Welcome back to a proper martial arts edition of Kung Fu February on Saturday Night Movie Sleepovers! Dion & Blake are back and taking on a cult classic, featuring the man, the myth, the legend, Steven Seagal, in his 1990 iconic film, Marked For Death!
The boys unpack the 3rd film in Steven Seagal‘s catalog, discussing his backstory and more importantly, they discuss the martial art he practices, Aikido and it’s history, and Dion‘s connection to it. They then take the way-back machine way down the alley to 1990, and analyse the movie/marital arts scene at the time, and how bad-ass Seagal was. They lay out the argument of why we need a director’s cut of this film, on this all new proper Aikido installment of Saturday Night Movie Sleepovers!
Here, here and here is Dion back in 2010 when he met Seagal.
The lads have their hands full in this brand-spanking new installment of Saturday Night Movie Sleepover, and desperately try to fit it all into the confines of a humble podcast. This week, Dion Baia and J. Blake take on the 1982 horror classic, John Carpenter’s The Thing.
The boy’s knowledge and expertise are put to task, disseminating all the elements that were brought together in remaking an already established cult classic. How the heck did this movie flop upon its intital release and be completely panned by critics and the film community alike? How do the SFX hold up to the CGI we are so familiar with today? How did the 2011 prequel/remake and 2002 PS2 video game hold up verse Carpenter’s 1982 vision? Have the boys actually solved the ending? And… what the heck were the guys thinking trying to do their own 3D experience in these cold winter months with their latest screening?
Well strap yourselves onto your couch (quite literally) for this thrilling and exciting installment of Saturday Night Movie Sleepovers!
(Last but certainly far from least, as a great, EXCLUSIVE treat for our fans, check out some original concept art drawn by comic artist Mike Ploog of the kennel scene, from J. Blake‘s personal collection: here, here, here and here.)