Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are back, and opening up the Spring/Summer season up with a classic, a debut [of sorts] from a director who went on to become sleepover royalty. The boys are tackling John Carpenter‘s thriller, Assault on Precinct 13, from 1976!
Dion and Blake discuss their history with this film and the horrifying and controversial aspects it presents, and unpack the various influences on John Carpenter that helped him pen and direct this terrifying genre film. They also talk about the groundbreaking soundtrack, and the various inspirations it drew from. Plus, the lads make their big summer announcement! It’s all going down in this episode, so keep an eye out when you visit your local ice cream trucks because anything can happen on an all newSaturday Night Movie Sleepovers!
Hello and welcome to another episode of Saturday Night Movie Sleepovers! The boys are back and taking on one of the most iconic Sci-Fi movies of all time, one that is still lauded and debated 35 years after it was first released. J. Blake and Dion Baia are chatting about the Future Noir classic, Ridley Scott‘s Blade Runner, from 1982.
The fellas are probably tackling their biggest topic to date, meaning with arguably 5-8 versions of the film, entire books written about the movie, and even a 3 and a half-hour documentary on the subject- there seemed to be a lot to unpack and get into. Applying the SNMS method, Dion and Blake decided to watch the original 1982 International Cut of the film (which was the version subsequently released on home video and laserdisc), as well as read the original source novel, Do Android Dream of Electric Sheep? by Science Fiction legendPhilip K. Dick. Also for reference, they screened the little seen 1982 Workprint version which was released in the massive 2007 boxset. The boys compare the film(s) to the book and discuss the differences that were dropped or added, and lay out a sizable portion of novel’s subplots like the Empathy Boxes and the religion Mercerism that were eliminated to condense the story to fit into a two-hour feature film. They get into a very in-depth, semi-intellectual conversation about the moral questions posed within the book and film, as well as how the movie’s title came to be. Delving probably into their most ‘meta’ discussion on the podcast to date, they highlight the ethical and fundamental issues raised within the story, as well as their own personal feelings regarding these huge topics. So, how different is the original 1968 book to the 1982 version that was released in theaters? What about the various versions that have come out in the years since and the subtle differences in each? And what about the notorious and highly polarizing “voiceover” track by Harrison Ford that was dropped in the later cuts of the film, and the reasons why it was included and then excluded in subsequent releases? And the biggest question for Blade Runner and Do Android Dream of Electric Sheeps? fans: is Rick Deckard an ‘Andy‘ or Replicant? Well, you better grab all your Poopsheets, your Voigt-Kampff Empathy Test kits and dial your mood organs to the correct settings, because the lads are taking you for a ride in their Spinners, in this all new edition of Saturday Night Movie Sleepovers!
Happy New Year and welcome to the 2017 season opener of Saturday Night Movie Sleepovers! J. Blake and Dion Baia decided to start the year off with a bang, tackling a cult classic that mash’s genres and became a forerunner for a decade or more for Future Noir / Sci-Fi films alike; forecasting a bleak future for the 1980s and beyond with its commentary on society. The boys are taking a trip to the Manhattan Island Maximum-Security Prison in futuristic 1997, in John Carpenter‘s classic, Escape From New York, from 1981.
Having already designated director John Carpenter the ‘patron saint’ of SNMS, Dion and Blake mince no words when singing the filmmaker’s praises for his body of work in this era. After briefly lamenting about the format change MTV went through years ago, seguing from music video to reality show, the boys get right into the nuts and bolts of the film–laying out the historical context for when the script was first written and then the climate later, circa 1980, when it was eventually put to screen. Another resource the boys like to utilize while discussing a film is the movie tie-in novelization, to fill in the blanks to any exposition left out. Here they discuss, in detail, the immense backstory that is spelled out in the Mike McQuay book adaptation, giving us sizable background on the iconic character Snake Plissken (played brilliantly by Kurt Russell) and Police Commander Bob Hauk (played by the legendary Lee Van Cleef), as well as the third World War waged and the events that led up to the actual decision as to why that society ultimately turned the island of Manhattan into a Super Max Prison. They go through the various stories of how the amazing cast of supporting actors was assembled to fill out the other roles within the film, to help ground this fantastic tale with a firm foot in reality. They also explain the creative process John Carpenter goes through as a composer, using this film as example and his first-time collaboration with composer Alan Howarth. So what troubles lay ahead because of the shoestring budget? What corners (if any) had to be cut in order to get this movie finished? What city was this film actually shot in? What other established actors were considered for the lead role? And what up-and-coming director worked on the Special Effects Unit of this film; who would later go on to create some groundbreaking Sci-Fi films in his own right? Well grab your MAC-10 machine guns and molotov cocktails, your injections of micro-explosives that will, in 22 hours, rupture your carotid arteries and buckle yourself in, because we’re flying the Gullfire over Leningrad in this all new 2017 edition of Saturday Night Movie Sleepovers!
Welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week the boys are kicking the Summer Season off with a ‘bang’, taking on an epic action extravaganza, one that has become an out-and-out classic in cinema history and for some, the complete embodiment of the 1980s action genre on a whole. Dion Baia and J. Blake are going all in with absolutely no regards as they cover the Arnold Schwarzenegger exemplum, Commando, from 1985.
The fellas are unabashed about their love for this film, and as some attribute this movie a classic only because of it’s supposedly ‘camp’ valve or consider it a ‘guilty pleasure’, Blake and Dion instead firmly put their feet down and gush about their love for this Schwarzenegger classic. There’s so much to talk about here that they carefully break the film down, scene by scene, so not to miss any fan cherished moments, performances, or legendary dialogue. They explain the background behind the making of the film, realizing very quickly that this vehicle could be called the originalversion of the Liam Neeson fan-favorite, Taken. They methodically and painstakingly analyze the pacing, structure, and winding journey, leading to it’s eventual climax. So… how does this film hold up after 30+ years? Is it really ‘the gold standard‘ for action films of the time, and can it actually represent that genre perfectly on a whole? And is it the apex of that trend of 80s action-hero movies? Aside from Arnold, how are the other performances? And what the heck does the legendary silent film comedic star Harold Lloyd have to do with all of this? Well, grab your favorite Kalashnikov, RPG, combat vest and some burnt cork, because the boys are taking no prisoners in this brand edition of Saturday Night Movie Sleepovers!
Welcome back true believers to another exciting and enthralling episode of Saturday Night Movie Sleepovers! The boys noticed that St. Patrick’s Day is around the corner and figured they’d roll out a podcast about a long-forgotten, classic gangster film (surprisingly the first in the genre for Dion and Blake), that has its climatic scene coincide with the St. Patty’s Day Parade. Haven’t guessed it yet? This week their chatting up the Irish-American Mob filmState of Grace, from 1990.
The boys reminiscence about the 1990’s era of gangster movies, and the connection this one has to that timeframe. Truly an unorthodox choice and certainly not the first on anyone’s list when remembering gangster films of that period, this video store staple boosts a very impressive cast of principle and supporting actors that makes it a truly forgotten gem that is certainly worth a visit (or revisit). Blake and Dion talk about their unbridled love for costar Gary Oldman, focusing particularly on his early body of work, which the boys feel doesn’t get its deserved do. Often cited by Oldman himself as one of his favor roles, why did this film literally come and go in the cinema? Did MartinScorsese‘s Goodfellas (out the same year) actually have anything to do with it? Or is that just speculation? What inside stories do the boys themselves have from people they know who worked on this film and others around this time, that paints the picture of what was happening behind the scenes for the lead actors during this period? And how much foresight did this story have about the revitalization and gentrification that is currently happening in New York City, that had its roots in this film’s backdrop, Hell’s Kitchen circa 1989-90? Well get your favorite gun, leather jacket and your flasks, cause this week the lads are paying a kailee to their favorite Hell’s Kitchen public house in this edition of Saturday Night Movie Sleepovers! Erin go Bragh!