Western – Saturday Night Movie Sleepovers

For A Few Dollars More, 1965

As the summer comes to a close, the boys want to welcome you back the Saturday Night Movie Sleepovers‘ 2019 Summer of Sequels! Dion Baia and J. Blake are wrapping up the season with a bang, as they pull out all the stops and cover the underrated (and their favorite in the series) spaghetti western masterpiece, Sergio Leone’s For a Few Dollars More from 1965, starring Clint Eastwood and Lee Van Cleef.

The fellas bring separate suitcases as they unpack and discuss the impact that this film, For a Few Dollars More, and the Italian western sub genre, had on the greater western genre on a whole. Blake explains the evolution of the Italian Spaghetti western and Sergio Leone‘s influence, while Dion lays out the incredible era of the American television westerns of the 1950’s, and Clint Eastwood’s journey to television and then to the groundbreaking, career-defining and trend-setting Fistful of Dollars, in 1964. It comes together for the lads as they argue why (in their humble opinion ) For a Few Dollars More is the best of the Eastwood/Leone western trilogy. And they hit on the influence of Morricone’s amazing score and its impact. So kick the dust out of your boots, put your feet up and settle in around the campfire, as Dion and Blake hit the trail one more time in the roundup of the 2019 Summer of Sequels in an all new edition of Saturday Night Movie Sleepovers!

(*The David Janssen TV mountain film mention within the episode is called High Ice, and not Avalanche. Sorry for that. )

Extras!
As mentioned in the podcast, here are some shots from the original theatrical program for the play Mister Roberts, with Dion‘s mother‘s family goat, Bertha, making her Broadway debut. Check them out HERE, HERE, HERE, HERE HERE, and HERE.

The boys forget to mention the fabulous Primus song from their 2012 album Green Naugahyde, entitled Lee Van Cleef and this -it’s amazing official animated music video– which is a great homage to the Spaghetti Westerns, the legendary actor Lee Van Cleef and his foil, Clint Eastwood.

So amazing as not to go unmentioned, please check out the Midas TV commercial used at the top of the cast, starring the legendary George Kennedy and Lee Van Cleef.

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Category: Action, Adventure, Classic, History, Television, Western | LEAVE A COMMENT

May 17

Assault on Precinct 13, 1976

Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are back, and opening up the Spring/Summer season up with a classic, a debut [of sorts] from a director who went on to become sleepover royalty. The boys are tackling John Carpenter‘s thriller, Assault on Precinct 13, from 1976!

Dion and Blake discuss their history with this film and the horrifying and controversial aspects it presents, and unpack the various influences on John Carpenter that helped him pen and direct this terrifying genre film. They also talk about the groundbreaking soundtrack, and the various inspirations it drew from. Plus, the lads make their big summer announcement! It’s all going down in this episode, so keep an eye out when you visit your local ice cream trucks because anything can happen on an all new Saturday Night Movie Sleepovers!

And we would like to thank this week’s sponsor, Keeps!

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Category: Action, Classic, Fantasy, Gangster, Horror, Police, Thriller, Western | 8 Comments

February 12

Tombstone, 1993

Welcome back to another exciting edition of Saturday Night Movie Sleepovers! This week’s podcast is a true epic, with the boys breaking new ground and covering their first Western. The choice for their first in the genre is a film near and dear to both Dion Baia and J. Blake‘s hearts, a momentous pick that has become a modern classic, George P. Cosmatos‘ Tombstone, from 1993.

Tombstone Poster

After Blake relates a recent story about attempting to see the obscure Michael Mann film The Keep at BAM (Brooklyn Academy of Music), the boys lay out their history with Tombstone, and setup the history of the western genre, laying out the evolution of the complexities and sophistication of themes and presentation of these stories within the film industry, through the second half of the 20th Century. Then the boys get onto the winding road that is the back story of this film, laying out the actual history of the Earps and the Cowboy Gang in the 1880’s in the city of Tombstone, and the lead up to this 1993 film being made and the extensive cast this movie boasts. How accurate was this story to the real historical events? Why was the first director Kevin Jarre (who actually penned the script) fired mere days into production? Did new director George Cosmatos actually oversee the production as credited or did one of the lead actors actually secretly direct the picture? Who was originally cast as Doc Holliday, only to be denied by the film’s distributor because of past controversy? How did the film’s rival production, Kevin Costner‘s Wyatt Earp actually help and hurt Tombstone‘s fate? Well grab your dusters, Winchester Repeaters and Colt Peacemakers, because all these convoluted stories will be explained and put into context in this all new, massive and epic installment of Saturday Night Movie Sleepovers!

EXTRAS:

Have a look at the making-of featurette!

Check out the original 1993 theatrical teaser trailer for the film.

Take a look at some of the deleted scenes that were restored in the 2002 Director’s Cut, found here, here, here and here!

Who really killed Johnny Ringo? Take a look a some historians giving their theories.

Discussed in the podcast, here is J. Blake’s blog entry celebrating the boy’s favorite in Sergio Leone and Clint Eastwood‘s Spaghetti Western Trilogy, For a Few Dollar’s More!

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Category: Action, Adventure, Classic, Drama, Film, History, Western | LEAVE A COMMENT

March 13

Dirty Harry, 1971

This time around Dion and Blake are talking about potentially their most controversial film for Saturday Night Movie Sleepovers to date, Don Siegel‘s classic, the original Dirty Harry, from 1971, starring Clint Eastwood. dirty-harry-poster
This groundbreaking film literally paved the way for the onslaught of police genre stories on the big and small screen in the 1970’s, and refined and set the standard for the Vigilante/Anti-Hero genre that blossomed for the next 20 years, and also spawned 4 sequels. So why the heck was this film so contentious for 1971? How did the raw violence and its graphic depiction sit with audiences at the time? How does it hold up today? Is this actually a Western in disguise? Is the film’s composer Lalo Schrifrin as underrated as it seems? Did this film quite possibly give us the action film genre as we knew it with Arnold, Sly, and Willis in the 1980’s- Wha-? Hmm… Well come on down and give us a spin on another brand-new edition of Saturday Night Movie Sleepovers!