Darby O’Gill and the Little People, 1959
Welcome back to another exciting edition of Saturday Night Movie Sleepovers ! J. Blake and Dion Baia are throwing up an episode a week early to coincide with the Saint Patrick Day holiday, and to surprise and celebrate a film that’s been on the boy’s short-list since the inception of the SNMS podcast– the 1959 Walt Disney classic, Darby O’Gill and the Little People!
After some present giving, Dion and Blake jump right in, unpacking this epic masterpiece. They discuss the 1959 Magical World of Disney Television episode, I Captured the King of the Leprechauns, where Walt Disney and Irish actor Pat O’Brien venture to Ireland as a setup to convince King Brian Connor of the Leprechauns to star in Mr. Disney‘s big budget Hollywood film. This incredible marketing ploy, along with the astounding Special Effects which used a combination of matte painting and forced perceptive, came together to create one of the best fantasy movies of all time with effects that still hold up some 60+ years later. So settle in and listen to the lads take a journey to County Kerry, Ireland and visit their old mate, Darby O’Gill, on this much requested Saint Patrick’s Day installment of Saturday Night Movie Sleepovers!
EXTRAS!
Recently found, check out an article about what was thought to be a lost performance of the 1957 BBC television version of Requiem of a Heavyweight, starring Sean Connery.
Here is the trailer for the 1959 Magical World of Disney television episode of I Captured the King of the Leprechauns, starring Walt Disney, which was a behind the scenes journey of going to Ireland and meeting Darby O’Gill, and King Brian, to get his leprechaun film made.
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The lads start off by reminiscing about their first childhood sleepovers in which they had friends attending; watching certain movies at a young age that they only learn the names of much years later in life; and the old idea from when we were all kids, that if you dig a hole deep enough, you’d make it to China– (remember that old myth?!) Blake and Dion then get down to business, discussing this horror classic. They chat about how the script got off the ground, shooting up in Canada, and how very early on it was decided to make this a horror movie specifically geared toward kids. They get into the occultism phenomenon that swept the country and world in the 1970s and 80s, giving us subgenres of horror films (like this one), music, and even things aimed at children, like Ouija Board‘s that are still mass-produced by companies like Hasbro. The fellas also talk about the excellent Special Effects in the film, particularly the amazing use of Forced Perspective, which really helped sell the Minions’ interaction with the human cast. So, what film did SFX man Randall William Cook screen for the filmmakers to sell them on this ideas for the SFX in The Gate ? How do those Effects hold up today? In what direction does the sequel go? And what’s the story with the film’s costar, Louis Tripp, and his journey from moving to Austrialia and changing his name from “Twelve Twenty“, to now Baph Tripp and releasing music under the name x.a.o.s? Well, make sure you don’t accidently read any dubious LP cover art or crudely dispose of any recently deceased family pets in any bottomless pits in the backyard, cause the guys are back with an all new, Halloween edition of Saturday Night Movie Sleepovers!