Over the Top, 1987
Hey there and welcome back to another all new edition of Saturday Night Movie Sleepovers! This go around J. Blake and Dion Baia have a nifty ‘cast lined up, covering a movie that was a staple back in the late 80s but also one that might not always be praised for the reasons it should. The boys are exercising their arms this week, because they’re talking the sport of arm wrestling and the film many think brought it to the masses, Sylvester Stallone‘s classic Over the Top, from 1987.

The boys ease into the podcast by discussing the complexities of Metal Earth model kits, then get right down to business and all things arm wrestling, first by examining the wide-ranging breadth of the sports genre, before getting into the nuts and bolts of Over the Top. Dion and Blake go through the incredible backstory and genius of Cannon films, who in 1986, actually created a year-long circuit and series of event ‘qualifiers’ in cities all over the world, so that they could then have a final eighteen hour-long tournament in Las Vegas that they could film for the 1987 movie. Blake and Dion show their true colors as they gush over this picture and readily admit while other podcasts and forums might immediately disparage Over the Top, the lads pull no punches when showing this movie (in their opinion) some deserved love. They go through the film’s storyline, the father/son dynamic, and discuss the custody battle between Sly and his father-in-law, the legendary Robert Loggia, and also praise Stallone for some real subtle, nuanced acting that seems to channel a bit of Rocky in this performance. They also chat about the great 80’s soundtrack and the other stroke of brillance upon Cannon‘s part, the merchandising: the Lewco Toyline that had all the children in 1987 arm wrestling, and the money they pumped into local circuits to get people interested in the sport, so the public would be hyped when the movie premiered in 1987. So Over the Top has often been critized because of the heavy emphasis on product placement, *but* was it actually genius on Cannon‘s part? How important was the soundtrack to the film? What did Sylvester Stallone say he’d change had he directed? What insider knowledge do the boys have on the world of trucking and particularly the rig used in this film? And what’s Dion‘s Sylvester Stallone story? Well put on all those baseball caps and make sure they’re turned to the back, because here come’s another explosive and exciting episode of Saturday Night Movie Sleepovers!
Extras!
Here are EXCLUSIVE PICTURES of the 1967 Autocar A64, Stallone’s truck in Over the Top, as it looks today: HERE, HERE, HERE, HERE, and in this last picture, you can still see the device setup on the cab’s roof for Stallone to work his arm while in the truck, HERE.
Here’s Dion with Sylvester Stallone, circa 2005.
Check out Blake with his Over the Top hat!
“Whoa, Robert Loggia!” Here is the commercial circa 1999 maybe, talking Minute Maid Orange Juice…
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As mentioned in the latest podcast on the epic 1980 film Raise the Titanic, Dion Baia in 2012 with his then cohost 
Welcome to a very special Exclusive Edition of Saturday Night Movie Sleepovers Presents, The Side-Cast! This week SNMS catches up with two legendary actors in their own right: the well-renowned Wilford Brimley, and film and television icon Martin Kove! Last month Dion Baia and J. Blake attended the 2017 Monster Mania Convention in Cherry Hill, New Jersey, and Dion was able to sit down and chat with these two amazing thespians.
Mr. Kove, known most notably as Sensei John Kreese of the Cobra Kai Dojo, also starred in such classics on the big screen as The Last House on the Left, The White Buffalo, Rambo: First Blood Part II, Steel Justice and Wyatt Earp, talks at length about his start in the film business, some embarrassing moments (he at least thinks) in his appearances in ’70s episodic television and why he feels The Karate Kid has become the cult classic it is today. Mr. Kove also goes into why he feels the 1980’s television show Cagney and Lacey, that he costarred on, was so ground-breaking and ahead of it’s time, and touches on other character’s he portrayed throughout his profound career.









