January 12

Highlander, 1986

Happy New Year and Welcome to 2018‘s edition of Saturday Night Movie Sleepovers! For the first episode of the year, J. Blake and Dion Baia decided to tackle a film that spawned an entire franchise across all forms of media, despite flopping at the box office. The boys are heading to Scotland this week as they cover the immortal classic, Highlander, from 1986.

Highlander

Dion and Blake get into the backstory of this immense series that spans films, television, animation, books, comic books and audiobooks. They analyze the elements that, like catching lightning in a bottle, came together to make this epic a classic. They unpack the differences in the original screenplay and novelization, that expand the backstories of the characters in Highlander particularly that of the Kurgan. Blake and Dion discuss the fascinating idea of reading into and applying your own themes and subplots after repeated viewings, that may not be overtly apparent in the film. They also chat about the lore of this series, and the heavy themes that are layered within the story. So who was originally cast as Connor MacLeod? What elements of the movie’s mythology make this film a timeless and classic story that transcends into a entire Highlander universe? And is Dion actually a Laird? Well come on down and take a listen as There Can Be Only One, podcast for 2018, and that is the one you have before you, Saturday Night Movie Sleepovers!

Extras!

Check out stills from this deleted scene between the Kurgan and Yung Dol Kim, that was forever lost in a fire! 

Here’s Clancy Brown on the red carpet talking about the film at the 30th anniversary screening!

Take a look at Christopher Lambert, Clancy Brown and Celia Imrie at a Q&A following a 30th anniversary screening of Highlander!

Have a look at screenwriter Gregory Widen discuss the Kurgen and his backstory!

December 22

Lethal Weapon ,1987

The boys are back for their last episode of Saturday Night Movie Sleepovers for 2017J. Blake and Dion Baia are going back once again to that endless well that has been so plentiful for them this year, and tackling one more from 1987! This time around they’re chatting an action classic, one that kick-started an entire franchise. To answer the age-old question: what do you get when you take an unhinged cop who gets partnered up with another whose got retirement on the mind? Well you get the Richard Donner essential, Lethal Weapon, from 1987.

Lethal Weapon Poster

The guys jump right into this Christmas-centric flick by discussing the sub, subgenre of Christmas-related action movies. They chat about what the allure is of having so many of these type of genre films set within the Holiday season. They talk about screenwriter Shane Black and the original script that was even deemed “to dark” by the studio and others involved. Dion and Blake analyze the insane what-if ‘ game for this go-around, looking at how different of a movie this could have been with an alternate cast, had the other actors considered, been chosen. They also look back at the other influences in cinema and within the ‘police genre’ that led Hollywood to Lethal Weapon, and how this benchmark reset the action film for the years to come. So, what 1980’s action flick do the boys think should have been set at Christmas time? Was this actually the first use of a modern cellphone within a movie? And did Dion actually think once upon a time that the film’s title had to be spoken within the movie? Well everyone better make sure their Beretta‘s and Smith & Wesson‘s are cleaned and ready for use, cause the boys are taking you for one last ‘ride along’ on this last, all new 2017 holiday edition of Saturday Night Movie Sleepovers!

Extras!

Here’s the deleted opening bar scene that was to originally intro Martin Riggs.

Check out this deleted scene of Riggs picking up a prostitute just to watch the Three Stooges with him.

Have a look at the notorious deleted sniper-at-a-school scene, that was another way of introducing Riggs.

Take a look at the original ending for Lethal Weapon.

Here’s the extended jumper scene.

Lastly, check out this original teaser trailer for Lethal Weapon, that features some scenes that did not make it into the final cut.

December 15

Star Wars, 1977

Welcome! In the midst of holiday madness, Dion Baia & J. Blake have decided to open a gift just a tad early – a special bonus, intergalactic episode of Saturday Night Movie Sleepovers! With 2017 coming to a close, the boys take a deep-dive into a 40-year-old film that forever changed popular culture, the motion picture industry, the lives of millions of people and the world – 1977’s Star Wars!

Written and directed by George Lucas and starring Mark Hamill, Carrie Fisher and Harrison Ford, Star Wars-mania swept the world in the late-1970s and early-1980s and became the quintessential blockbuster and landmark film for an entire generation of movie-goers. With time working against Blake and Dion for a topic so immense, the boys get right to business, discussing how the socially and politically turbulent decades of the 1960s and 70s, as well as what was going on in Hollywood at the time, led to Star Wars becoming the ultimate cinematic phenomenon. Among the many other topics at hand, they chat about its young filmmaker, speculate as to why the film appeals universally to so many people and of course, get into the radio drama that hit the airwaves in 1981. So, what was it about the 1970s that made Star Wars so special? How did George become Hollywood’s “great and powerful” Lucas? Why didn’t anybody working on the film, besides George Lucas, take it seriously? What the heck is a “parsec” and why is Han Solo’s use of the term actually not incorrect in the film? Why can’t Darth Vader get any respect? The boys attempt to answer all of these questions and more on this particularly dense…yet only scratched the surface…edition of Saturday Night Movie Sleepovers!

Extras!

Here’s the original theatrical trailer!

Take a listen to The Star Wars Radio Drama…as discussed in this episode.

Check out the documentary “From Star Wars to Jedi: The Making of a Sage,” as discussed in this episode.

Take a gander at some deleted scenes from Star Wars.

And here is a funny video that Dion brings up – the Throne Room scene “Minus Williams.”

November 24

Sorcerer, 1977

Greetings and welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week Dion Baia and J. Blake are celebrating a film that turned 40 this year (and is currently enjoying a theatrical re-release this very month) -a movie that flopped and was universally panned when it was originally released. But after years of obscurity it has had a resurgence and a re-evaluation, and is now considered a lost classic (even being Stephen King‘s favorite movie!) -with some even saying it could be it’s director’s best work (luckily Blake and Dion never had this problem of having to ‘re-discover’ this to know it was a masterpiece). So this week the boy’s are taking a very close look at the notorious William Friedkin epic, Sorcerer, from 1977.

Sorcerer

A movie that has haunted Dion since childhood, the guys jump right into unpacking this momentous feat of cinema. Blake and Dion dissect the various elements and history that came together to make this classic. They first return to the source material, reading the original 1952 novel Wages of Fear by French author Georges Arnaud. They analyze the 1953 film Wages of Fear by the French auteur Henri-Georges Clouzot, and use both of those versions to compare and contrast William Friedkin‘s retelling, of what has been called by some, the most suspenseful story of all time. They utilize the first hand accounts from their friend, ex-NYPD Homicide Detective turned actor, producer, consultant and friend to director William FriedkinRandy Jurgensen, who also costarred in Sorcerer, to piece together the story behind getting this epic out of the jungle and onto the big screen. They trace the path that visionaries like Friedkin and others ascended to in the 1970s-1980s, only to come crashing down by closing out an era with commercially-termed ‘flops’ (though Dion and Blake do not consider Sorcerer in that category) largely due to ballooning budgets and lofty artistic visions, or because of sheer recklessness- like the death of 3 actors on a John Landis film-set in 1982. And they analyze what kind of impact a little-known German Electronic band named Tangerine Dream, who penned the film’s synth score, had on the next decade of movie soundtracks. So, what Hollywood legend was Sorcerer first written for; who would have starred, had it not been for Friedkin‘s lack of flexibility? What’s the inside joke that Randy Jurgensen told SNMS he has with director William Friedkin (Hint: it comes a line from this movie)?  What were the contributing factors that led to the ultimate commercial failure of Sorcerer at the box office? And maybe most importantly, what is the story behind the film’s title?! Well, make sure you strap yourselves in, pack your Valium and Dramamine, because the boys are taking a nail-biting journey into the jungle and a descent into madness, on an all new and very informative edition of Saturday Night Movie Sleepovers!

EXTRAS!

Check out these rare and behind on the scenes 8mm footage that was shot on the set of Sorcerer, while on location in New Jersey!

Have a look of at this vintage TV spot for Sorcerer!

Please go have a listen to the excessive interviews that SNMS as done with ex-NYPD Homicide Detective turned actor, producerconsultant and friend to director William FriedkinRandy Jurgensen, about his legendary career as a police officer and then seamless transition to a legendary stint in Hollywood, and some of the biggest movies of the 1970s, 80s and 90s. 

Take a look at this extremely rare William Friedkin Q&A from 2013 about Sorcerer that the boys were able to attend, that they transcribed into a posting, which eventually made news and is subsequently cited extensively by Wikipedia in their entry for Sorcerer

Here’s an article Dion penned in 2014 that was his review of the original novel Wages of Fear by French novelist Georges Arnaud.

Check out the concept art for both of the trucks used in the film, found HERE and HERE!

Also have a look at the various and amazing versions of the film’s POSTER that have been made over the years, found HERE, HERE, HERE, HERE, HERE and HERE!

And last but far from least, check out everything there is to know about Sorcerer on this website, which is dedicated to the film!

September 29

Blade Runner, 1982

Hello and welcome to another episode of Saturday Night Movie Sleepovers! The boys are back and taking on one of the most iconic Sci-Fi movies of all time, one that is still lauded and debated 35 years after it was first released. J. Blake and Dion Baia are chatting about the Future Noir classic, Ridley Scott‘s Blade Runner, from 1982.

Blade Runner

The fellas are probably tackling their biggest topic to date, meaning with arguably 5-8 versions of the film, entire books written about the movie, and even a 3 and a half-hour documentary on the subject- there seemed to be a lot to unpack and get into. Applying the SNMS method, Dion and Blake decided to watch the original 1982 International Cut of the film (which was the version subsequently released on home video and laserdisc), as well as read the original source novel, Do Android Dream of Electric Sheep? by Science Fiction legend Philip K. Dick. Also for reference, they screened the little seen 1982 Workprint version which was released in the massive 2007 boxset. The boys compare the film(s) to the book and discuss the differences that were dropped or added, and lay out a sizable portion of novel’s subplots like the Empathy Boxes and the religion Mercerism that were eliminated to condense the story to fit into a two-hour feature film. They get into a very in-depth, semi-intellectual conversation about the moral questions posed within the book and film, as well as how the movie’s title came to be. Delving probably into their most ‘meta’ discussion on the podcast to date, they highlight the ethical and fundamental issues raised within the story, as well as their own personal feelings regarding these huge topics. So, how different is the original 1968 book to the 1982 version that was released in theaters? What about the various versions that have come out in the years since and the subtle differences in each? And what about the notorious and highly polarizing “voiceover” track by Harrison Ford that was dropped in the later cuts of the film, and the reasons why it was included and then excluded in subsequent releases? And the biggest question for Blade Runner and Do Android Dream of Electric Sheeps? fans: is Rick Deckard an ‘Andy‘ or Replicant? Well, you better grab all your Poopsheets, your Voigt-Kampff Empathy Test kits and dial your mood organs to the correct settings, because the lads are taking you for a ride in their Spinners, in this all new edition of Saturday Night Movie Sleepovers!

Extras!

Check out the original 1982 trailer for the film!

Have a look at all the deleted, alternate and extended scenes from Blade Runner!

Discussed in the podcast, here is the 2015 BBC Radio adaptation of Do Androids of Electric Sheep?!

Here is all things Blade Runner, on the fansite BRmovie.com!

September 15

Raiders of the Lost Ark, 1981

Welcome back to another installment of Saturday Night Movie Sleepovers! This week marks the third anniversary of the podcast. So to keep with the theme of other past anniversaries, Dion Baia and J. Blake are going back and celebrating the pulps– the subgenre of the serials that so many of our modern iconic characters we know and love today were born out of. And what better character epitomizes that history than the figure created to celebrate that very style in cinema, everyone’s favorite archeologist and adventurer, Indiana Jones, and the film that started it all, Raiders of the Lost Ark, from 1981!

Raiders of the Lost Ark

After a brief Joe Piscopo interlude, the boys start a very deep-dive into the origins of Dr. Jones and one of the most successful franchises of all time. Taking on their first Steven Spielberg-directed movie, Blake and Dion discuss the essential genius of Spielberg as well as analyze the brilliance of George Lucas and his connection with this film, while challenging a lot of the guff by critics concerning Lucas in his years post-1977‘s Star Wars– and even encountering Spielberg detractors while in film school. The boys utilize the little known transcription of the legendary story conference between Spielberg, Lucas and screenwriter Lawrence Kasdan from January of 1978 (a fabulous read for any fan or writer), which lays out Indy as a protagonist, the other supporting characters, and even the story arc for Raiders. They also discuss the 1954 Charlton Heston film Secret to the Incas, and it’s supposed connection to Indiana Jones. They get into this love-letter to those serials of the 1930’s, 40’s and 50’s, and focus on the elements that transcend genre and the other various forms of media, as they attempt to pin down what makes this property so unique and utterly timeless. The boys get into the artwork of legendary artist Jim Steranko and his input into the look of this iconic character. They also get into Indy‘s superhero costume, even laying out the actual brand-name items that the adventurer prefers to wear. So, how much was exactly cut out of the original story and shelved only to be used in Indiana Jones and the Temple of Doom? How much of Chuck Heston and Secret of the Incas really influenced the Indy property? What does famed artist Carl Barks and his iconic character, Scrooge McDuck, have to do with Indiana Jones? And what the heck does The Big Lebowski have to do with any of this? Well, come have a listen to our longest running podcast yet, as we “Tickle the Brim” a little and celebrate our 3rd anniversary in this all new mega-edition of Saturday Night Movie Sleepovers! *(The 1951 film that first introduced the Wilhelm scream was actually called Distant Drum, not The Distant Dream as mentioned. )

#GoingFullIndy #TickletheBrim #WettheForceps

Extras!

Here is the much-referenced and highly recommended full text of the 1978 Raiders of the Lost Ark Story Conference Transcript between George Lucas, Steven Spielberg and Larry Kasdan.

Often referenced as an inspiration of Indy and Raiders, please check out the 1954 Charlton Heston film, Secret of the Incas, courtesy of YouTube!

Take a look at the original concept art legendary comic book artist Jim Steranko did for Spielberg for Raiders of the Lost Ark, and specifically the look of Indiana Jones.

So you wanna be Indiana Jones? Well don’t look any farther than to TheRaider.net‘s list of the official items worn by Ford, and how you can acquire those specific brand-names.

And for everything else Indiana Jones, look no farther than the aforementioned TheRaider.net!

Have a look at the often forgotten Harrison Ford as Indiana Jones appearance (circa 1950), in Chapter 20 of The Young Indiana Jones Chronicles, entitled Mystery of the Blues, from 1993.

Lastly, if you missed it, check out Harrison Ford‘s hilarious 2013 appearance on Jimmy Kimmel Live! while promoting the biopic 42, where he is questioned about the upcoming installment of Star Wars.

September 1

The Karate Kid, 1984

Hello and welcome back to another exciting installment of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are ending the 2017 summer season with a bang, or a ‘kick’, as they cover a classic that introduced marital arts and specifically Karate, to an entire new generation of moviegoers. The boys are practicing their waxing, sanding and painting techniques this week as they talk about The Karate Kid, from 1984.The Karate KidDion and Blake jump right in as they remember their first memories of The Karate Kid and how they were originally introduced to the film. Sharing a similar story and a lot of the same themes as another sports classic of director John G. Avildsen‘s, the 1976 movie Rocky, the fellas explore the similitude between both movies. They discuss how amazing the entire cast of this film really was, as well as touch of their own recent interview with actor Martin Kove, who portrays the Cobra Kai dojo sensei John Kreese. They again utilize the novelization to explain some of the story elements that didn’t make the final cut (like Daniel‘s mom was actually sacked and was in fact working as a hostess at that Chinese restaurant they were having lunch at- whaaat?!). Blake and Dion also try and set the table of the era this film was released within, a time when a term like ‘karate‘ became almost as Americanized as ‘pizza‘ was within the cultural lexicon of the 1980s. They also analyze this story and examine why this movie is considered a classic in the annals of sports, beach/summer, and coming-of-age films. And they dissect the disgusting phenomenon of bullying in this film, and the ugly part it sadly plays in so many people’s life’s, both young and old. So how was everyone trained in preparation for this project, and how did that help contribute to each actor’s individual or group performance(s)? Was Chuck Norris really offered the role of Cobra Kai Sensei Kreese? And speaking of Kreese, how great is actor Martin Kove in his role, compared to the relatively short amount of screen time he ultimately has? Well you better do some arm and leg stretches, clean and bleach those Gi’s, and watch out for those notorious Cobra Kai leg-swipes, because here comes another all new exciting edition of Saturday Night Movie Sleepovers!

Extras!

Please go check out SNMS’ exclusive interview with Martin Kove (as well as Wilfred Brimley) when the two actors were kind enough to come sleepover some months ago!

Have a look at the original 1983 audition tape of Ralph Macchio and Elisabeth Shue!

Have a look at the original 1983 audition tape of Ralph Macchio and Pat Morita!

Check out part 1 of the original 1983 video rehearsal footage and behind the scenes for The Karate Kid !

Here is the late, great Noriyuki ‘Pat’ Morita discussing his role as Mr. Miyagi!

Here’s Martin Kove in 2012 in England talking about The Karate Kid !

And here is the a question and argument recently submitted to the world, was Daniel in fact the real bully in The Karate Kid ?

 

August 18

Predator, 1987

Hello again and welcome back to an all new episode of Saturday Night Movie Sleepovers! This is a very special time for J. Blake and Dion Baia, because this signifies the 20th anniversary of their friendship. So they decided to tackle a movie that not only turns 30 this year, but also was something that they mutually loved when they entered film school and bonded over when they shared a dorm room. So this go around the boys are talking the Arnold Schwarzenegger/John McTiernan classic, Predator, from 1987!

Predator, 1987

After briefly reminiscing about their serendipitous pairing freshman year in college, Dion and Blake immediately realize that this is the first movie where the entire cast and most of the prominent crew have already appeared on SNMS, and should all be inducted in the SNMS Hall of Fame. The boys then get into the nuts and bolts of the film, while not in anyway hiding their love for this property. They first have an in depth discussion about the original alien suit and the Jean-Claude Van Damme controversy, and what led to bringing in Stan Winston for a complete redesign of that suit, to what we all love and know today. They compare elements of the novelization and some of the significant differences between it and the story we see in the finished film. And Dion also proposes a new theory for the creatures’ initial motivation to engage Arnold‘s elite team. So, in the novelization, why is the Predator hunting humans in the first place? What famous story concerning the folklore of this film does Blake take slight umbrage with? Does Van Damme actually get a raw deal here through the prism of history? And how many quotes and imitations can the boys fit into one humble podcast? Well grab your gear, face-paint and M134 miniguns, and make sure you watch your six, cause the boys are taking ‘Old Painless into the jungle and down memory lane on this all new and very special installment of Saturday Night Movie Sleepovers! #sleepovermischief

*Dion misspoke during the podcast- he meant the term “Over The Transom.

Extras:

Here is some footage and behind the scenes of the original Predator costume with Jean-Claude Van Damme, and the story behind it.

Check out a deleted scene talked about in the podcast, of Dutch attempting to escape the Predator.

For more information about all the unique and custom weaponry in this film, check out it’s Internet Movie Firearms Database webpage!

Have a look at a great ‘making-of’ documentary from 1987, for Predator.

Take a glance at the original theatrical trailer for the film.

Lastly, here is Dion with Jesse ‘the Body’ Ventura, circa 2006 or 2007.

July 7

Spider-Man, 1977

Welcome True Believers to another all new episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are talking a character that is a personal favorite of the boys- particularly J. Blake -and with a new film hitting theaters this week, what better time then to discuss a certain New York City Web-Slinger! That’s right, your ‘friendly neighborhood Spider-Man‘ is the topic and his journey through television with an emphasis on the 1977 TV movie entitled just Spider-Man, and the live-action series that blossomed out of that movie pilot, The Amazing Spider-Man, which ran from 1978 to 1979.

Spider-man

With such a huge topic to cover, the boys initially set out to only talk the 1970’s live-action series but decided they needed to touch on the original 1967 Spider-Man cartoon series that ran until 1970, as well as the first live-action appearance of the character which appeared on of all places, PBS, on 1970’s series The Electric Company. They also felt compelled to discuss the little known, but amazing (no pun intended… or maybe it was…) live-action Japanese TV show entitled Spider-Man (or Supaidâman) that ran from 1978-1979, coinciding with the live-action America series. The fellas do touch upon the other iterations of Spidey in his various animated forms but set up the conversation by going into how much of an influence the character was for Blake growing up, even as far as a very young Blake (with the help of his Mom) submitting Spider-Man artwork to Marvel in hopes of becoming an artist there. The boys then go through the history of the character: summing up comics in the Golden Age, specifically pre and post war; Timely / Atlas Comics’ evolution into Marvel Comics; and Stan Lee‘s fight to breakout of the then-standard storytelling molds for comic books of the day, to be able to tell new kinds of stories that humanize the characters portrayed within. From the 1967 cartoon and appearances on The Electric Company, they dive deep into the 1977 TV movieBackdoor Pilot‘ (as it was called), to the last two-part episode of that series in 1979 called The Chinese Web, released theatrically later as The Dragon’s Challenge overseas. They also breakdown the pilot to the 1978 Japanese show and try to put into words how much the Japanese show blew their minds… So could it be argued that Spider-Man‘s origin story is in fact more tragic than Batman‘s? How does the life-action adaptations from the 70’s hold up? And just how freaking amazing is the Japanese show really? Well make sure you grab some extra web cartridges, your camera and pack a lunch, cause we’re swinging through the glass and cement canyons of New York City this week in an all new and exciting installment of Saturday Night Movie Sleepovers!

Excelsior!!!

*(This podcast was recorded prior to the passing of Stan Lee’s wife, Joan. Our thoughts and deepest condolences go out to Mr. Lee and his family.)

EXTRAS:

Take a look at Blake’s Turkish Spider-Man poster for the theatrical release of The Dragon’s Challenge, signed by Stan Lee! AND here is the American edition of that same poster.

As brought up in the podcast, here is a link to the Society of Illustrators‘ current exhibit on The Art of Spider-Man.

Check out the original 1977 ‘Backdoor Pilot’ TV movie that greenlit the 1970’s series, courtesy of YouTube

Here’s Stan Lee talking about why he disliked the 1978-79 American television series.

Have a look at the great opening for the 1978-79 Japanese series, with subtitles!

And if you didn’t believe the boys about the awesomeness of the Japanese series, have a look at this trailer for it’s re-release from Marvel.com!

For anyone who didn’t know or forgot this existed, please check out the full video of How to Draw Comics the Marvel Way, from 1986, starring Stan Lee and John Buscema!

Also discussed in the podcast, have a listen to Michael Bublé‘s great big band cover of the 1967 animated series theme, which starts as Sing Sing Sing and segues into Spider-Man. And to the show how popular this rarity must of been overseas, check out this live version with stage show, on Italian TV!

June 23

Who Framed Roger Rabbit, 1988

Welcome back to another exciting edition of Saturday Night Movie Sleepovers. This week J. Blake and Dion Baia are going “way down the alley“, to discuss a monumental film that marked a seminal event in cinema history, something that to this day has never been replicated. What is it you might ask? Well have a listen as the boys talk the film noir/live-action/animated mash-up, Who Framed Roger Rabbit, from 1988!

Who Framed Roger Rabbit

Dion and Blake jump right into things, reminiscing about the late 80s, discussing the time period this film was released within. Another movie highlighting the glory of the pre-CGI era, the fellas analyze the various practical methods used to bring this amazing story to the silver screen, from the hand-drawn cell animation, to the practical SFX, to the sheen ILM applied to help make the finished product look that much more ‘real’. The boys go through the 1981 Gary Wolf book the film is based on Who Censored Roger Rabbit? and the similarities and major differences in plot and tone. Blake and Dion attempt to add perspective and really underscore how amazing this project was to be able to bring together various characters from Warner Bros., Disney and Tex Avery‘s troupe at MGM– a colossal feat that still 29 years on, hasn’t again been achieved. They also discuss meeting pioneering animation Ink and Painter Martha Sigall, who personally knew icons like Chuck Jones and Mel Blanc, as well as meeting Hanna Barbara legend Bob Singer. So how dark is this film really, even though it was billed as a children’s picture? And is the book actually much darker? What is the real-life plot point in Roger Rabbit that audiences forget actually happened, and how is it somehow related to Robert Towne‘s Chinatown series? And what is Dion‘s Bob Hoskins story- did he actually carry him around on his back, Yoda-style for a day? Well get ready and make sure you take your heart medicine, because the lads are taking you on a trip into Toontown in this all new episode of Saturday Night Movie Sleepovers!

*Dean Cundey actually directed Honey We Shrunk Ourselves, not the original Honey I Shrunk the Kids.

EXTRAS:

PLEASE check out our EXCLUSIVE interview with the late legendary Ink and Painter Martha Sigall about her career in the animation business, in a time when the industry was still in it’s infancy.

PLEASE check out our EXCLUSIVE interview with Hanna Barbara legend Bob Singer, as he reminisces about his work at the animation studios, and discusses the iconic characters he helped create.

Here is Dion with the amazing Bob Hoskins in 2005, when the former carried the latter on his back for a day while undergoing his Jedi training.

Have a look at this great 1988 behind-the-scenes TV special, Roger Rabbit and the Secrets of Toontown, hosted by Joanna Cassidy.

Take a look at this rare deleted scene, entitled the “Pighead Sequence.

Check out the three rare Roger Rabbit post-film shorts: Tummy Trouble, from 1989; Roller Coaster Rabbit from 1990; and from 1993,Trail Mix-Up!

May 12

The Fifth Element, 1997

Hello and welcome to another all new, exciting edition of Saturday Night Movie Sleepovers! This go around Dion Baia and J. Blake are celebrating the 20th anniversary of a Sci-Fi film that is held in a very high regard by many and conversely disliked by many others- so much so that upon it’s release it was hailed as both the best and worst summer blockbuster of all time! Wow, how polarizing! But the fellas are talking a SNMS audience favorite this week with Luc Besson‘s iconic film The Fifth Element, from 1997.

The Fifth Element

After briefly chatting about epic hair pieces and martial-art movies, Blake and Dion get down to business and reminisce about the summer of 1997 when this film was released and all the other movies they remember that were out that season. The boys both relate their experiences of seeing The Fifth Element in the theater, and discuss director Luc Besson‘s catalog, particularly his 2008 classic Taken, and their mutual love for the director’s film prior to this one, Léon: The Professional. They go into the background in the creation of Fifth Element‘s story, and the journey Besson went on getting this to the screen. They look at the gorgeous futuristic world that was created by French artists Jean-Claude Mézières and Jean (Moebius) Giraud, and the subsequential lawsuit that was filed against Besson after the film’s release. Dion and Blake gush over their mutual love for Bruce Willis and Gary Oldman, and attempt to contrast this movie against other futuristic, Future Noir, Sci-Fi properties that are comparable to this one. They speculate on Chris Tucker‘s potential real-life influences on his Ruby Rhod character, and also note Besson‘s reoccuring theme of older men helping younger women (or even young girls as in The Professional ) and how it oddly, in his case, mimics the director’s real life to an extent. So does the pairing of CGI, miniature and Practical Effects hold up, and because of their pairing, actually help the longevity? Why is this film so darn polarizing to fans and critics to begin with? And did John Carpenter actually successfully sue Luc Besson? Well grab your Multi Passes, your Zorg Industries ZF-1 Pod Weapons Systems, and make sure you’re blocking any incoming calls from Mr. Shadow, because we’re all going to the 23rd Century this week and an all new episode of Saturday Night Movie Sleepovers!

Extras!

Here’s China Pop Diva Jane Chang doing the impossible, singing live the Diva Dance.

Take a look at Milla Jovovich’s screen test for The Fifth Element.

Have a gander at Milla Jovovich’s costume tests for Leeloo.

Check out Milla Jovovich talking about being 19 and being cast in The Fifth Element.

Take a look at Chris Tucker talking about playing Ruby Rhod.

Here’s some great behind the scenes footage of The Fifth Element.

Have a look at the official 1997 Cannes Press Conference with the cast and crew.

Now take a look at the MTV hosted Cannes Afterparty for The Fifth Element.

April 15

SNMS Supplemental: Shattered Hulls Side-Cast

SNMS Side CastAs mentioned in the latest podcast on the epic 1980 film Raise the Titanic, Dion Baia in 2012 with his then cohost Brian Zino of their podcast The Podwits on the 100th anniversary of that ship’s sinking, recorded a 3-part podcast in which they talk about other massive maritime disasters that many have forgotten in modern times. Both sharing a morbid fascination, and starting at the turn of the 20th century, Dion and Brian hit on numerous sinkings that were huge and world-changing at the times they occurred.

What connects these to the last SNMS podcast on Raise the Titanic (aside from the obvious disaster-at-sea aspect), is that the guys cover the fate of the many vessels brought up in that podcast, like theTitanic‘s sister ships RMS Olympic (and the incident occurring with her that had it not have happened, it maybe would have saved the Titanic from her fate), HMHS Britannic, and what the fourth funnel, which the boys lovingly label the ‘badass funnel‘, was actually for on these 3 ships. They also discuss the nuclear sub tragedies of the USS Thresher and USS Scorpion, which were the two naval submarines that ironically enabled Oceanographer Robert Ballad to discover the long-lost Titanic wreck in 1985. Brian and Dion also touch on their mutual love for the book and film version of Raise the Titanic.

The boys also touch on infamous events as the USS Maine, the RMS Lusitania, the Bismark, the SS Edmund Fitzgerald, and until September 11th, 2001, the biggest disaster in New York City history, the tale of the PS General Slocum, among many others.

Condescended into one episode, here is the acclaimed 3-parter, in an interesting, fascinating and fact-filled podcast that is so far out in the proverbial weeds, that it is not like any podcast Saturday Night Movie Sleepovers has done before, and probably ever do again! (Below are the original descriptions for the 3 parts originally published in 2012).

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April 14

Raise the Titanic, 1980

 

Can it be? Is it already that time? Why yes, it’s another edition of Saturday Night Movie Sleepovers! This week marks the 105th anniversary of the R.M.S. Titanic sinking, and having a resident expert at SNMS on the ocean liner and disaster that occurred in 1912, J. Blake and Dion Baia figured they’d pay their respects by covering a film based on the widely popular Clive Cussler novel that took the real-life event and turned it into a McGuffin for a Cold War-era espionage, intrigue, and deep-sea adventure filled story! Yes, the boys are diving to the bottom of the Atlantic this go around to take on the juggernaut Raise the Titanic, from 1980!

Raise the Titanic

This becomes the ‘conspiracy theory episode‘ for the Blake and Dion, as they jump right in and layout some ‘alternate facts‘ that have recently come to light as to the real details concerning this great ship’s sinking, in an attempt to: A.) Explain to you what you didn’t know about that faithful night; B.) What you couldn’t have known, concerning facts that have been virtually ignored for over 105 years, and C.) Tell you what they never wanted you to know, surrounding the sinking of the White Star Line ocean liner. The boys unravel an elaborate and long-winded story (boy, Dion sometimes can go on, and on, and on, and-) that only recently has been getting some traction within scientific and Titanic-historian circles, which was supposedly buried for fear of international scandal in a pre-WWI era. After this extensive yarn, the boys then jump head-first into Raise the Titanic, by going into the background of mega-author Clive Cussler and what led to his decision of not working again with Hollywood (after this movie) for almost 30 years. Dion and Blake also go into why this film ended up being the most-expensive film to date, and why this could be a great example of why the industry completely embraced CGI technology in the following decade, versus shelling out millions of dollars for practical effects. They also talk about the glorious soundtrack by composer John Barry and the speculation about the fate of this and other works of art that become deemed “lost.” So why did the movie flop at the box office? Why did the film’s budget skyrocket and almost triple, with the model and water tank costing 1 million more than it cost to construct the actual RMS Titanic in unadjusted 1912 dollars? Only recently declassified, what was the real reason oceanographer Robert Ballard was out snooping around in the Atlantic in the first place? How does the final film version of Raise the Titanic differ from the original novel? And most importantly, are the facts as you know it about the Titanic‘s sinking that fateful night the real story ? Well, if you want to know or not, the fellas put all the pieces together for you this week in another enthralling edition of Saturday Night Movie Sleepovers!

Extras!

Here is the entire movie Raise the Titanic from 1980, courtesy of YouTube!

Have a look at the ‘supposedly’ alternate opening for Raise the Titanic.

Please have a listen to what critics say may be John Barry‘s best score, which was for Raise the Titanic.

Take a look at this great website, dedicated to all things concerning Raise the Titanic, from the Clive Cussler book, to the live-action film.

Here’s a link to the 1977 comic strip, faithfully adapted by artist Frank Bolle of Cussler‘s Raise the Titanic!

Check out this video by the group Titanic Truths LLC Historical Preservation and Salavage Design Company and their current, 2017 plan to actually raise the Titanic wreck from the bottom of the Atlantic!

For more info, here is Titanic Truths LLC‘s main website.

Take a look at the huge Titanic model used in the 1980 film as it sadly looks in 2017, rotting away in Malta.

If you liked the historical background in the episode, check out D. E. Bristow‘s out of print book, Titanic: Sinking the Myths.

Watch the entire TV special Return to the Titanic, that aired on October the 28th 1987 hosted by Telly Savalas, that was live from Paris (not London, as Dion remembered).

Here is a 2011 article Dion wrote about the conspiracy theory that the RMS Titanic was switched out by her sister ship, the RMS Olympic before her 1912 maiden voyage.

And if you want, you can now watch the Titanic sinking in REAL TIME, per this animation courtesy of YouTube.

March 17

Beauty and the Beast , 1991

It’s that time again… time for another exciting, thrilling and enthralling episode of Saturday Night Movie Sleepovers! Dion Baia and J. Blake have a whammy of an installment this week: a lighthearted, musical affair from a company that at the time of this film’s release, was going through a proper-resurgence themselves. And this movie marked its crowning achievement to-date for that company’s Animation Department, which broke new ground in its pioneering uses of CGI in this project… Yes, “it is a tale as old as time” as the boys explore the enchanted world of Walt Disney’s Beauty and the Beast, from 1991.

Beauty and the Beast

The fellas jump right in and go back to the beginning, discussing everything Disney in this epic podcast: They ‘set the table’ by giving a concise timeline on Walt‘s meteoric rise to fame, from his beginnings with the Oswald the Lucky Rabbit animated shorts and the work with his good friend and genius Ub Iwerks (among others), to bringing in Carl Stalling for help creating animated musical shorts, pioneering color cartoons and his finally creating a feature-length animated film in 1937 with the ground-breaking Snow White and the Seven DwarfsBlake and Dion follow Disney‘s journey through the war years and his upswing in the 1950s, and Walt then getting side-tracked with live-action films, a new medium called television, and theme park construction. These side ventures unconsciously begin to take its toll on the animation department and with Walt‘s death in 1966 it almost becomes rudderless, culminating with the near closing of the entire animation branch in the mid 1980s. The boys then go through the renaissance in the late 80’s that brought the famed animation unit back and to the biggest cartoon film to-date, Beauty and the Beast. They go through the history of the popular fairytale with the 1946 live-action Jean Cocteau movie, even hitting on the late 80’s TV series. Dion and Blake then discuss the work it took to get Beauty and the Beast on screen, with the brand new CAPS technology that changed the face of animation, and the work by composer Alan Menken and lyricist Howard Ashman that gave us all those classic songs we know today. So what 1949 Disney animated film do the lads draw similarities between? What are the controversial subtexts that some academics have read into the work and what are their perceptions of the themes within Beauty? How did Walt Disney‘s brilliance in knowing his own limitations actually help in making the company such a huge success? What important character from the 1946 Cocteau film did this Disney story borrow? What character was the song Be Our Guest originally supposed to be sung to? And what famous book-turned-to-film thriller (that is a staple in every serial killer library) do the boys find similarities with this animated classic? Well grab some popcorn and your favorite sipping drink, because the boys are taking you on a musical adventure this week with this mega, Disney-filled new installment of Saturday Night Movie Sleepovers!

*Dion misspoke during the cast, the 2012 film Snow White and the Huntsman was in fact a Universal, not Disney film.

EXTRAS!

As the boys described in the podcast, here our exclusive photos taken by them at the Disney Burbank Lot of the Ub Iwerk-designed 14′ high Multi-plane camera, HERE and HERE for the game challenger, Snow White, and check out Walt and the boys HERE and HERE, using it back in the day.

Check out the boys getting a tour from Walt and Mickey themselves, HERE and HERE!

Have a look at some of the original character design sculptures that animators used as references, that were on display at the Reagan Library Disney Exhibit.

Take a look at photos HEREHERE and HERE  the boys took of the original Animation Building that’s located on the Burbank lot (personally designed by Walt), that animators drew the films from Dumbo up to The Black Cauldron within. Check out the plaque inside the building.

And HERE and HERE are the pictures the fellas took of the corner window of the Animation Building that was Walt’s office.

Here’s the original trailer to the 1946 Jean Cocteau Beauty and the Beast film, narrated by Cocteau himself.

Have a gander at this chart of the different elements of animals used to make the Beast.

As talked about in the podcast, here is the Billy Joel rendition of When You Wish Upon a Star, from the 1991 Disney album Simply Mad About the Mouse.

Check out Tom Waits‘ version of Heigh Ho (The Dwarfs Marching Song) from the 1988 Disney album Stay Awake:Various Interpretations of Music from Vintage Disney Films.

February 3

Masters of the Universe, 1987

Good Journey to you, and welcome back to another exciting and enthralling episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are revisiting a cult classic film that is tied to a legendary property that was one of the biggest franchises of the 1980s. So what do you get when you take a toy maker named Mattel® and have them shack up with the 80s action B-movie giant Cannon Films? You get the topic of this week’s podcast, Masters of the Universe, from 1987.

Masters of the Universe, 1987

The boys set up the movie on hand by reminiscing about their memories of where and when they first watched this epic. They then attempt to navigate through the steeped history of the He-Man character, explaining his basic origins and his initial backstory that was set up by Mattel when they first launched the toyline, before DC Comics it picked up and developed the vast story. Dion and Blake also try and sum up the status of Cannon in the 80s and that company’s influence in cinema, and even to moviegoers of that decade and how these two unlikely bedfellows wanted to make the “Star Wars of the 1980s” (to quote the Cannon hype). And they also spell out how and why, Masters ended up being one of the building blocks that caused everything to come crashing down- ultimately junking a toyline as well as being part of completely tanking a film company. So how vast was the He-Man franchise in it’s heyday? What problems ended up plaguing the film production from day one? What other comic book and cartoon character’s film was actually in preproduction but ultimately ended up getting halted because of the financial problems of the imploding Cannon? And what was the planned sequel to Masters of the Universe that was actually in preproduction and also had to be scrapped, AND what did that script get retooled and eventually released as? Well get your battle swords, cosmic keys, and gather your fellow Eterians, because here comes another mind-blowing installment of Saturday Night Movie Sleepovers!

(*CORRECTION- Within the podcast the 1989 film The Punisher is commonly referred as being a Cannon film, when it was in fact a New World production. Our apologies. Thanks)

EXTRAS:

Have a look at this 2012 panel discussion of 1987 MOTU live action film!

Here’s a great behind-the-scenes circa 1987 documentary on the film!

Check out this awesome, retro poster of the many characters, vehicles and playsets of the He-Man universe.

To completely immerse yourself in anything and everything He-Man, check out the Grayskull: The He-Man and She-Ra Wiki site devoted to the franchise.

As discussed in the podcast, here’s Dion with legendary comic book artist Mark Texeira in 2014 at 4th Annual Comic Book Marketplace Comic Convention (photo taken by Blake).