Welcome back to another exciting, all new installment of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are getting lost in the backwoods this week, covering a cult classic and very polarizing film, Dan Aykroyd‘s only directorial effort, Nothing But Trouble, from 1991.
The boys talk about the script changes and editing to make it a PG-13 from a Rated R, as well as how wacky this comedic-horror genre is, and perhaps why this zany film bombed at the box office. Is it really that bad? They also go through the insane story that Warner Bros. let Aykroyd put on the screen. So come on down and bail Dion and Blake out before it’s too late as they give some love to this forgotten gem, on this hilarious and fun all new edition of the Saturday Night Movie Sleepovers‘ podcast!
This time around Dion and Blake are talking about potentially their most controversial film for Saturday Night Movie Sleepovers to date, Don Siegel‘s classic, the original Dirty Harry, from 1971, starring Clint Eastwood.
This groundbreaking film literally paved the way for the onslaught of police genre stories on the big and small screen in the 1970’s, and refined and set the standard for the Vigilante/Anti-Hero genre that blossomed for the next 20 years, and also spawned 4 sequels. So why the heck was this film so contentious for 1971? How did the raw violence and its graphic depiction sit with audiences at the time? How does it hold up today? Is this actually a Western in disguise? Is the film’s composer Lalo Schrifrin as underrated as it seems? Did this film quite possibly give us the action film genre as we knew it with Arnold, Sly, and Willis in the 1980’s- Wha-? Hmm… Well come on down and give us a spin on another brand-new edition of Saturday Night MovieSleepovers!
*Dion erroneously referred to Frank Sinatra‘s 1967 film Tony Rome, when he actually met his 1968 film The Detective.