July 17

The Towering Inferno, 1974

The summer is here and with it comes the big-mega blockbusters! And as a tribute to First Responders and to Firefighters specifically (and fittingly to the NYFD who turn 150 this year), Dion Baia and J. Blake are taking on a classic ’70’s epic, back when Special Effects weren’t just Computer Generated Images with actors in front of green screens, but when practical effects were the norm. Oh yes, once upon a time stunt men did it all for real, detailed miniatures and matte paintings expanded our world. No one did it better than legendary producer Irwin AllenSaturday Night Movie Sleepovers takes on arguably his quintessential film in his hugely successful series of disaster flicks… We’re of course talking about The Towering Inferno, from 1974.

The Towering Inferno

Blake and Dion analyse the film within the context of the mid-70’s, in a pre-Star Wars era, where the hottest thing going at the time were disaster movies and various procedural shows on television which spawned toys, action sets and board games. The boys also consider the film in the context of a post-911 world… is the romanticism of these movies forever lost? And is there actually a longer cut of the film made for television? Is composer John Williams‘ most sought after piece of music actually in this film? How do those practical effects hold up today verse modern CGI? And did Steve McQueen actually have a lisp when pronouncing “S’s”?! Well all these questions and many more will be answered in this brand new, epic edition of Saturday Night Movie Sleepovers!

 

(Dion misspoke when referencing to the source material and said the The Glass Tower, when in fact he meant The Glass Inferno.)

 

(Check out the an entire site dedicated to this film, called The Towering Inferno Archive!)

(Have a look at the 1982 Atari 2600 Game Edition of The Towering Inferno!)

(Here’s Irwin Allen‘s NATO Film Presentation for The Towering Inferno)

(Take a look at this vintage interview with screenwriter Stirling Silliphant speaking about writing for disaster films, and specifically The Towering Inferno)

 

March 13

Dirty Harry, 1971

This time around Dion and Blake are talking about potentially their most controversial film for Saturday Night Movie Sleepovers to date, Don Siegel‘s classic, the original Dirty Harry, from 1971, starring Clint Eastwooddirty-harry-poster
This groundbreaking film literally paved the way for the onslaught of police genre stories on the big and small screen in the 1970’s,  and refined and set the standard for the Vigilante/Anti-Hero genre that blossomed for the next 20 years, and also spawned 4 sequels. So why the heck was this film so contentious for 1971? How did the raw violence and its graphic depiction sit with audiences at the time? How does it hold up today? Is this actually a Western in disguise? Is the film’s composer Lalo Schrifrin as underrated as it seems? Did this film quite possibly give us the action film genre as we knew it with Arnold, Sly, and Willis in the 1980’s- Wha-? Hmm… Well come on down and give us a spin on another brand-new edition of Saturday Night Movie Sleepovers!

*Dion erroneously referred to Frank Sinatra‘s 1967 film Tony Rome, when he actually met his 1968 film The Detective.

(Check out the 1971 San Francisco premiere of Dirty Harry!)

(Have a look at this CANCELLED 2007 Dirty Harry game for X360/Ps3, that would have taken place between the first and second film, and looked sweet as all hell! And   –Here’s the story behind it!)

(Here’s a ultra-rare promotional ad done for the film while Frank Sinatra was still being talked about for the role.)

(Check out the back cover of the novelization at the really cool early concept for Scorpio‘s ransom note!)

(Watch the trailer to see how they promoted the film)