October 18

Creepshow, 1982

Welcome back to week 3 of Saturday Night Movie Sleepovers’ 2019 October Horror Movie Extravaganza! J. Blake and Dion Baia are back covering a classic that set the standard, the George A. Romero masterpiece, Creepshow, from 1982.

Working off the prior week’s episodes, which kind of relates to the topic, the boys also utilize the 1982 Cinefantastique article, as well as Tom Savini’s Grande Illusions: A Learn-By-Example Guide to the Art and Technique of Special Make-Up Effects from the Films of Tom Savini, for background. They also discuss Blake’s interview with director/composer John Harrison about his work on the film, which offers insight into George A. Romeo‘s vision. Dion and Blake also relay funny stories about meeting actor William Sadler, and filmmaker and friend of the show, Jeff Lieberman. It’s all going down this week on an all new creepy installment of Saturday Night Movie Sleepovers!

EXTRAS:

Check out Blake‘s interview on Scored to Death: The Podcast with John Harrison, composer of the Creepshow soundtrack!

Also discussed in the podcast, here’s our good friend Dave‘s YouTube George A. Romero interviews he taped off TV that got the attention of filmmaker Jeff Lieberman, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE and HERE.

Have a look at Dion with William Sadler, circa 2004.

And take a listen to the Suspense Radio Show‘s legendary 1941 episode called The Hitchhiker, starring Orson Welles!

December 22

Lethal Weapon ,1987

The boys are back for their last episode of Saturday Night Movie Sleepovers for 2017J. Blake and Dion Baia are going back once again to that endless well that has been so plentiful for them this year, and tackling one more from 1987! This time around they’re chatting an action classic, one that kick-started an entire franchise. To answer the age-old question: what do you get when you take an unhinged cop who gets partnered up with another whose got retirement on the mind? Well you get the Richard Donner essential, Lethal Weapon, from 1987.

Lethal Weapon Poster

The guys jump right into this Christmas-centric flick by discussing the sub, subgenre of Christmas-related action movies. They chat about what the allure is of having so many of these type of genre films set within the Holiday season. They talk about screenwriter Shane Black and the original script that was even deemed “to dark” by the studio and others involved. Dion and Blake analyze the insane what-if ‘ game for this go-around, looking at how different of a movie this could have been with an alternate cast, had the other actors considered, been chosen. They also look back at the other influences in cinema and within the ‘police genre’ that led Hollywood to Lethal Weapon, and how this benchmark reset the action film for the years to come. So, what 1980’s action flick do the boys think should have been set at Christmas time? Was this actually the first use of a modern cellphone within a movie? And did Dion actually think once upon a time that the film’s title had to be spoken within the movie? Well everyone better make sure their Beretta‘s and Smith & Wesson‘s are cleaned and ready for use, cause the boys are taking you for one last ‘ride along’ on this last, all new 2017 holiday edition of Saturday Night Movie Sleepovers!

Extras!

Here’s the deleted opening bar scene that was to originally intro Martin Riggs.

Check out this deleted scene of Riggs picking up a prostitute just to watch the Three Stooges with him.

Have a look at the notorious deleted sniper-at-a-school scene, that was another way of introducing Riggs.

Take a look at the original ending for Lethal Weapon.

Here’s the extended jumper scene.

Lastly, check out this original teaser trailer for Lethal Weapon, that features some scenes that did not make it into the final cut.

January 6

John Carpenter’s Escape From New York, 1981

Happy New Year and welcome to the 2017 season opener of Saturday Night Movie Sleepovers! J. Blake and Dion Baia decided to start the year off with a bang, tackling a cult classic that mash’s genres and became a forerunner for a decade or more for Future Noir / Sci-Fi films alike; forecasting a bleak future for the 1980s and beyond with its commentary on society. The boys are taking a trip to the Manhattan Island Maximum-Security Prison in futuristic 1997, in John Carpenter‘s classic, Escape From New York, from 1981.

Escape From NY

Having already designated director John Carpenter the ‘patron saint’ of SNMS, Dion and Blake mince no words when singing the filmmaker’s praises for his body of work in this era. After briefly lamenting about the format change MTV went through years ago, seguing from music video to reality show, the boys get right into the nuts and bolts of the film–laying out the historical context for when the script was first written and then the climate later, circa 1980, when it was eventually put to screen. Another resource the boys like to utilize while discussing a film is the movie tie-in novelization, to fill in the blanks to any exposition left out. Here they discuss, in detail, the immense backstory that is spelled out in the Mike McQuay book adaptation, giving us sizable background on the iconic character Snake Plissken (played brilliantly by Kurt Russell) and Police Commander Bob Hauk (played by the legendary Lee Van Cleef), as well as the third World War waged and the events that led up to the actual decision as to why that society ultimately turned the island of Manhattan into a Super Max Prison. They go through the various stories of how the amazing cast of supporting actors was assembled to fill out the other roles within the film, to help ground this fantastic tale with a firm foot in reality. They also explain the creative process John Carpenter goes through as a composer, using this film as example and his first-time collaboration with composer Alan Howarth. So what troubles lay ahead because of the shoestring budget? What corners (if any) had to be cut in order to get this movie finished? What city was this film actually shot in? What other established actors were considered for the lead role? And what up-and-coming director worked on the Special Effects Unit of this film; who would later go on to create some groundbreaking Sci-Fi films in his own right? Well grab your MAC-10 machine guns and molotov cocktails, your injections of micro-explosives that will, in 22 hours, rupture your carotid arteries and buckle yourself in, because we’re flying the Gullfire over Leningrad in this all new 2017 edition of Saturday Night Movie Sleepovers!

Extras!

Take a look at the alternate opening of the film, a bank robbery scene that Carpenter ended up cutting and then was thought to have been lost forever.

Check out this great interview with director John Carpenter about Escape From New York.

Have a look at the official 2016 John Carpenter music video for Escape From New York.

Here is demo footage of the never-released Namco Video Game, Escape From New York.

Lastly, have a listen to Episode One of Broken Sea Audio Productionsaudio drama of Escape From New York.

October 21

Night of the Creeps, 1986

The boys are crawling back with their eyes clouded-over for week three of their October Halloween-Horror Binge, here at Saturday Night Movie Sleepovers! J. Blake and Dion Baia have delved deep into the video store racks and dusted off one from way down on the bottom shelf. They’ve selected an 80’s horror classic, and an absolutely undeniable classic for hardcore zombie fans! So what do you get when you take the urban legend of the escaped lunatic, add in 1950’s alien invaders, sprinkle in some elements of classic Film Noir, and then mix in the living dead for good measure? Well we’re here to ‘thrill you‘ this week with Fred Dekker‘s near perfect Night of the Creeps, from 1986!

Night of the Creeps, 1986

Dion and Blake mince no words about their love for this film, and their appreciation for Mr. Dekker. They ease on into the ‘cast by reminiscing about attending community-organized Halloween parties as young kids back in the early 80’s, and jokingly psychoanalyze each other over what they’re nostalgic for by laughing about what they were exposed to as children. They then get into the meat and bones of Night of the Creeps. They gush over all the many clichéd tropes that are purposely brought together and used perfectly, to add to a sometimes hilarious, serious, and quite frighteningly effective and amazing 80’s horror movie. The boys reaffirm and solidify their undying (no pun intended) love for the man, the myth, the legend, Mr. Tom Atkins. They also analyze the mashup of various 1950’s sci-fi and horror elements, and how they all play into a nostalgic and loving homage to that era’s segment of genre films. And they discuss the notorious original, alternate ending. So to address the huge elephant in the room, why did this film flop? Why did it play into effectively destroying it’s director’s, Fred Dekker‘s Hollywood career? Was it perhaps too smart and too forward thinking for it’s own good, making it fall short to the expectations of the general 1980’s audience? And does this film, in fact, deserve the credit and reverence that A-list genre films of the time garner? Well, you better grab your shotguns and flame-throwers, duct-tape your mouth’s shut, and keep your High School dates close, because here comes an all new edition and third installment of the October-Halloween binge of Saturday Night Movie Sleepovers!

Extras!

Check out the original trailer for Night of the Creeps!

Take a look at the deleted scenes!

Have a gander at the original ending! 

Check out a rare panel discussion with the original cast from the 2010 Monster Mania!

Here’s SNMS‘ very own J. Blake‘s autograph from the man, the myth, and the legend, Mr. Tom Atkins!

As discussed in the podcast, HERE is the before, and HERE is the transformation of the rare hologram pin for the short-lived 80’s TV show Werewolf!

October 2

The Blob, 1988

Here we go! Saturday Night Movie Sleepovers is working double time in October, delivering one horror film a week in celebration of Halloween! To start this insane marathon off the boys have picked a fan request, a remake of a classic property that scared SNMS‘s own Dion Baia so bad when he first saw it in the cinema that it scarred him for life. So along with his partner-in-crime J. Blake, they’re gonna have a massive therapy session to exorcise all those 35mm demons forever. The boys are all in this week as they examine Chuck Russell‘s film The Blob, from 1988.

The Blob 1988

They compare and contrast this from the 1958 original, analysing the updated themes (and SFX for that matter), seeing if this scary mass of crimson ooze is scarier and even craftier than it’s predecessor. Does this 1980’s film hold up to the more cynical and critical standards of today? How does this stack up against the other 1980’s creature-features that dealt with the same kind of ideas, i.e. foreign invaders wreaking havoc on helpless, isolated victims? Will doing 1 podcast a week for the month of October to celebrate Halloween burn Blake and Dion out? What other surprises lay ahead within a month of terrifying, unbridled horror? Hell, will they instead over stay their welcome? Well come check out another exciting, hilarious and informative episode of Saturday Night Movie Sleepovers to find out!

EXTRAS:

Check out the surprising graphic trailer for the 1988 film!

Here’s the 1988 Cinefantastique article on The Blob, a retrospective of it and the original cult classic film.

Take a listen to the complete Soundtrack!

Have a look at the little known, an even lesser seen trailer for the 1972 sequel to the original 1958 film, entired The Blob 2: Son of the Blob aka Beware! The Blob!, directed by none other than Dallas‘ own Larry Hagman!!

 

Subscribe to SNMS on iTunes!

Listen to SNMS on Stitcher!

Listen to SNMS on PlayerFM