July 21

Robocop, 1987

Welcome back to another edition of Saturday Night Movie Sleepovers! The boys are taking on another fan-favorite, a movie that has become an absolute cult classic for a generation of filmgoers. This week J. Blake and Dion Baia discuss the future of law enforcement and OCP’s Crime Prevention Unit 001, aka Robocop, from 1987.

RoboCop

The fellas rebound quickly after some technical difficulties but quickly get down to business, attempting to unpack this legendary film that just turned 30 this very week. Dion and Blake reflect on their connections with this classic and their first exposure to this iconic film. They go through the history behind the project and lay out how all the stars aligned to make a movie that almost didn’t get made. The lads cover the amazing SFX within the movie, be it Practical, Visual and Stop-Motion. They compare the two cuts of the film, and discuss the subtle differences that had the censors going crazy. They contrast the difference between visual and visceral filmmakers and how that translates to a young child watching something like Robocop who might not understand the social satire, as opposed to an adult who may see this story in a completely different light. So, since modern audiences are of course familiar with the iconic title Robocop’ because it has transcended into the Urban lexicon, but out of context, did it actually sound like a B-movie script to some in the mid-1980s? What were the legendary problems with the robo-suit that actually shut down production so all the flaws could be ironed out? How many times was Robocop screened before it was able to receive an R rating and remove the scarlet letter X? And did the forced cuts that were made to appease the MPAA to get that R rating actually take the gratuitous violence (which was meant to satirize) out, and instead turn it into something completely different and all that more disturbing and graphic for audiences? Well grab your Cobra Assault Cannons, your tickets to see Bixby Snyder and the keys to your new 6000 SUX’ (all of course installed with Blaupunkts), because we’re headed to Old Detroit in this all new episode of Saturday Night Movie Sleepovers!

EXTRAS:

Check out the original Robocop trailer, complete with the original 1984 Terminator score used in the background, since the former’s score wasn’t yet completed!

Watch Peter Weller get suited up in the Robo suit on Entertainment Tonight circa 1986!

Take a look at this great 1987 featurette on all the Special Effects for Robocop!

Have a look at Peter Weller in 2013 talking about how portrayed the character of “Robocop“.

Watch this great 2013 Robocop Q & A panel, set up by Nancy Allen, for a charity to benefit the weSpark Cancer Support Center.

Here is the first, brand new 2017 trailer for the epic documentary, RoboDoc: The Creation of Robocop, coming later this year. 

Last and far from least, check out all the specs on the various modified weapons in Robocop on the Internet Movie Firearm Database or IMFDB.com!

July 19

A Tribute to George A. Romero – SNMS Presents: The Side-Cast

George A. Romero

(February 4, 1940 – July 16, 2017)

On Sunday July 16th, 2017 it was announced that filmmaker George A. Romero passed away. His debut film, NIGHT OF THE LIVING DEAD (1968), is arguably one of the most influential films of all time and his work, on the whole, means a great deal to us here at SATURDAY NIGHT MOVIE SLEEPOVERS. So out of respect to a master that gave us so much, today on this special impromptu SIDE-CAST, Dion & Blake pay tribute to an artist and filmmaker who had set out to make a cheap horror film and in the process changed the world forever…as well as the lives of two movie-loving podcasters, with a penchant for sleepovers.

EXTRAS:

CLICK HERE to listen the episode of the WRONG REEL podcast, on which Blake discusses the work of George A. Romero.

CLICK HERE to watch the George A. Romero section of Showtime‘s fantastic Bruce Campbell-hosted documentary titled MASTERS OF HORROR from 2002.

CLICK HERE to watch the George A. Romero/Tom Savini episode of the 1989 British television documentary series SON OF THE INCREDIBLY STRANGE FILM SHOW.

CLICK HERE to watch the original cut of the legendary behind-the-scenes documentary, DOCUMENT OF THE DEAD.

July 7

Spider-Man, 1977

Welcome True Believers to another all new episode of Saturday Night Movie Sleepovers! This week J. Blake and Dion Baia are talking a character that is a personal favorite of the boys- particularly J. Blake -and with a new film hitting theaters this week, what better time then to discuss a certain New York City Web-Slinger! That’s right, your ‘friendly neighborhood Spider-Man‘ is the topic and his journey through television with an emphasis on the 1977 TV movie entitled just Spider-Man, and the live-action series that blossomed out of that movie pilot, The Amazing Spider-Man, which ran from 1978 to 1979.

Spider-man

With such a huge topic to cover, the boys initially set out to only talk the 1970’s live-action series but decided they needed to touch on the original 1967 Spider-Man cartoon series that ran until 1970, as well as the first live-action appearance of the character which appeared on of all places, PBS, on 1970’s series The Electric Company. They also felt compelled to discuss the little known, but amazing (no pun intended… or maybe it was…) live-action Japanese TV show entitled Spider-Man (or Supaidâman) that ran from 1978-1979, coinciding with the live-action America series. The fellas do touch upon the other iterations of Spidey in his various animated forms but set up the conversation by going into how much of an influence the character was for Blake growing up, even as far as a very young Blake (with the help of his Mom) submitting Spider-Man artwork to Marvel in hopes of becoming an artist there. The boys then go through the history of the character: summing up comics in the Golden Age, specifically pre and post war; Timely / Atlas Comics’ evolution into Marvel Comics; and Stan Lee‘s fight to breakout of the then-standard storytelling molds for comic books of the day, to be able to tell new kinds of stories that humanize the characters portrayed within. From the 1967 cartoon and appearances on The Electric Company, they dive deep into the 1977 TV movieBackdoor Pilot‘ (as it was called), to the last two-part episode of that series in 1979 called The Chinese Web, released theatrically later as The Dragon’s Challenge overseas. They also breakdown the pilot to the 1978 Japanese show and try to put into words how much the Japanese show blew their minds… So could it be argued that Spider-Man‘s origin story is in fact more tragic than Batman‘s? How does the life-action adaptations from the 70’s hold up? And just how freaking amazing is the Japanese show really? Well make sure you grab some extra web cartridges, your camera and pack a lunch, cause we’re swinging through the glass and cement canyons of New York City this week in an all new and exciting installment of Saturday Night Movie Sleepovers!

Excelsior!!!

*(This podcast was recorded prior to the passing of Stan Lee’s wife, Joan. Our thoughts and deepest condolences go out to Mr. Lee and his family.)

EXTRAS:

Take a look at Blake’s Turkish Spider-Man poster for the theatrical release of The Dragon’s Challenge, signed by Stan Lee! AND here is the American edition of that same poster.

As brought up in the podcast, here is a link to the Society of Illustrators‘ current exhibit on The Art of Spider-Man.

Check out the original 1977 ‘Backdoor Pilot’ TV movie that greenlit the 1970’s series, courtesy of YouTube

Here’s Stan Lee talking about why he disliked the 1978-79 American television series.

Have a look at the great opening for the 1978-79 Japanese series, with subtitles!

And if you didn’t believe the boys about the awesomeness of the Japanese series, have a look at this trailer for it’s re-release from Marvel.com!

For anyone who didn’t know or forgot this existed, please check out the full video of How to Draw Comics the Marvel Way, from 1986, starring Stan Lee and John Buscema!

Also discussed in the podcast, have a listen to Michael Bublé‘s great big band cover of the 1967 animated series theme, which starts as Sing Sing Sing and segues into Spider-Man. And to the show how popular this rarity must of been overseas, check out this live version with stage show, on Italian TV!