January 6

John Carpenter’s Escape From New York, 1981

Happy New Year and welcome to the 2017 season opener of Saturday Night Movie Sleepovers! J. Blake and Dion Baia decided to start the year off with a bang, tackling a cult classic that mash’s genres and became a forerunner for a decade or more for Future Noir / Sci-Fi films alike; forecasting a bleak future for the 1980s and beyond with its commentary on society. The boys are taking a trip to the Manhattan Island Maximum-Security Prison in futuristic 1997, in John Carpenter‘s classic, Escape From New York, from 1981.

Escape From NY

Having already designated director John Carpenter the ‘patron saint’ of SNMS, Dion and Blake mince no words when singing the filmmaker’s praises for his body of work in this era. After briefly lamenting about the format change MTV went through years ago, seguing from music video to reality show, the boys get right into the nuts and bolts of the film–laying out the historical context for when the script was first written and then the climate later, circa 1980, when it was eventually put to screen. Another resource the boys like to utilize while discussing a film is the movie tie-in novelization, to fill in the blanks to any exposition left out. Here they discuss, in detail, the immense backstory that is spelled out in the Mike McQuay book adaptation, giving us sizable background on the iconic character Snake Plissken (played brilliantly by Kurt Russell) and Police Commander Bob Hauk (played by the legendary Lee Van Cleef), as well as the third World War waged and the events that led up to the actual decision as to why that society ultimately turned the island of Manhattan into a Super Max Prison. They go through the various stories of how the amazing cast of supporting actors was assembled to fill out the other roles within the film, to help ground this fantastic tale with a firm foot in reality. They also explain the creative process John Carpenter goes through as a composer, using this film as example and his first-time collaboration with composer Alan Howarth. So what troubles lay ahead because of the shoestring budget? What corners (if any) had to be cut in order to get this movie finished? What city was this film actually shot in? What other established actors were considered for the lead role? And what up-and-coming director worked on the Special Effects Unit of this film; who would later go on to create some groundbreaking Sci-Fi films in his own right? Well grab your MAC-10 machine guns and molotov cocktails, your injections of micro-explosives that will, in 22 hours, rupture your carotid arteries and buckle yourself in, because we’re flying the Gullfire over Leningrad in this all new 2017 edition of Saturday Night Movie Sleepovers!

Extras!

Take a look at the alternate opening of the film, a bank robbery scene that Carpenter ended up cutting and then was thought to have been lost forever.

Check out this great interview with director John Carpenter about Escape From New York.

Have a look at the official 2016 John Carpenter music video for Escape From New York.

Here is demo footage of the never-released Namco Video Game, Escape From New York.

Lastly, have a listen to Episode One of Broken Sea Audio Productionsaudio drama of Escape From New York.

May 20

Commando, 1985

Welcome back to another exciting episode of Saturday Night Movie Sleepovers! This week the boys are kicking the Summer Season off with a ‘bang’, taking on an epic action extravaganza, one that has become an out-and-out classic in cinema history and for some, the complete embodiment of the 1980s action genre on a whole. Dion Baia and J. Blake are going all in with absolutely no regards as they cover the Arnold Schwarzenegger exemplum, Commando, from 1985.

Commando

The fellas are unabashed about their love for this film, and as some attribute this movie a classic only because of it’s supposedly ‘camp’ valve or consider it a ‘guilty pleasure’, Blake and Dion instead firmly put their feet down and gush about their love for this Schwarzenegger classic. There’s so much to talk about here that they carefully break the film down, scene by scene, so not to miss any fan cherished moments, performances, or legendary dialogue. They explain the background behind the making of the film, realizing very quickly that this vehicle could be called the original version of the Liam Neeson fan-favorite, Taken. They methodically and painstakingly analyze the pacing, structure, and winding journey, leading to it’s eventual climax. So… how does this film hold up after 30+ years? Is it really ‘the gold standard‘ for action films of the time, and can it actually represent that genre perfectly on a whole? And is it the apex of that trend of 80s action-hero movies? Aside from Arnold, how are the other performances? And what the heck does the legendary silent film comedic star Harold Lloyd have to do with all of this? Well, grab your favorite Kalashnikov, RPG, combat vest and some burnt cork, because the boys are taking no prisoners in this brand edition of Saturday Night Movie Sleepovers!

EXTRAS:

Take a look at the original trailer!

Have a look at this short documentary on Commando.

Check out this unbelievably awesome 1/6th statue of John Matrix, for sale courtesy of Sideshow collectibles.

Here’s Dion in 2013 with Cheech Marion and Tommy Chong.

Brought up in the podcast, take a look at his highly recommended 2010 documentary entitled Marwencol.

April 22

Smokey and the Bandit, 1977

Hey all you gear-jammers, welcome back to another exciting and hilarious episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are taking a trip down South and covering a film that endeared a generation to Trans Ams, CB Radios, Trucking, and Coors Beers. We’re of course talking about the comedic essential, the 2nd film behind Star Wars in 1977, the original Smokey and the Bandit, starring Burt Reynolds, Sally Field, Jerry Reed, Paul Williams and Jackie Gleason.

Smokey and the Bandit

The fellas go in depth with this beloved classic, unpacking for the listener the era this movie was released within, and set up the context for this all-star cast coming together to appear in stuntman Hal Needham‘s directorial debut film. Dion an Blake clear the air and actually spell out the details about why Coors Beer at the time wasn’t sold East of the Mississippi, and the reasons why Coors had such a short shelf life (a HUGE piece of this plot). The boys get into the nuts and bolts of the 70’s CB craze, even breaking down the various vehicles used in the movie for all those motorheads out there. How was Burt Reynolds‘ involvement integral in turning this into an A-list movie? How much of Jackie Gleason‘s dialogue was adlibbed? And what seen was entirely his idea? Why did the studio not want Sally Field? How cool is it to have singer/song writers Jerry Reed and Paul Williams in the same film together? And how does the remastering of these older film’s soundtracks into 5.1, sometimes actually muck up the original film’s sound? Well sit back and stretch out those legs because the boys are gonna put that hammer to the floor and give ’em hell, in this all new edition of Saturday Night Movie Sleepovers!

EXTRAS:

For further reading on Jackie Gleason‘s forgotten but still legendary foray into music, check out this informative article penned by SNMS’ own Dion Baia, for Podwits.com

Have a look at Hal Needham talking about directing, Smokey and the Bandit.

Here’s the January 2016 Barrett-Jackson auction of the 1977 Pontiac Firebird Trans Am from Smokey and the Bandit.

Check out Burt Reynolds explaining the backstory for the Trans Am that sold at the  2016 Barrett-Jackson Auction.

Take a look at this great 2015 video of the then and now locations for Smokey and the Bandit.

Have a gander at this brand new interview with Burt Reynolds and director Jesse Moss, whose 2016 film The Bandit documents the friendship between Reynolds and stuntman and director Hal Needham, and their journey to make Smokey and the Bandit!

Here’s episode three of television’s American Trucker, entitled Bandit and the Snowman, where the hosts retrace the 1,330 mile bootleg run from Atlanta to Texarkana and back in a replica of the movie’s star truck.

Have a look at this episode of GearZ, where they showcase and drive a 1977 Bandit Pontiac Trans Am Burt Reynolds Edition car.

Watch this short little featurette called Snowman, What’s Your 20?, a CB tutorial for the terms used in the film.

And lastly, but certainly not least, here is a long-lost and just discovered ORIGINAL teaser trailer for Smokey and the Bandit 3, whose original concept and way it was shot (and then scrapped), was having Jackie Gleason in the roles of both Sheriff Buford T. Justice AND The Bandit. Yep… that’s what we said.  AND he’s an ultra rare, long-lost on-set photo of Gleason, as The Bandit.