September 6

For A Few Dollars More, 1965

As the summer comes to a close, the boys want to welcome you back the Saturday Night Movie Sleepovers‘ 2019 Summer of Sequels! Dion Baia and J. Blake are wrapping up the season with a bang, as they pull out all the stops and cover the underrated (and their favorite in the series) spaghetti western masterpiece, Sergio Leone’s For a Few Dollars More from 1965, starring Clint Eastwood and Lee Van Cleef. 

The fellas bring separate suitcases as they unpack and discuss the impact that this film, For a Few Dollars More, and the Italian western sub genre, had on the greater western genre on a whole. Blake explains the evolution of the Italian Spaghetti western and Sergio Leone‘s influence, while Dion lays out the incredible era of the American television westerns of the 1950’s, and Clint Eastwood’s journey to television and then to the groundbreaking, career-defining and trend-setting Fistful of Dollars, in 1964. It comes together for the lads as they argue why (in their humble opinion ) For a Few Dollars More is the best of the Eastwood/Leone western trilogy. And they hit on the influence of Morricone’s amazing score and its impact. So kick the dust out of your boots, put your feet up and settle in around the campfire, as Dion and Blake hit the trail one more time in the roundup of the 2019 Summer of Sequels in an all new edition of Saturday Night Movie Sleepovers!

(*The David Janssen TV mountain film mention within the episode is called High Ice, and not Avalanche. Sorry for that. )

Extras!
As mentioned in the podcast, here are some shots from the original theatrical program for the play Mister Roberts, with Dion‘s mother‘s family goat, Bertha, making her Broadway debut. Check them out HERE, HERE, HERE, HERE HERE, and HERE.

The boys forget to mention the fabulous Primus song from their 2012 album Green Naugahyde, entitled Lee Van Cleef and this -it’s amazing official animated music video– which is a great homage to the Spaghetti Westerns, the legendary actor Lee Van Cleef and his foil, Clint Eastwood.

So amazing as not to go unmentioned, please check out the Midas TV commercial used at the top of the cast, starring the legendary George Kennedy and Lee Van Cleef.

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June 17

Dario Argento’s Deep Red, 1975

Buon Giorno dear friends, and welcome back to another edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are taking a trip to picturesque Italy to visit a filmmaker near and dear to both their hearts, the maestro Dario Argento. The boys tackle a film they feel is a classic and a quintessential representation of a genre that was reinvigorated within the mediterranean country, by Argento, in the 1970’s. The fellas are going back to film school with this one, covering arguably the director’s most commerically successful and popular film, Profondo Fondo or Deep Red, from 1975.

Deep Red

 

As Argento the auteur is a huge favorite here at SNMS, especially for Blake, he and Dion waste no time getting into the topic of discussion, by setting the stage and first explaining the sub-genre known as ‘giallo‘ and what are the essential elements that classically make up a giallo film. They also lay out a crucial element: what it was like engaging in the Italian cinema experience of the time; how going to the movies back then and specifically that social aspect affected how Italian films of this elk were subsequently written, and even paced.  The boys examine Argento’s career rise to a filmmaker and his Animal Trilogy of films, and review how Deep Red began his seque from ‘who-dun-it’-type stories, to eventually Supernatural and straight Horror vehicles. And how on a larger scale, he singlehandedly revitalized an entire genre within Italian cinema. Dion and Blake also cite American auteurs like John Carpenter and Brian De Palma, who vocally or even subconsciously have been influenced by the Italian maestro. They also discuss the legendary Italian progressive rock band Goblin in detail, as this was the first collaboration between band and filmmaker. So get ready as the boys take you on a trip filled with mystery, intrigue and horror, in another fabulous and informative installment of Saturday Night Movie Sleepovers!

*Dion misspoke when he referenced Michael Mann‘s Manhunter, when he was actually referring to the director’s 1981 film Thief.

EXTRAS!

Check out Blake’s exclusive interview with film critic and Argento lover Alan Jones.

Here is Deep Red, remastered, in all it’s original gorgeous uncut glory, courtesy of YouTube!

Now watch the shorter, exported version of Deep Red, again courtesy of YouTube!

Take a gander at one of the original posters for Deep Red, aka Profondo Rosso, which interestingly bares a very close resemblance to Alfred Hitchcock‘s 1958 classic, Vertigo poster.

Have a look at the original Italian theatrical trailer for Profondo Rosso, aka Deep Red.

And here’s a REAL treat, watch Goblin live on Italian television circa 1975 or 1976, perform the title track to Profondo Rosso!

And to preorder J. Blake’s new book Scored to Death, click here!

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Category: Books, Film, Horror, Thriller | 1 Comment on Dario Argento’s Deep Red, 1975
February 12

Tombstone, 1993

Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week’s podcast is a true epic, with the boys breaking new ground and covering their first Western. The choice for their first in the genre is a film near and dear to both Dion Baia and J. Blake‘s hearts, a momentous pick that has become a modern classic, George P. Cosmatos‘ Tombstone, from 1993.

Tombstone Poster

After Blake relates a recent story about attempting to see the obscure Michael Mann film The Keep at BAM (Brooklyn Academy of Music), the boys lay out their history with Tombstone, and setup the history of the western genre, laying out the evolution of the complexities and sophistication of themes and presentation of these stories within the film industry, through the second half of the 20th Century. Then the boys get onto the winding road that is the back story of this film, laying out the actual history of the Earps and the Cowboy Gang in the 1880’s in the city of Tombstone, and the lead up to this 1993 film being made and the extensive cast this movie boasts. How accurate was this story to the real historical events? Why was the first director Kevin Jarre (who actually penned the script) fired mere days into production? Did new director George Cosmatos actually oversee the production as credited or did one of the lead actors actually secretly direct the picture? Who was originally cast as Doc Holliday, only to be denied by the film’s distributor because of past controversy? How did the film’s rival production, Kevin Costner‘s Wyatt Earp actually help and hurt Tombstone‘s fate? Well grab your dusters, Winchester Repeaters and Colt Peacemakers, because all these convoluted stories will be explained and put into context in this all new, massive and epic installment of Saturday Night Movie Sleepovers!

EXTRAS:

Have a look at the making-of featurette!

Check out the original 1993 theatrical teaser trailer for the film.

Take a look at some of the deleted scenes that were restored in the 2002 Director’s Cut, found here, here, here and here!

Who really killed Johnny Ringo? Take a look a some historians giving their theories.

Discussed in the podcast, here is J. Blake’s blog entry celebrating the boy’s favorite in Sergio Leone and Clint Eastwood‘s Spaghetti Western Trilogy, For a Few Dollar’s More!

 

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