Jurassic Park – Saturday Night Movie Sleepovers

Rear Window, 1954

Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are back to discuss one of the most acclaimed films of all time, by one of the most iconic filmmakers of all time, Alfred Hitchcock and his 1954 masterpiece, Rear Window.

The boys attempt to dissect this epic topic, unpacking Hitchcock‘s career and style, and the factors that played into creating one of the most well-regarded movies of his catalog. They analyze Hitch‘s genius in crafting a seminal thriller that basically takes place in one room. So grab your popcorn, your mega jolt cola and your binoculars, because Blake and Dion are inviting you to spy on their neighbors on an all new edition of Saturday Night Movie Sleepovers!

Extras!

Please go over and cast a vote to help Blake‘s podcast Scored to Death win a Rondo Award!

Here’s an article on the real New York City apartment that Rear Window‘s massive set is based on!

Go have a listen to the inaugural episode of the groundbreaking radio show Suspense, with Alfred Hitchcock directing an adaptation of his movie, The Lodger!

Also discussed in the podcast, check the inaugural episode of the Screen Director’s Playhouse radio show and their adaptation of Shadow of a Doubt, starring Cary Grant!

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Category: Classic, Thriller | LEAVE A COMMENT

January 11

Willow, 1988

Welcome to an all new 2019 edition of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are kicking off the season with a fantasy classic, a movie which has collected a huge cult following over the years. The boys are chatting the George Lucas and Ron Howard epic, Willow, from 1988!

Dion and J. Blake reminiscence about this movie gem, discussing their history with it and the other fantasy films of the era that populated the genre. They talk about George Lucas and his influence in creating the story and working hand and hand with Ron Howard, to see this project to fruition, and the giant leap in CGI Effects, courtesy of ILM and SFX legend Dennis Muren; revolutionizing the “morphing” effects which played significant roles in many blockbusters of the late 1980’s and 1990’s. So come on and take a seat, as the fellas kick off a fun, informative and hilarious brand new installment of Saturday Night Movie Sleepovers!

Extras!

Take a look at this vintage trailer for Willow!

Check out this behind the scenes 1988 featurette discussing Willow!

Here’s a great 2013 interview with Warwick Davis and Val Kilmer!

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Category: Action, Adventure, Classic, Fantasy | LEAVE A COMMENT

January 26

G.I. Joe : “Arise, Serpentor, Arise!”, -1986

Welcome back to another brand new episode of Saturday Night Movie Sleepovers! Dion Baia and J. Blake are taking a trip down memory lane, covering an epic story from a monumental television series from our collective youth. The boys are revisiting the animated classic G.I. Joe, and the 5-parter storyline that premiered Season 2 and reset the series, called “Arise, Serpentor, Arise! “, from 1986.

Blake and Dion analyze the origins and history of G.I. Joe as a toyline from Hasbro, and how with its reinvention in 1982 (with the help of Marvel Comics), became one of the biggest and most popular toy lines in history. In typical SNMS fashion, they discuss the Serpentor storyline and utilize as a cross reference, the differences in the comic book‘s story arc, to unpack how ahead of its time this and other core stories were in G.I. Joe, and how the Season 2 reset launched an entire new line of toys for us to buy. So come on and have a listen as the boys revisit a classic, on an all new edition of Saturday Night Movie Sleepovers!

*The 1945 Robert Mitchum/Burgess Meredith film is titled The Story of G.I. Joe, not just G.I. Joe.

*Dion misspoke and said Lifeline when he meant Lift-Ticket, who piloted the Tomahawk helicopter.

Extras!

As discussed in the podcast, Blake & Dion attended Hascon in September of 2017. Here are some photos they took of the G.I. Joe display (We apologize for the reflections in some of the pictures- we just couldn’t eliminate those pesky things; and for the framing of other pics- we were moving as quickly as we could to see all the displays! ):

Check out some original 12inch Joes from the 1960s-70s Here, here, here and here;
Some amazing original character sketches and designs from Series One, Here here, here, here, here, here, here, and here;
Here is some beautiful original paintings and artwork done for G.I. Joe in the 1980s by legendary artist Hector Garrido here, here, here, here, here, here, here, here, here, here, and here!
The original designs and prototypes from characters that appear in 1987‘s G.I. Joe: The Movie : here, here, here, and here!
Post 1987 movie designs and prototypes for characters, here (note the size of prototypes), here, here, here, here, and here!

For more extras, click more!

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Category: Action, Adventure, Animation, Childrens, Classic, Comic Books, Marvel, toys | 4 Comments

May 6

The NeverEnding Story , 1984

Welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are celebrating their 50th podcast (well, sort of) and what better way than to tackle a movie that has become an absolute classic in the annals of 80’s fantasy films. In the crosshairs this week is the sleepover classic, The NeverEnding Story, from 1984.

Dion and Blake jump head-on into this very nuanced, multi-layered adventure, trying to psycho-analyze this “children’s movie”, which has themes and metaphors textured within that one wouldn’t really think would be included in what was again purported to be a “children’s film” ; but heck, this was the 80s! Regardless the boys delve right in, discussing the original novel and the differences from page to screen, that eventually made author Michael Ende take his name off the feature film. They also speak about German Cinema in general, and as this was the product of West Germany, NeverEnding Story became the biggest film outside of the United States and the U.S.S.R. upon release. The fellas also chat about the blossoming technology of ‘green-screening’, and the major differences between practical effects (which were utilized in this production), versus the upcoming CGI revolution which was literally around the corner. So to the big question: how does the film hold up today? AND, is it as messed up as we all remember? What was the German’s plan to make sure this was a hit with International audiences? What role did Steven Spielberg have in the film’s production? And what surprising element was NOT in the original German cut, which actually became one of the most enduring aspects of the English-speaking version? Well grab your popcorn and soda, sit back and put your feet up and come celebrate with Blake and Dion as they answer all your questions, and unveil the 50 edition of Saturday Night Movie Sleepovers!