with its commentary on society. The boys are taking a trip to the Manhattan Island Maximum-Security Prison in futuristic 1997, in John Carpenter‘s classic, Escape From New York, from 1981.

Escape From NY

Having already designated director John Carpenter the ‘patron saint’ of SNMS, Dion and Blake mince no words when singing the filmmaker’s praises for his body of work in this era. After briefly lamenting about the format change MTV went through years ago, seguing from music video to reality show, the boys get right into the nuts and bolts of the film–laying out the historical context for when the script was first written and then the climate later, circa 1980, when it was eventually put to screen. Another resource the boys like to utilize while discussing a film is the movie tie-in novelization, to fill in the blanks to any exposition left out. Here they discuss, in detail, the immense backstory that is spelled out in the Mike McQuay book adaptation, giving us sizable background on the iconic character Snake Plissken (played brilliantly by Kurt Russell) and Police Commander Bob Hauk (played by the legendary Lee Van Cleef), as well as the third World War waged and the events that led up to the actual decision as to why that society ultimately turned the island of Manhattan into a Super Max Prison. They go through the various stories of how the amazing cast of supporting actors was assembled to fill out the other roles within the film, to help ground this fantastic tale with a firm foot in reality. They also explain the creative process John Carpenter goes through as a composer, using this film as example and his first-time collaboration with composer Alan Howarth. So what troubles lay ahead because of the shoestring budget? What corners (if any) had to be cut in order to get this movie finished? What city was this film actually shot in? What other established actors were considered for the lead role? And what up-and-coming director worked on the Special Effects Unit of this film; who would later go on to create some groundbreaking Sci-Fi films in his own right? Well grab your MAC-10 machine guns and molotov cocktails, your injections of micro-explosives that will, in 22 hours, rupture your carotid arteries and buckle yourself in, because we’re flying the Gullfire over Leningrad in this all new 2017 edition of Saturday Night Movie Sleepovers!

Extras!

Take a look at the alternate opening of the film, a bank robbery scene that Carpenter ended up cutting and then was thought to have been lost forever.

Check out this great interview with director John Carpenter about Escape From New York.

Have a look at the official 2016 John Carpenter music video for Escape From New York.

Here is demo footage of the never-released Namco Video Game, Escape From New York.

Lastly, have a listen to Episode One of Broken Sea Audio Productionsaudio drama of Escape From New York.

May 13

SNMS Presents: The Side-Cast-Origins, Travels and Close Encounters

Hello True Believers!! Welcome to a very special and impromptu edition of Saturday Night Movie Sleepovers! J. Blake and Dion Baia sit down and deliver a brand new episode of the Side Cast, laying the foundation for summer installments of both new, and reissued editions of this podcast series.SNMS Side Cast

The boys set the table and explain the premise of the Side Casts, and while doing that (because they go hand in hand), Dion and Blake lay out the origins of that podcast, and how it in turn morphed into Saturday Night Movie Sleepovers! The fellas go on to talk about Blake‘s recent trip to California, where he met up and hung out with various Horror film composers he’d interviewed for this upcoming book, Scored To Death, and the stories from those meetings. They go on to cover the fun celebrities Blake met and hung out with while attending the Monsterpalooza Horror Convention in Pasadena, and he also dissects the various studio tours he went on while out there. They also preview the upcoming Side Cast Podcasts, as well as just keep the conversation lite, not focusing on one particular topic or film, as their usual format imposes. So come on down and pull up a chair with two old friends, as they enjoy each other’s company in another all new episode of Saturday Night Movie Sleepovers!

Extras:

Check out the awesome James Remar photo Blake got for Dion at Monsterpalozza! AND He’s Blake with James Remar!

We’re all part of a Tribe..!” Take a look at highly recommended biography: Not Bad for a Human: The Life and Films of Lance Henriksen! AND Check out the Blake w/ the legend himself, Lance Henriksen!

Here’s Blake with The Last Starfighter star, Lance Guest!

And he Blake is with The Last Starfighter director and Halloween‘s “The Shape” himself, Nick Castle!

Take a look at Blake with 80’s action icon Al Leong!

Here’s Blake on the Town Sqaure and Church Backlot used in films such as The Monster Squad and The Lost Boys!

Have a gander at Blake having dinner with legendary film composers Harry Manfredini and Joseph Bishara!

Lastly, here’s Blake in front of Norman and Mama Bates’ house… there’s still a vacancy!!

October 30

Halloween II, 1981

We are entering the home stretch of Saturday Night Sleepover‘s October month of Horror! For the fifth and final week Dion Baia and J. Blake are continuing with the tradition (granted it’s only the second year) of doing a film that not only is a horror (which is a given in a month of October) but a movie that also actually takes place on the holiday itself (and coincidentally has the name in the title). Along with all the parentheses, you might have guessed the boys are doing Halloween II, from 1981.

Halloween 2This film has an interesting backstory as that John Carpenter originally declined to direct instead opting to write the screenplay and produce, but then actually took the project away from director Rick Rosenthal, adding and directing additional scenes to make the film gorier than the original, so to compete with the other ‘slasher’ films of the time. This may have ended up confusing audiences because the film had a notorious ‘TV‘ or ‘ProducersCut, which not only changes the fate of some central characters, but also varied the degree of gore associated with each of Michael Myer’s victims. Was this really the first time a sequel picks up seconds after the original ended, since Bride of Frankenstein some 50 years earlier? Did Rosenthal actually get Orson Welles-ed by Carpenter? How does this compare to the original, a classic that practically jump started an entire subgenre?  What was the controversy some years back with the omission of legendary Producer Moustapha Akkad‘s credit on the 2011 Blu-ray rerelease that so enraged the loyal fans of the franchise? How awesome was Donald Pleasance‘s performance? Did Lance Guest‘s character actually die or not? And what the heck happened to Ben Tramer?! Plus, hear Blake talk about the afternoon he spent with Joe Bob Briggs in all places- a hotel room? All these questions and more will be answered in this exciting, Halloween Edition of Saturday Night Movie Sleepovers!

EXTRAS:

Check out the Original Trailer for Halloween II!

Here’s the Alternate Television Ending!

Here are the scenes Carpenter shot to insert into the original Halloween film to make it long enough to be shown on TV, while using the actors and crew to shoot the extra scenes for Part II!

Take a look at the TV show Hollywood Structured, this episode with Dick Warlock from 1991.  

Have a read of J. Blake‘s review on the 2012 2-disc Blu-ray Scream Factory Collector’s Edition, originally posted on Podwits.com.

September 11

The Last Starfighter, 1984

To close out the long and hot summer, J. Blake and Dion Baia have embarked on a journey that will take them out of the trailer park canyons of California and up into the galaxy to help defend the cosmos against horrifying alien evildoers who are hell-bent on, well… doing whatever they plan to do- and the key to this adventure is provided to us by one cleverly disguised, humble arcade game console. Yes, we are talking about the highly-underated 1984 film The Last Starfighter, directed by Nick Castle.

The Last Starfighter

Yes Joystick Jockeys, this cult classic is hailed as the first film to showcase CGI Imagery to replace the tradition Stop-Motion and Practically Special Effects, and is sometimes forgotten for that milestone. But how does a space film in a post-Star Wars world stand out without ultimately being compared to the property that set the bar? The boys reminisce about the era of the late 1970’s and 80’s when one actually had to go out of their house and travel to a local arcade or restaurant if they wanted to socialize while gaming, and/or see the latest and greatest in video game technology vis-à-vis the big console units. Has time and the public been fair to this ground-breaking film? Can this movie actually be considered as influential as Star Wars in certain circles? And what’s this film’s 3-way connection to John Carpenter? And does Blake‘s Lance Guest story really involve a late-night encounter in the adult section of a 24-hour New York City store? Well we’re not pulling any punches on this all new edition of Saturday Night Movie Sleepovers! Inter-stellar!!

(Check out the site for the Kenner Star Wars toys documentary discussed in this podcast entitled, Plastic Galaxy: The Story of Star Wars Toys.)

(Here’s the link to Super Mario: How Nintendo Conquered America, the great book that discusses the history of game consoles; the success of Mario starting from the failed arcade console Radar Scope which was then converted into the legendary Donkey Kongleading to the rise of Nintendo and the legacy we are all familiar with today.)

(Have a look at composer Craig Safan conduct a performance of The Last Starfighter Suite, live!)

(The name of the Cleveland Restaurant that had VHS tapes to watch behind the bar was The Greenhouse Tavern)

(And on a COMPLETELY unrelated note, here is Dion meeting to man, the myth, the legend- Mr. Ron Jeremy)

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