Hey there True Believers! From the minds of Dion Baia and long-time SNMS listener Moose Matson comes this tribute to the old-fashioned radio-plays we love, this suspenseful thriller produced by James Hancock of Wrongreel, a podplay meant to shine a light on the long-lost art of, The Theater of the Mind! Come listen to this terrifying tale of a man in 1879 obsessed with hunting down the legendary Bigfoot creature, and the madness that it brings.
Welcome back to another episode of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are celebrating the 5th anniversary of the podcast and after wrapping up the critically acclaimed 2019 Summer of Sequels, the boys figured they’d perform an encore to close out the season! And what better way to celebrate their anniversary then by exploring the iconic and legendary superhero sequel Superman II, from 1980!
Dion and Blake unpack the lengthy history of the Superman character, and do their best to lay out the timeline of lawsuits by creators Siegel and Shuster in their attempt to regain the rights to the character they created. The fellas then segue to Superman II and discuss the tension while filming the incredible sequel, and compare and contrast the different cuts of this film, juxtaposing the theatrical cut, to the television cut and the notorious Donner Cut. And Dion relays his fun Dean Cain story as well. So it’s a fun, fact-filled and lengthy, high-flying anniversary-installment of Saturday Night Movie Sleepovers!
(*At one point Dion accidentally referred to Sarah Douglas as Susannah Douglas– his apologies.)
Welcome! In the midst of holiday madness, Dion Baia & J. Blake have decided to open a gift just a tad early – a special bonus, intergalactic episode of Saturday Night Movie Sleepovers! With 2017 coming to a close, the boys take a deep-dive into a 40-year-old film that forever changed popular culture, the motion picture industry, the lives of millions of people and the world – 1977’s Star Wars!
Written and directed by George Lucas and starring Mark Hamill, Carrie Fisher and Harrison Ford, Star Wars-mania swept the world in the late-1970s and early-1980s and became the quintessential blockbuster and landmark film for an entire generation of movie-goers. With time working against Blake and Dion for a topic so immense, the boys get right to business, discussing how the socially and politically turbulent decades of the 1960s and 70s, as well as what was going on in Hollywood at the time, led to Star Wars becoming the ultimate cinematic phenomenon. Among the many other topics at hand, they chat about its young filmmaker, speculate as to why the film appeals universally to so many people and of course, get into the radio drama that hit the airwaves in 1981. So, what was it about the 1970s that made Star Wars so special? How did George become Hollywood’s “great and powerful” Lucas? Why didn’t anybody working on the film, besides George Lucas, take it seriously? What the heck is a “parsec” and why is Han Solo’s use of the term actually not incorrect in the film? Why can’t Darth Vader get any respect? The boys attempt to answer all of these questions and more on this particularly dense…yet only scratched the surface…edition of Saturday Night Movie Sleepovers!
Welcome back to week two of Saturday Night Movie Sleepover‘s October-Halloween month of Horror, where for the four weeks of the Autumn month, J. Blake and Dion Baia are giving you four podcasts to help fill you nightmares with nostalgic terror! This installment the boys are showcasing a classic, and also the first Hammer Studios production to be discussed on the podcast. This week they chat about the iconic 1959 movie The Mummy, starring the legendary Peter Cushing and Christopher Lee.
Dion and Blake chat again about their love for the classics and set the table and explain (within the cycle of the horror films) how the Hammer Studios helped revitalize the waning genre, and breathe new life into the catalog of monsters that Universal Pictures established some twenty years before. They go through the backstory of how a small British company like Hammer was able to successfully ‘borrow’ the classic monsters like Frankenstein’s Monster, Dracula, and this film’s central character, The Mummy and helped catapult them into the iconic status that we know them as today. The fellas also compare the template that we see these type of franchises cycle through, to the same template in films we see today like with the current trend of superhero movies, highlighting the similarities- e.g. first, the single-character ‘tent pole’ movies, then morphing into the multi-character team up installments. They also gush over their love for legendary actors Peter Cushing and Christopher Lee, and how without these men who went on to endear themselves to over 8 decades of cinema lovers, there might never have been the monster revival that Hammer brought forth, and the lasting impact these amazing horror characters had on us, film fans, having been firmly cemented into our pop culture. But how was Hammer even able to swing using these monster icons and get around Universal’s copyrighting in the first place? How was this film revolutionary, not only within the monster sub-genre but in the overall horror genre in general? How does this film and story hold up today? And is this version of the Mummy actually the precursor to characters we see in decades to come like Jason Voorhees or Michael Myers? And what impact have these movies left upon cinema? Well come one down and listen to week two of the horror extravaganza in another all new edition of Saturday Night Movie Sleepovers!
SNMS cannot recommend enough, for those interested to check out the classic radio shows (commonly referred to OTR, meaning Old Time Radio) on archive.org that are now public domain. On this .org site, enthusiasts compile the best surviving sources for each particular show and add new ones or discover better quality episodes everyday. Have a mozy and see if you can find a genre and/or show that you’d love today; and we guarantee that if you take the time, you will find a show you’d love. The rest is on you.