Creepshow, 1982
Welcome back to week 3 of Saturday Night Movie Sleepovers’ 2019 October Horror Movie Extravaganza! J. Blake and Dion Baia are back covering a classic that set the standard, the George A. Romero masterpiece, Creepshow, from 1982.
Working off the prior week’s episodes, which kind of relates to the topic, the boys also utilize the 1982 Cinefantastique article, as well as Tom Savini’s Grande Illusions: A Learn-By-Example Guide to the Art and Technique of Special Make-Up Effects from the Films of Tom Savini, for background. They also discuss Blake’s interview with director/composer John Harrison about his work on the film, which offers insight into George A. Romeo‘s vision. Dion and Blake also relay funny stories about meeting actor William Sadler, and filmmaker and friend of the show, Jeff Lieberman. It’s all going down this week on an all new creepy installment of Saturday Night Movie Sleepovers!
EXTRAS:
Check out Blake‘s interview on Scored to Death: The Podcast with John Harrison, composer of the Creepshow soundtrack!
Also discussed in the podcast, here’s our good friend Dave‘s YouTube George A. Romero interviews he taped off TV that got the attention of filmmaker Jeff Lieberman, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE and HERE.
Have a look at Dion with William Sadler, circa 2004.
And take a listen to the Suspense Radio Show‘s legendary 1941 episode called The Hitchhiker, starring Orson Welles!
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This film has an interesting backstory as that John Carpenter originally declined to direct instead opting to write the screenplay and produce, but then actually took the project away from director Rick Rosenthal, adding and directing additional scenes to make the film gorier than the original, so to compete with the other ‘slasher’ films of the time. This may have ended up confusing audiences because the film had a notorious ‘TV‘ or ‘Producers‘ Cut, which not only changes the fate of some central characters, but also varied the degree of gore associated with each of Michael Myer’s victims. Was this really the first time a sequel picks up seconds after the original ended, since Bride of Frankenstein some 50 years earlier? Did Rosenthal actually get Orson Welles-ed by Carpenter? How does this compare to the original, a classic that practically jump started an entire subgenre? What was the controversy some years back with the omission of legendary Producer Moustapha Akkad‘s credit on the 2011 Blu-ray rerelease that so enraged the loyal fans of the franchise? How awesome was Donald Pleasance‘s performance? Did Lance Guest‘s character actually die or not? And what the heck happened to Ben Tramer?! Plus, hear Blake talk about the afternoon he spent with Joe Bob Briggs in all places- a hotel room? All these questions and more will be answered in this exciting, Halloween Edition of Saturday Night Movie Sleepovers!