December 6

National Lampoon’s Christmas Vacation, 1989

It’s that time of year again! J. Blake and Dion Baia are getting ready for the holidays at Saturday Night Movie Sleepovers and bringing down the decorations from the attic! They have on deck, an iconic film that has become an absolute cult classic, and one that turns 30 this year. So, this week the boys are taking on Chevy Chase‘s National Lampoon’s Christmas Vacation, from 1989!

Dion and Blake jump right in, exploring the history of National Lampoon Magazine, and how it went to presenting movies, and how a short story by a young writer named John Hughes morphed into an epic and iconic franchise. So come listen to the fellas put the Christmas lights up outside on the house, in this all new exciting, informative, and hilarious edition of Saturday Night Movie Sleepovers!

And thank you to this week’s sponsor, Skillshare!

(*In the cast Dion mentioned that Chevy Chase left SNL after the First Season– in fact, he did perform in a handful of episodes of Season 2 before he jumped ship.)

Extras!

Check out the original short story by John Hughes that appeared in 1980 in Nation Lampoon called Christmas ’59, that was the basis for the 1989 feature film!

October 18

Creepshow, 1982

Welcome back to week 3 of Saturday Night Movie Sleepovers’ 2019 October Horror Movie Extravaganza! J. Blake and Dion Baia are back covering a classic that set the standard, the George A. Romero masterpiece, Creepshow, from 1982.

Working off the prior week’s episodes, which kind of relates to the topic, the boys also utilize the 1982 Cinefantastique article, as well as Tom Savini’s Grande Illusions: A Learn-By-Example Guide to the Art and Technique of Special Make-Up Effects from the Films of Tom Savini, for background. They also discuss Blake’s interview with director/composer John Harrison about his work on the film, which offers insight into George A. Romeo‘s vision. Dion and Blake also relay funny stories about meeting actor William Sadler, and filmmaker and friend of the show, Jeff Lieberman. It’s all going down this week on an all new creepy installment of Saturday Night Movie Sleepovers!

EXTRAS:

Check out Blake‘s interview on Scored to Death: The Podcast with John Harrison, composer of the Creepshow soundtrack!

Also discussed in the podcast, here’s our good friend Dave‘s YouTube George A. Romero interviews he taped off TV that got the attention of filmmaker Jeff Lieberman, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE and HERE.

Have a look at Dion with William Sadler, circa 2004.

And take a listen to the Suspense Radio Show‘s legendary 1941 episode called The Hitchhiker, starring Orson Welles!

September 20

Superman II, 1980

Welcome back to another episode of Saturday Night Movie Sleepovers! J. Blake and Dion Baia are celebrating the 5th anniversary of the podcast and after wrapping up the critically acclaimed 2019 Summer of Sequels, the boys figured they’d perform an encore to close out the season! And what better way to celebrate their anniversary then by exploring the iconic and legendary superhero sequel Superman II, from 1980!

Dion and Blake unpack the lengthy history of the Superman character, and do their best to lay out the timeline of lawsuits by creators Siegel and Shuster in their attempt to regain the rights to the character they created. The fellas then segue to Superman II and discuss the tension while filming the incredible sequel, and compare and contrast the different cuts of this film, juxtaposing the theatrical cut, to the television cut and the notorious Donner Cut. And Dion relays his fun Dean Cain story as well. So it’s a fun, fact-filled and lengthy, high-flying anniversary-installment of Saturday Night Movie Sleepovers!

Please go check out this week’s sponsor, KEEPS!

(*At one point Dion accidentally referred to Sarah Douglas as Susannah Douglas– his apologies.)

Extras!

For those who didn’t know the reference, here is the 1980s toy, MUSCLE Men.

Here’s Blake having some fun with them, HERE, and HERE.

Check out the footage from the 1984 television cut, that didn’t make the theatrical or Donner Cuts of the film.